Austin Chronicle's Scores

For 4,489 reviews, this publication has graded:
  • 37% higher than the average critic
  • 2% same as the average critic
  • 61% lower than the average critic
On average, this publication grades 7.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 54
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
4,489 movie reviews
  1. Just about as great as a movie's ever gonna be... As for the storytellng, The Godfather is an intricately constructed gem that simultaneously kicks ass.
  2. Although made in 1969, this French masterpiece is receiving its first stateside release with a new print struck for the occasion.
  3. These creatures of the underworld are the fervid fabrications of del Toro's imagination: More than once they will catch you by surprise and make you gasp.
  4. Before Midnight surpasses the two previous films in this trilogy in terms of its intelligence, narrative design, and vivacity. It’s a grand accomplishment, and I feel greedy about wanting to see this film series continue.
    • Metascore: 96
    • Critic Score 89
    All those seriously interested in foreign cinema are encouraged to take a look at this atmospheric drama -- sure to be remembered as one of the key achievements of the Hong Kong cinema in the 1990s.
  5. More lethal than a nuclear waste dump, Kubrick's komedy at least kills us with laughter... It's one of the greatest - and undoubtably the most hilarious - antiwar statements ever put to film.
  6. Pixar's animation is simply flawless; colorful, deeply realized, and ably conveying both the chaos of the kitchen, and the sensual allure of food well prepared.
  7. Blisteringly entertaining.
  8. It's a mistake to confuse Zero Dark Thirty for "truth" – that would be a disservice to the high level of craftsmanship, from first-billed actors to below-the-line production crew, at work in this movie fiction – but there is admirably little fat on its bones.
  9. The story winds its way over the material, forcing the characters and the viewers to constantly reassess everything they have seen and heard.
  10. Angela Lansbury's frighteningly in-check performance is alone worth the trip.
  11. Fiercely original in every respect.
  12. Very satisfying. Classic storytelling, modern techniques. And the images: This movie has embedded so many strange and new mental pictures in my head that I'm not able to shake free. Yet, neither would I want to be free.
  13. The tension is enough to make you slightly sick, and the overall mood of the thing is deeply dispiriting, but then, nobody ever said that war isn't hell.
  14. This is Pixar's finest and most emotionally powerful film yet, and it draws on a wealth of cinematic resources that run the gamut from Chaplin's best to Buster Keaton, Jacques Tati, and even Martin and Lewis.
  15. Love means being helpmates throughout all of life's stages. Death is part of love's bargain, and Haneke lays this fact bare.
  16. A masterful synthesis of generic conventions and creative imagination, a sublime amalgam of some of the best tendencies and talent our times have to offer.
  17. The movie's ending at the train station and the modern-day epilogue feel protracted and indulgent...Apart from the ending though, this is Spielberg's most articulate movie ever.
    • Metascore: 93
    • Critic Score 100
    Some movies are like Dorothy's twister; they just pick you up and whisk you away from the commonplace world you know to a world wondrous and astonishing. Days of Heaven is such a movie. [27 July 1998]
    • Metascore: 92
    • Critic Score 89
    Could easily have tipped over into melodrama, but Schnabel is too much an artist to let that happen; he realizes that in order to make his hero truly substantial, and not just sympathetic, he has to present him as an ordinary man making the best of extraordinarily lousy circumstances. By doing so he’s created a character we not only marvel at but identify with.
  18. The keen observations of The Class ultimately become a remedial education in themselves.
    • Metascore: 92
    • Critic Score 100
    The performances are riveting and the visuals are stunning. The boxing sequences are brutally realistic - there are no crappy Rocky theatrics here - and the humanity oozes out of every scene.
  19. There Will Be Blood is not a movie that disappears quietly.
  20. This is high fantasy of the best kind.
  21. I laughed more (sincerely, full-throatedly) at Toy Story 3’s smart comedy than at any other film of the still-young summer movie slate.
  22. The perfect antidote to the summer heat in Austin, more refreshing even than a dip in our chilly holy waters of Barton Springs.
  23. The Queen is palace intrigue at its finest.
  24. Repulsion's depiction of a young woman's dissolution into madness is one of the most harrowing mental descents ever depicted onscreen. (Reviewed 11/24/97)
  25. A stunning work of beauty, mystery, contemplation, and grit -- and like sands through the desert hourglass, these are the days of our lives.
  26. Be forewarned: Folman closes his film with a grisly, real-death denouement that may give you some nightmares of your own. As well it should.