Baltimore Sun's Scores

For 192 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2 points higher than other critics. (0-100 point scale)
Average TV Show review score: 67
Highest review score: 100 The Shield: Season 1
Lowest review score: 0 Do Not Disturb: Season 1
Score distribution:
  1. Mixed: 0 out of 127
  2. Negative: 0 out of 127
127 tv reviews
  1. In its first season, I thought it was the best cop drama on television. Last year, I thought it was the best drama - period. What's left, the best series in American television? It almost goes without saying. [3 Mar 2001]
    • Baltimore Sun
  2. I love The Shield so much, I spent the two weeks since I saw it wondering if I could bring myself to actually say in print what I thought after screening the first three episodes: This is better than "Homicide: Life on the Street." If you've been reading The Sun for any length of time, you know I face East, bow my head and light incense in an act of worship at the mere mention of that late, great, ratings-challenged NBC drama. [12 Mar 2002, p.1E]
    • Baltimore Sun
  3. While there is no shortage of narrative theorists who talk about detective fiction as being most successful when it is like a puzzle, no one on network television has ever managed to create a series that could make viewers feel as if they were actually putting together a puzzle piece by piece as they watched. Perhaps the nearest anyone came was the writing team of Richard Levinson and William Link with their pilot for Peter Falk's Columbo, but Boomtown is light years beyond what Levinson and Link were doing in the 1970s. [28 Sept 2002, p.1D]
    • Baltimore Sun
  4. Dazzling...The West Wing is the one new series you do not want to miss. In fact, you don't even want to show up late for its start at 9 tonight. Walk the dog early, shut off the telephone at 8: 55, bribe the kids if necessary to get them in bed, just be there for the one new series that will remind you how exciting the fall network TV season used to be before the networks lost their way in bottom-line thinking and mega-corp greed. [22 Sept 1999, p.1E]
    • Baltimore Sun
  5. The power of the writing and performances are such that after just 30 minutes, you feel as if you know each of these characters intimately--and you find yourself already caring about them. And you wonder what role they will play in the troubled life and journey of Dr. Paul Weston.
  6. The final scene is a moment of pure TV story-telling mastery straight through to the sounding of "Tobacco Road." And you can feel the surge of energy it releases in Draper's psyche--and the series--practically radiating off the screen.
  7. Ed still believes in the realm of possibility, and perhaps even in magic. And that's part of what makes Ed Stevens such a welcome addition to the prime-time landscape. [7 Oct 2000, p.1E]
    • Baltimore Sun
  8. I'm not saying "Treme" is necessarily in a league with "The Sopranos," "The Civil War" or even "Homicide" at its best. But the pilot moved me as those productions did--and in the world of television, that is something special.
  9. I have now seen the pilot for Felicity four times. The first two times were just for enjoyment. The last two were reality checks to see if it is really as good as it seemed during the first two viewings. It is...Felicity is not just the best pilot. It is the one joy of the new network season. [29 Sept 1998, p.1E]
    • Baltimore Sun
  10. Mozart wrote finales for his operas by focusing on a theme sounded in the opening notes, then expanding and building upon it through repetition and the amplification of other voices for a glorious ending. So is David Chase, creator and executive producer of The Sopranos, writing the finale for this landmark TV series - and if this isn't art, then neither is Mozart.
  11. Freaks and Geeks will certainly capture the heart of anyone who came of age in the late '70s and early '80s (it's set in 1980) and should ring true for anyone whose high school memories have not been totally sublimated...One of the few shows this season that's left me waiting anxiously for week two. [25 Sept 1999, p.1E]
    • Baltimore Sun
  12. There is little precedence within television history for the rich portrayal of working class life as depicted by The Wire. [1 Jun 2003]
    • Baltimore Sun
  13. The smartest and funniest sitcom on television. [19 Jul 1995]
    • Baltimore Sun
  14. Case closed: 24 is the best drama on network TV.
  15. Alias is one of the most non-linear and illogical pilots I have ever seen. It's also one of the most exciting television rides I've had in years. I love its energy. The breathless, roller-coaster montage of movement, color, action and emotion never quits. [29 Sept 2001, p.1D]
    • Baltimore Sun
  16. This is television taking us on a journey into shared memory and the national past. This is television near the top of its game as the Great American Storyteller telling us who we were at one of our finest hours and, so, reminding us of what can be. [9 Sept 2001, p.2E]
    • Baltimore Sun
  17. So daring, richly multi-dimensional and culturally provocative that it's almost anti-television. [3 June 2001, p.2F]
    • Baltimore Sun
  18. It's better than ever. [David] Simon has always been good, but he seems to have truly matured this year as both a writer ... and executive producer. No one is making richer television drama than he is right now. [18 Sep 2004]
    • Baltimore Sun
    • 99 Metascore
    • 100 Critic Score
    By far the best new drama of the TV season...Murder One is profound, brilliant, mesmerizing and scary. [19 Sept 1995, p.1E]
    • Baltimore Sun
    • 55 Metascore
    • 90 Critic Score
    Surely one of the most delightful examples of televised family entertainment this holiday season.
  19. An engaging and illuminating look at the making of a Hollywood film and the business of manufacturing popular culture. [1 Dec 2001, p.1D]
    • Baltimore Sun
  20. One of the most pleasant surprises of the new season. [5 Oct 2000, p.1E]
    • Baltimore Sun
  21. John Adams, a $100 million-plus production about the life and times of America's second president, is one of the most compelling miniseries of the decade.
  22. The Comeback has its flaws. But this is a moment well beyond the depth of most television comedies. This is the stuff of which plays by David Mamet and Arthur Miller have been writ. This is a sitcom to which some attention should be paid. [4 June 2005, p.1D]
    • Baltimore Sun
  23. Offers a smart, sensitive and funny look at the first year of college life. [25 Sept 2001, p.3E]
    • Baltimore Sun
  24. if you are a fan of Braugher's work in "Homicide" and you crave quality drama, this is a pilot you do not want to miss. [10 Oct 2000, p.1F]
    • Baltimore Sun
  25. By far, the best sitcom of the new season. [11 Oct 2000, p.1E]
    • Baltimore Sun
  26. The humor is dark, and the editing is fast-paced and often non-linear. The visual sensibility heightens the surreal quality of life and death with young Dr. Dorian as he careens like a bumper-car through his shift. [2 Oct 2001, p.1E]
    • Baltimore Sun
  27. Despite all the artifice and unreasonable expectations it's selling, "The Real World" is one superb television series. [28 Jun 1995]
    • Baltimore Sun
  28. In the pilot, at least, Whedon manages to capture some of the same "Buffy" sensibility -- a rare combination of sexual energy, irony, intelligence, hot bodies, cool moves, action, menace and comic relief. The challenge is to sustain that tricky tone for a full season. [5 Oct 1999, p.1E]
    • Baltimore Sun

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