Baltimore Sun's Scores

  • Movies
  • TV
For 2,025 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 0.1 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Spirited Away
Lowest review score: 0 Fame
Score distribution:
2025 movie reviews
  1. A masterpiece.
  2. With a surgical saw instead of a hatchet, del Toro takes apart patriarchy and opportunistic religion as well as fascism.
  3. Great American movies are, these days especially, few and far between, so let's everybody take a deep breath and mark the moment: Hoop Dreams, all three hours' worth, is a great American movie. It's got the sting of drama and the ache of truth; it's even got the sting of truth and the ache of drama.
  4. It leaves you dazed and sated. Compared to the fast food "eye candy" surrounding it these days, Metropolis is a gourmet 20-course meal.
  5. Rififi, with its stark visuals, dark humor and constrained performances, earned Dassin the Best Director nod at the Cannes Film Festival and a secure place in film history.
  6. Without a single gunshot (and just one flick of a switchblade), it turns into an existential suspense film with the highest stakes imaginable: the survival of the human spirit.
  7. Ratatouille is a sublime dish of a movie, and the company's piece de resistance.
  8. A non-stop cinematic funhouse impossible to resist.
    • Baltimore Sun
  9. A visual masterpiece about a scared little girl's breathtaking journey of self-discovery. All of the fun is getting there.
  10. It is the most dynamic animated film ever made, and the prance of its camera, the sense of penetration into its action, the brilliantly paced editing pyrotechnics give it a crackle of life far more abundant than any feature that's come before.
  11. It's that rarest of all films, the one that can unify, not divide, the generations, as both jaded teen-agers and their more innocent parents can connect with it. And of course for the kids, it's pure balm from heaven.
  12. The movie is a marvel - bold, lucid and succinct (even at 123 minutes). It's also harrowing and moving in its depiction of noncombatant men, women and children caught between terrorism and counter-terrorism.
  13. The movie does work, spectacularly.
  14. Killer of Sheep is a miracle movie because it's receiving its first theatrical release 30 years after it was made and because, as a movie, it's miraculous.
  15. The Hurt Locker redefines war-film electricity.
  16. A film that celebrates the intricacies of life in ways both splendid and mundane, revealing it all with unflinching honesty.
  17. It rises, all on its own, to the realm of masterwork.
  18. Rarely has combat been portrayed as beautifully as in Crouching Tiger, Hidden Dragon, Taiwanese director Ang Lee's thoughtful meditation on menace, mortality and the martial arts.
    • Baltimore Sun
  19. Anderson and Day-Lewis strip themselves of their natural talents for invention and poetry, as if any hint of romance, nobility or fun would soften the film.
  20. Except for the Mozart music and Tharp movements around the edges, Amadeus plays like a monument to mediocrity. The movie belongs to Salieri.
  21. It's still the Holy Grail of crazy comedy.
  22. The Diving Bell and the Butterfly provides an ecstatic lift for movielovers, despite the tragic subject.
  23. The Class ranks with the very best films ever made about teaching, and it's unlike any English or American film about teaching ever made.
  24. The movie's jabbing originality is what sticks in your memory.
  25. A movie masterpiece -- thrilling, passionate and wise.
  26. By all means, buy a ticket to The Fast Runner, but don't go expecting a masterpiece; actually, in its first hour, the dramaturgy and staging of scenes set in igloos are cramped and amateurish.
    • Baltimore Sun
  27. A lyrical, mysterious and provocative meditation on the power of memory and narrative, After Life is a fascinating speculation on life and death -- until its plot takes a turn so melodramatic that the spell is broken. [20 Aug 1999, p.3E]
    • Baltimore Sun
  28. The movie is emotionally tumultuous and evenhanded and serene. It celebrates the odd pockets of imagination and individuality that can be nurtured in middle-class suburbia. [2002 re-release]
  29. A madcap milestone. Not since Disney's 75-minute Alice In Wonderland (1951) has an animator filled the screen with dazzling flights of random invention that manage to hook up into a swift, brief narrative.
  30. Mirren brings intellect, humor and romance to the role of Elizabeth II.

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