Blender's Scores

  • Music
For 1,854 reviews, this publication has graded:
  • 39% higher than the average critic
  • 3% same as the average critic
  • 58% lower than the average critic
On average, this publication grades 7.8 points lower than other critics. (0-100 point scale)
Average Music review score: 65
Highest review score: 100 Together Through Life
Lowest review score: 10 Folker
Score distribution:
1854 music reviews
    • 60 Metascore
    • 60 Critic Score
    Linkin gain from their hip-hop daring, and the dance domos get to wedge a foot in the crossover door. [#9, p.151]
    • Blender
    • 82 Metascore
    • 80 Critic Score
    Beginning with "Further On (Up The Road)," Springsteen finds his footing and rides out the album on a stirring high note. [#9, p.140]
    • Blender
    • 73 Metascore
    • 60 Critic Score
    Thompson's pure, effortlessly soaring vocals feel undimmed by time. [#9, p.156]
    • Blender
    • 54 Metascore
    • 60 Critic Score
    The gorgeous arrangements are still firmly in place, and the wavery vocals more earnest than ever. [#9, p.143]
    • Blender
    • 63 Metascore
    • 40 Critic Score
    "Beer for My Horses," a rangy duet with Willie Nelson, and easy grooves like "Ain't It Just Like You" don't chase away the overbearing taste of "Red, White and Blue," the album's centerpiece first single. [#9, p.150]
    • Blender
    • 59 Metascore
    • 60 Critic Score
    Successful imitation requires a kind of talent, too. [#9, p.156]
    • Blender
    • 65 Metascore
    • 40 Critic Score
    This is simply a useful rampage through the best and worst impulses of the most important group in hip-hop history. [#9, p.153]
    • Blender
    • 78 Metascore
    • 60 Critic Score
    The Lillywhite songs are mostly improved here. [#8, p.119]
    • Blender
    • 73 Metascore
    • 60 Critic Score
    For the tunnel-visioned Zeppelin fan, there's enough vintage Plant here to hold interest. [#8, p.121]
    • Blender
    • 68 Metascore
    • 80 Critic Score
    If you're this good, it's not hype. [#8, p.126]
    • Blender
    • 84 Metascore
    • 80 Critic Score
    A gently involving and moving album, Yoshimi could be the negative image of Radiohead's Kid A: the sound of a rock band using electronica to make music that's inclusive and warm instead of icy and aloof. [#8, p.114]
    • Blender
    • 61 Metascore
    • 40 Critic Score
    They still can't overcome their addiction to sugar. [#9, p.152]
    • Blender
    • 73 Metascore
    • 80 Critic Score
    YYY cram their furious music full of twists and spasmic enthusiasm, filling every second with motion. [#8. p.127]
    • Blender
    • 73 Metascore
    • 60 Critic Score
    She spices mountain purism with rich instrumental and vocal harmony. [#9, p.153]
    • Blender
    • 69 Metascore
    • 60 Critic Score
    The material sinks or swims on the quality of [Duritz's] brooding. [#8, p.116]
    • Blender
    • 70 Metascore
    • 60 Critic Score
    Essentially Californication 2, a reprise of their last album. [#9, p.142]
    • Blender
    • 64 Metascore
    • 60 Critic Score
    Loewenstein manages a decent impersonation of, well, Sebadoh, undercutting his bright melodies and morose shrugs with caustic bass lines. [#8, p.118]
    • Blender
    • 61 Metascore
    • 40 Critic Score
    A great deal, unfortunately, fall into chugga-lugga tedium. [#9, p.148]
    • Blender
    • 55 Metascore
    • 80 Critic Score
    Sounds like a band back on track. [#8, p.120]
    • Blender
    • 75 Metascore
    • 60 Critic Score
    What makes this more than just efficient dance-floor fodder are the guest vocalists. [#9, p.158]
    • Blender
    • 70 Metascore
    • 80 Critic Score
    Sure, it's commercial, but Rosey's expert melding of dance beats and hippie dippiness adds up to a debut slick with beatnik cool. [#8, p.122]
    • Blender
    • 78 Metascore
    • 80 Critic Score
    Glorious, distorted drill-press guitar riffs. [#13, p.103]
    • Blender
    • 82 Metascore
    • 80 Critic Score
    They've got more sweet-and-bitter guitar muscle than ever. [#8, p.122]
    • Blender
    • 76 Metascore
    • 80 Critic Score
    A further step forward. [Jun/Jul 2002, p.102]
    • Blender
    • 70 Metascore
    • 60 Critic Score
    Nellyville will be the year's only record with a bigger-than-life number with Justin Timberlake, a capable ballad with Destiny's Child's Kelly Rowland, an acute dis of preachy rap veteran KRS-One, and an ode to the hip-hop footwear of choice. [#8, p.120]
    • Blender
    • 76 Metascore
    • 60 Critic Score
    The best songs have concise melodies and a likeable punch. The worst just sound like sketches, riffs a more traditionally ambitious group would have discarded. [#8, p.116]
    • Blender
    • 58 Metascore
    • 40 Critic Score
    Bunkka proves he can't write songs to save his slipmats. [#8, p.120]
    • Blender
    • 60 Metascore
    • 80 Critic Score
    A thoughtfully constructed delight. [#8, p.126]
    • Blender
    • 75 Metascore
    • 80 Critic Score
    A more crunchingly bare-bones record all around. [#8, p.123]
    • Blender
    • 76 Metascore
    • 80 Critic Score
    His voice comes as sharp as a rusty switchblade. [#8, p.125]
    • Blender