For 2,093 reviews, this publication has graded:
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66% higher than the average critic
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3% same as the average critic
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31% lower than the average critic
On average, this publication grades 0.6 points lower than other critics.
(0-100 point scale)
Average Music review score: 72
Highest review score: | City of Refuge | |
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Lowest review score: | Lulu |
Score distribution:
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Positive: 1,670 out of 2093
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Mixed: 412 out of 2093
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Negative: 11 out of 2093
2093
music
reviews
- By Date
- By Critic Score
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- Critic Score
A satisfying mix of adult pop-soul love songs that evoke his early work. These amiable, adroitly produced and arranged songs confirm his inimitable knack for graceful melodies and effortless hooks.- Boston Globe
- Posted Dec 4, 2015
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- Critic Score
Less visceral than Beach House and more rhythmic than Trespassers William, GEMS creates its own distinct shade of contemporary dream-pop. Usher’s angular guitar work and layers of synths provide a luxuriously designed sonic backdrop for Pitts’s doomed romanticism.- Boston Globe
- Posted Nov 20, 2015
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- Critic Score
Every song here features cascades of syllables, careful integration of repetition, and narrative momentum.- Boston Globe
- Posted Nov 19, 2015
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- Critic Score
If there are no uptempo blazers on the order of "Rolling in the Deep" or "Rumor Has It," the album doesn’t suffer in quality for the lack.- Boston Globe
- Posted Nov 19, 2015
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With the creative confidence to go with his considerable skills and heart, Logic crafts some polished and appealing material.... Overall, a step up for the sophomore.- Boston Globe
- Posted Nov 18, 2015
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- Critic Score
No one does heartbreak and yearning quite like this veteran singer-songwriter, who sounds renewed here with a streamlined sound in these 12 carefully observed, beautifully sung songs.- Boston Globe
- Posted Nov 13, 2015
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- Critic Score
Church had already set the bar high for himself with his watershed 2011 release, “Chief,” and more disparate 2014 album, “The Outsiders.” He vaults over that bar with “Mr. Misunderstood,” in some ways a love letter to music itself and to the ways it can save a soul, a heart, a sense of self.- Boston Globe
- Posted Nov 12, 2015
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It’s fascinating to hear how some songs started in one direction and darted into another one entirely.- Boston Globe
- Posted Nov 5, 2015
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- Critic Score
Adams starts promisingly with the rockabilly-etched “You Belong to Me” and mission statement “Go Down Rockin’ ” (”I ain’t gonna slow down/ I’m gonna go down rockin’ ”). But things flatten out with the repetitive “Do What You Gotta Do” and the embarrassing “Thunderbolt.”- Boston Globe
- Posted Oct 30, 2015
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On Return to the Moon, their debut for 4AD, the duo play off each other’s strengths--Knopf’s kaleidoscopic art rock and Berninger’s impressionistic storytelling--to skim the best of both worlds.- Boston Globe
- Posted Oct 30, 2015
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Wolf Eyes’ travels through the depths of noise and despair sound like they end up at a place where the gates read “Abandon All Hope,” but the group’s ability to put across its artistic vision with such totality should inspire at least a flicker of optimism.- Boston Globe
- Posted Oct 30, 2015
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His self-titled debut on Anti- Records requires several listens before it comes into focus as a shape-shifting exploration of identity both personal and universal.- Boston Globe
- Posted Oct 28, 2015
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- Critic Score
This 11th album is slighter than the group’s finest records yet there are enough emotionally true narratives here brimming with soul and bruised wisdom.- Boston Globe
- Posted Oct 28, 2015
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Fueled by exploration and musical experimentation, Carlton’s reinvention finds her a long way from “A Thousand Miles”--and in a better place, artistically.- Boston Globe
- Posted Oct 26, 2015
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On Divers, her breathtaking follow-up to 2010’s “Have One on Me,” the singer, songwriter, and harpist affirms her stature as a visionary. It’s the most streamlined of her four albums.- Boston Globe
- Posted Oct 22, 2015
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There’s plenty on Storyteller that will sound familiar to Underwood fans, and a few filler tracks. But a little stretching goes a long way, and this might be her most interesting album yet.- Boston Globe
- Posted Oct 22, 2015
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The music was recorded in a Nashville studio with few overdubs, which lends a welcome organic crunch at times. But overall, the consistency is not what it could be.- Boston Globe
- Posted Oct 16, 2015
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- Critic Score
Raury’s spirit and intent are laudable, but his broad lyrics and potpourri musical approach need refining.- Boston Globe
- Posted Oct 16, 2015
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- Critic Score
Singer-songwriter Josh Ritter is moving fast on his eighth album, but he never puts a foot wrong. The 12-track collection, produced by Trina Shoemaker over two weeks in New Orleans, is positively giddy with wordplay.- Boston Globe
- Posted Oct 16, 2015
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- Critic Score
For all the lyrical power of those songs (and others here), the album’s most affecting moment may be its most plain-spoken: At the set’s end, Lund shares a song about a young niece who died of cancer, “Sunbeam,” that brims with quiet, heartfelt beauty.- Boston Globe
- Posted Oct 12, 2015
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- Critic Score
A forthright album of pop songs that make it clear she is ready to be honest and even vulnerable in her music.- Boston Globe
- Posted Oct 9, 2015
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Among 12 originals there are a couple of failures (“Winslow” is soft, creamy, and dull), but the vast majority insinuate themselves into your brain with repeat listens. Not much commercial potential, but a job well done.- Boston Globe
- Posted Oct 9, 2015
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Whether he is grappling with his confusion with the modern world in the searching title track, mulling the delightful aggravations of relationships on “If It Wasn’t For You” and the joys of making up on “A Little Smile,” or working up a froth on his rage, rattle, and roll version of Television’s “See No Evil,” Jackson is in peak form.- Boston Globe
- Posted Oct 9, 2015
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- Critic Score
Colvin struggles with the Band’s complex “Acadian Driftwood,” but otherwise shines.- Boston Globe
- Posted Oct 6, 2015
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- Critic Score
Stories drags a bit at the end, the low point being a reggae-lite track starring former Fugee Wyclef Jean and the fusion-minded Matisyahu, but when it hits, it hits big.- Boston Globe
- Posted Oct 2, 2015
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What’s surprising isn’t that the band takes such leaps, but that it nails its landings so surely.- Boston Globe
- Posted Oct 2, 2015
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Unbreakable is much closer in sound and spirit to her peak self, and her most solid release in years.- Boston Globe
- Posted Oct 2, 2015
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By reinventing the idea of what a guitar-centric band should sound like from the bottom up, Girl Band has established itself as a much-needed force in rock, and Holding Hands With Jamie is among most exhilarating opening salvos of 2015.- Boston Globe
- Posted Sep 28, 2015
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While the contributors are many, Cass County is a Henley vision down to its bones.- Boston Globe
- Posted Sep 28, 2015
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- Critic Score
This overflows with ideas and intricate synth patterns while maintaining the emotional resonance of the band’s best work.- Boston Globe
- Posted Sep 28, 2015
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