Boston Globe's Scores

For 1,162 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 5.5 points lower than other critics. (0-100 point scale)
Average TV Show review score: 59
Highest review score: 100 Behind the Candelabra
Lowest review score: 0 Rules of Engagement: Season 1
Score distribution:
  1. Mixed: 0 out of 570
  2. Negative: 0 out of 570
570 tv reviews
  1. For conveying such a rich sense of authenticity alone, for showing us the physical rigors facing those whose goal is to challenge gravity, Flesh and Bone deserves praise. The actors playing dancers are all professional dancers, too, so that the practice scenes are lovely and don’t require much dodgy camerawork. The storytelling, alas, leaves something to be desired.
  2. The show isn't awful, just awfully mediocre. [6 Oct 2000, p.D1]
    • Boston Globe
  3. The show offers up a stale fantasy, but it does have a few fresh moments.
  4. The regular characters are generic, and the plots are filled with holes. But as a mindless TV distraction bent on reminding us that the justice system is not perfect, ''In Justice" will do.
  5. While the pacing and acting of the new show is admirable, it's an overtold story and its familiarity lessens the intrigue. Baby, maybe he wasn't born to run, and run, and run. [6 Oct 2000, p.D1]
    • Boston Globe
  6. The material isn't nearly strong enough to support a full half-hour of TV.
  7. As much as I like Parker and Kudrow and the subjects of later episodes such as Susan Sarandon and Spike Lee, I’m not sure I like them enough to care about their long-gone ancestors. It’s primarily when the stars’ family trees overlap with history--the Holocaust, for example, in Kudrow’s case--that the show feels like something more than Hollywood self-indulgence.
  8. As it is, Kennedy buffs will enjoy Ethel enormously. Others likely will think it's about half an hour too long.
  9. State of Affairs is simply an efficient, if warmed-over, drama that features a lot of scribbling, typing, hushed conversing, hand-wringing, ominous intoning, and watching of special ops footage by Heigl and other CIA analysts.
  10. When The Lottery conjectures about the scary cultural tilt that a lack of fertility could cause around the world, it’s at its best.... Unfortunately, the makers of “The Lottery,” led by writer-producer Timothy J. Sexton, who was one of the five screenwriters on the similarly themed 2006 movie “Children of Men,” are more concerned with a far more formulaic suspense story line.
  11. American Horror Story, from Ryan Murphy and Brad Falchuk of "Glee" and "Nip/Tuck," is a very standard creep-fest, an aggressively stylized mash-up of familiar haunted-house movies including "The Amityville Horror," "The Haunting," and "The Shining."
  12. Picket Fences seems to have no reason for existence other than for a very smart writer to test just how smart he is. In this case, too smart by half. Unfortunately, "Picket Fences" may be just smart enough to divert people from the better dramatic series at 10, "I'll Fly Away." [18 Sept 1992, p.58]
    • Boston Globe
  13. It’s too simple and straightforward for its own good. Adapted by screenwriter Richard Christian Matheson, the narrative travels from A to B to C with nary an unexpected twist or subtle discovery.
  14. While the initial arrival of the dome is intriguing, the characters are not.
  15. The script is a little too silly and lighthearted for its own good, undermining its cleverness with absurd plot twists. [11 July 2012, p.D1]
    • Boston Globe
  16. The movie is so carefully stylized, any and all emotional import has been sucked out of it.
  17. NBC sent the first hour of tonight's two-hour season premiere to critics, and it's sprinkled with some of the original fun: inventive special effects, a twist or two, some nifty gore. That doesn't stop it from being the same, familiar mess.
  18. Secret Girlfriend could add up to something worthwhile, with more of that kind of elliptical character revelation and fewer generic dirty-boy adventures. Ultimately, I want to know more about “you,’’ not them.
  19. Fox’s wildly uneven, but potentially addictive new nighttime soap, Empire, feels like an anachronism.
  20. The pluses of the show include watching Leary have a good time and seeing the way the cast gels around him.... Other TV series set in the music business--“Nashville,” “Empire”--have a lot more genre awareness and seem to make the characters’ enthusiasm believable enough. But on Sex&Drugs, even the costumes appear generic and unrealized.
  21. Much as I am compelled to watch "24," and admire its craft, I find that I can't take it seriously.
  22. Change of venue notwithstanding, CSI: Cyber falls squarely in line with its predecessors and is a perfectly adequate diversion in the way that crime procedurals can be.
  23. It's too bland to elicit very strong feelings either for or against. It's a legal drama with the same kind of buddy dynamic as "Psych" and "White Collar," and by the end of the hour--or, just for tonight, the hour and 20 minutes--I felt like shrugging my shoulders.
  24. Allen displays a personality at turns engaging, enraging and endearing ... The problem is that "Home Improvement" is a one-joke sitcom. [17 Sep 1991]
    • Boston Globe
  25. It’s not boring, thanks to strong performances by Christopher Plummer as the ailing Justice John Marshall Harlan and Frank Langella as conservative Justice Warren E. Burger. But still, the loose script, by Shawn Slovo, doesn’t drive home the size and intensity of the moment.
  26. HawthoRNe seems bent on being reverential, complete with musical montages meant to break our hearts. It's not awful, by any means, just too good to be true.
  27. With luck, producer Barney Rosenzweig will soon decide what he really wants out of his show's characters, especially Daly, who quips tartly and fills out stiffly starched shirts. And the heavy-handedness of the scripts will prove less amusing as episodes pass. [31 Mar 1994]
    • Boston Globe
  28. It’s hard to fault a drama that celebrates altruism and tries to glamorize social conscience. But I found myself cringing at the condescending scenes of our rich white savior wandering among the Africans with their colorful outfits and drum music, his checkbook at the ready in case he needs to bribe a local.
  29. Reilly, who is British but who has a convincing American accent, is a sturdy lead. She nicely holds her own in her confrontational scenes with Redgrave. She projects an intelligence that is essential to her role, and in her manic scenes--dancing alone on a balcony ledge or becoming hypersexual--she manages to keep from sliding into full-on caricature. But the writing is too often lazy.
  30. The premiere... doesn't inspire an instant commitment the way the premieres of "Prison Break" and "24" did.

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