Boston Globe's Scores

For 1,248 reviews, this publication has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this publication grades 5.1 points lower than other critics. (0-100 point scale)
Average TV Show review score: 60
Highest review score: 100 Rescue Me: Season 1
Lowest review score: 0 Sons Of Hollywood: Season 1
Score distribution:
  1. Mixed: 0 out of 628
  2. Negative: 0 out of 628
628 tv reviews
  1. So much of the pleasure of Lost is in the way surprise twists arrive completely out of the blue.
  2. This melodrama isn't high TV art, or even middling; but it's dishy, farcical, and funny, as the willowy Serena (Blake Lively) and her circle prey on one another.
  3. They've pulled together a vivid cast and evoked the ideal tone - not comedy, not psychodrama, not sci fi, but an intriguingly evasive blend of them all.
  4. It may be impossible for it to strike TV lightning twice, but True Detective in its second iteration definitely has a charge.
  5. One of Colbert's strengths has always been wordplay, which is in full force on ''The Colbert Report" and gives the show an added level of wit.
  6. Michael Gambon plays Churchill. The supporting cast is filled with British actors you may have admired before without knowing their names.
  7. One of the pluses of Karen Sisco is that, true to Leonard's fiction, the fugitives Karen tracks are more than generic baddies. [1 Oct 2003, p.G1]
    • Boston Globe
  8. Even when Leverage flirts with serious issues, including the mistreatment of an Army reservist who is shot in Iraq by a private contractor, the dramatic tone is whimsical and tongue in cheek. This motley crew is a kind of guerilla comedy troupe that can pick pockets and empty bank accounts, too.
  9. The show is at its best when it digs into the psychological subtleties of the synth-human relationship, including the notion that, with their precision and regularity, they could render us inferior, helpless, and despairingly unambitious.
  10. Like ''Friends," this is not a big-themed series so much as a bunch of little character jokes and relationship confusions getting batted around by an able cast.
    • Boston Globe
  11. Linney and this role were made for each other. There are a few problems with The Big C. Occasionally, the tone veers off course into forced comic absurdity. But my cavils are irrelevant in the face of Linney's extraordinary work.
  12. 30 Rock returns tonight with its best foot forward.
  13. The entire series... has been amped up this time around. It's all gotten a little more Hollywood, even if it's as ensconced as ever in the plush offices and dramatic skyscrapers of New York. [9 Sep 2004]
    • Boston Globe
  14. The show, as fast-paced as ever, is crammed with subplots this season, some of which will be more engaging than others.
  15. [It] passes quickly but gleefully.
  16. By episode 2, though, after the crammed (and super-sized) premiere, [creator] Weisberg reveals a sure sense of detail that bodes well for the future of the series.
  17. Schumer’s delivery is confident and sometimes coy--her jokes about Oprah and the Obamas push the envelope--and she doesn’t bother with a Letterman-esque meta-commentary on jokes that don’t connect. But she also brings an intimacy into the hall, as she gets her audiences to lighten up and laugh at a few secret truths. She loves to play the bad girl, and she’s awfully good at it.
  18. Fans of Sorkin's work, especially his previous shows "Sports Night," "The West Wing," and "Studio 60 on the Sunset Strip," will be pleased to see The Newsroom has all the hallmarks of its predecessors.
  19. It's not too early, however, to heap praise onto this astute, well-written show and its many specific wonders.
  20. Dirty Sexy is right on the money.
  21. Nashville falls somewhere in between the two extremes, a story that thrives on heightened melodrama and big twists but gives its characters more depth than you generally find in network lather-fests.
  22. The abundance of material plays out naturally, in a nicely arranged script by John Pielmeier that leans heavily on the R-rated soap side of things. You'll probably get lost in the high melodrama while watching this massive chess game, where the pawns are as prominent as the bishops, the king, and the queen.
  23. If you enjoy slowly piecing together a puzzle without having first seen the final image, Rubicon is right up your alley; if not, the brainteasing will likely unnerve you.
  24. The best of a recent group of heist dramas, including NBC's "Heist" and FX's "Thief."
  25. American Crime is indeed filled with some impressive material, if you can get past the pretensions.... Both Hutton and Huffman act up a storm.
  26. [A] thoroughly enjoyable miniseries.
  27. The FX drama returns for its fifth season tonight at 10, after a 19-month absence, and it returns to its former glory after an unfortunate fourth-season slump.
  28. Given how sharp his songwriting is, it’s little surprise that Sondheim makes an excellent storyteller, always candid and precise, and by turns funny and rueful. And it’s a remarkable tale, one that could probably make for a great musical.
  29. A finely constructed docu-dramatic piece, Cinema Verite folds together the stories of the Louds of Santa Barbara and the PBS filmmakers who took over their home, and it adds in both real and expertly re-created footage from the 12 episodes of "An American Family."
  30. Montage of Heck is dizzyingly impressionistic and dense with information: snippets of recordings Cobain made, interview excerpts, and images that, in some cases literally, animate his life story.

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