Boston Herald's Scores

  • TV
For 703 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 1.2 points lower than other critics. (0-100 point scale)
Average TV Show review score: 64
Highest review score: 100 Boston Legal: Season 1
Lowest review score: 0 One Tree Hill: Season 1
Score distribution:
  1. Mixed: 0 out of 379
  2. Negative: 0 out of 379
379 tv reviews
  1. While the premise is slight, smart casting gives Ben and Kate a comedic edge.
  2. While the two play for the cameras, it feels forced. Tallman rolls his eyes so often, they just might tumble out and roll away like loose marbles. His off-the-cuff remarks about his customers won't help his business.
  3. Underneath the crude humor, there's a sweetness and an honesty to the show. The duo's struggle with weight is believable.
  4. Sons doesn’t shine yet, but it could if the writers embrace their loony wild childs. Even at its worst, Sons is better than a third Seth MacFarlane cartoon
  5. The Big C doesn’t traffic in miracles, but it does deliver small pleasures worth pondering and savoring.
  6. Your enjoyment of "Vengeance" ultimately hinges on how much you remember the betrayals and back-stabbings of the first season, "Spartacus: Blood and Sand."
  7. This is "King Arthur Begins." Fiennes seems determined to play the Joker. Whether this interpretation of the sorcerer will cast a spell over viewers is uncertain.
  8. If you dwell too much on the plot, you’ll fall into a chasm of disbelief.... Flowers doesn’t look like a Lifetime film, and that’s a compliment. The production moves at a brisk pace, and unlike the children’s predicament, never feels claustrophobic.
  9. In its best moments, the drama has the grit of something more likely to be found on cable channel TNT.
  10. Serenity arrives in surprising ways. Whether Mike makes it in this arena or not, Taking on Tyson suggests he's already won his toughest battle.
  11. At times, the show careens from black humor to near tragedy and then back again.
    • 70 Metascore
    • 67 Critic Score
    'Real World III' seems to have learned from the past. While there is the requisite amount of conflict, this group seems to be able to deal with it without the angst, the anger or the attitude of its predecessors. These roommates seem - hang on to your flannel shirts - mature. [23 Jun 1994]
    • Boston Herald
  12. Like a lot of reality shows ranging from the silly "Real World" to the loathsome "Jersey Shore," All-American Muslim ends up reinforcing some stereotypes while defying others.
  13. Witches of East End is the campiest hot mess on TV.
  14. A&E reboots the legend of Alfred Hitchcock’s “Psycho,” but Bates Motel plays like a slow-burning riff on David Lynch’s “Twin Peaks” sparked by some fascinating, nuanced performances.
  15. Elementary turns the myth into CBS' answer to "Castle," with a shade more intelligence.
  16. Spartacus fetishizes violence even more than it depicts sex and nudity, which is often. There’s a whole lot of B.C. banging going on here.
  17. Of the cast, Winger seems to be the weakest link, brittle and uncertain, but it's too soon in her arc to write her off. The series is like a mystery novel, but the crimes of the heart here are ones the patients unwittingly inflict upon themselves and the lengths they'll go to hide from the truth. Watching Byrne's sullen shrink match wits with Ryan's cool therapist is the best reason to book an appointment with In Treatment.
  18. Sit through TNT’s The Hero and “72 Hours” and REELZ’s “Race to the Scene” back-to-back, you realize how much the genre lives on the tired bone marrow of “Survivor” and "The Amazing Race."
  19. If the show can strike a balance between chuckles and capers, Covert Affairs won't be a secret. It will be USA Network's biggest hit.
  20. Carter’s journey is rushed. If the show just pumped the brakes a bit, it might discover a heart worth following.
  21. The X Factor is "America's Got Talent" with lockjaw, "The Voice" with a smoker's hack and "American Idol" on steroids. It is a garish, crass spectacle, and just might produce America's next superstar.
  22. The twist in the final moments suggests the series already could be catching a case of the stupids, in which case, no cast, no matter how talented, will be able to save this show.
  23. A&E’s Wahlburgers is a thick heaping of Boston baked silliness starring two of Hollywood’s biggest stars and their beloved mom.
  24. Oh, you'll laugh. But you probably won't remember much of it the next day.
  25. Is the show still funny? Sure. But it now seems about as cutting edge and relevant as "Alf" or "Suddenly Susan."
  26. Plotting is not Fellowes' strength, but Downton's appeal is visual.
  27. The Newsroom manages to be both precious and irritating at the same time, and Sorkin’s characters still have that habit of talking over each other, which might be realistic, but makes it hard for viewers to understand what the heck they’re sparring about.
  28. Deschanel is utterly con-vincing as this off-kilter gal, and of the supporting cast, Wayans sparks the most as Coach.
  29. Even offering a slightest knock of this show feels about as kind as, say, throwing a rock at a Haitian orphan. This viewer, however, is not convinced there’s a one-hour series here.

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