The PC edition of Team Bondi's groundbreaking adventure game offers 5 additional investigations (previously released for consoles as DLC) and translated to PC very well. [January 2012, p.52]

A better polished, expanded and more interesting incarnation of Trine. Plus it demands more thinking than the first game, gives you more freedom in solving puzzles and is the most gorgeous platformer out there. [February 2012, p.52]

In a never ending discussion about whether games can be perceived as an art form To the Moon is a proof they can. [February 2012, p.61]

The only real flaw I can point out is optimization – Oil Rush slows down randomly once in a while. It does not impair its great playability though. [March 2012, p.46]

The game that I didn't really look forward to turned out to be an extremely absorbing and satisfying experience. The longer I played, the closer I was sitting to the TV and the tighter I was clutching my gamepad. [May 2012, p.48]

Looks great, sound great and plays great. Stacking can really rev your brain cells up. [May 2012, p.61]

A fighting game that you just can't miss! Controls are friendly and satisfying and the level of thrill Street Fighter X Tekken delivers is over the top. It's a pity that game modes seem half-baked and Blanka is available in DLC only. [May 2012, p.62]

Regardless of whether you call Superbrothers a game or a concept album with an interactive visualization, I will not forget this adventure for a long time. [June 2012, p.58]

Unbounded is a part of a franchise strongly associated with consoles but somehow turns out to be average on X360 and one of the best arcade racing games in years on PC. On PC it just plays better (even with a keyboard!) and is extremely rewarding. [June 2012, p.66]

Insane speed and vertical combat make Tribes: Ascend extremely enjoyable and rewarding. And it's free, so it's a sin not to give it a chance. [June 2012, p.78]

After all these years it could have been bigger, better, more polished. It could have had a PvP mode or a voice chat, or at least a more competent loot generator. But if you drop all the 'could have beens' Diablo III is a great, addictive game. [July 2012, p.46]

It's not much more than tweaked Orcs Must Die! It offers more of the things we loved in the original game – and that's why it's so hard to stop playing it. [10/2012, p.64]

Driving a Formula 1 car in F1 2012 is more pleasant than ever. Developers dealt with problems that infested the previous edition two years ago but flaws of various calibers are present and prevented me from rating this game higher. Still it's the most accessible Formula 1 simulation ever. [12/2012, p.44]

Dishonored could well have been the fourth installment of the Thief series, but there are also traces of BioShock and Half-Life 2 here and there. If you compare it to these paragons it's a bit disappointing, but it still shines among this year's games. [12/2012, p.60]

A free game that lets you relive Half-Life without having to stomach outdated visuals. Essential to every gamer. [12/2012, p.69]

If ten years ago, when I told my parents I want to learn to play guitar, I had had a choice between a 15W practice amp and this game, I would have chosen Rocksmith. [12/2012, p.74]

The most impressive thing about this 2D stealth game is that majority of problems can be solved in various ways depending on your playing style – you don't have to kill anyone. Klei Entertainment (known for two installments of Shank) managed to design a game that rewards not only patience and quick reactions, but also creativity. [12/2012, p.77]

Distinctive humour, fantastic graphics, tons of weapons and an unconventional world – there's simply no other game like Borderlands 2. What ails me is that a lot of minor flaws could have been fixed with a small amount of work. [12/2012, p.56]

A fast, demanding shooter with a huge potential for the future. It's basically CS: Source, but the maps are more polished and the game looks better. [11/2012, p.64]

In terms of technology it's not so fresh anymore, but the rest is really likeable. Thanks to the necessity of making choices (some of which are 'hidden' and not obvious) this time I didn't feel like a puppet in the hands of the writers and the multiplayer is amazing. [13/2012, p.42]

The best, the most interesting and the most elaborate entry to the series. Engine's limitations are more visible than ever before but it doesn't change the fact that Traveller's Tales once again managed to deliver an enjoyable game chock-full of content. [CD-Action 1/2013, p.44]

One of the most original and addictive platformers I've ever played. [CD-Action 1/2013, p.46]

Although it's hard not to appreciate the story (the line between the good and the evil was never this thin in any previous Assassin's Creed) numerous technical issues prevent you from forgetting it's just a game. In addition controls are not very intuitive and low resolution textures occur far too often. Still it's definitely worth playing. [1/2013, p.52]

The feeling of potencythat grips you when you storm through the map alongside hundreds of your allies is one of a kind. Neither Call of Duty nor Battlefield can provide you with this impression of taking part in something grand. [1/2013, p.56]

In terms of story, puzzles and length Deponia 2 outmatched its predecessor and the ending raises hopes for an equally great finale. [CD-Action 1/2013, p.69]

Bethesda’s games were never perfect but they made up for their flaws with a promise of a grand adventure. It’s not different this time – Dragonborn reminds us why we loved Skyrim. [CD-Action 02/2013, p.54]

I remembered Zone of the Enders on PS2 for two reasons – because it looked great and was so much fun to play. Both these qualities were carried over to the HD version. [CD-Action 02/2013, p.66]

The new Tomb Raider is not as revolutionary as the original from 1996 but this reboot is the most mature, interesting and friendly entry to the series. For me it is Uncharted on steroids, a game that’s better in every aspect than Nathan Drake’s adventures. [CD-Action 04/2013, p.52]