Chicago Sun-Times' Scores

  • Movies
  • TV
For 5,481 reviews, this publication has graded:
  • 74% higher than the average critic
  • 2% same as the average critic
  • 24% lower than the average critic
On average, this publication grades 8.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 71
Highest review score: 100 Big Night
Lowest review score: 0 Dirty Love
Score distribution:
5481 movie reviews
    • 67 Metascore
    • 63 Critic Score
    The description sounds like a real-life fish-out-of-water tale crossed with a sports movie. But the film wants to be more than that, and I'm on the fence about how well it succeeds.
  1. Did I like the film? Yeah, kinda, but not enough to recommend. The first film arrived with freshness and an unexpected zing, but this one seems too content to follow in its footsteps.
  2. Princess Kaiulani is much remembered in Hawaii, much forgotten on the mainland, and the subject of this interesting but creaky biopic.
  3. It shouldn’t necessarily be the case that a film focusing on the collateral details of the shooting, after the fact, would feel dull and uninvolving, but this writing/directing debut by journalist Peter Landesman does, with the exception of a few particularly interesting revelations.
  4. The message of inspiration is strong and certainly qualifies as solid family entertainment. I only wish there were fewer trite truisms scattered throughout the script and less predictable dialogue for the solid troupe of actors to deliver.
  5. I have no idea if this movie was made stoned. Like its predecessors by Cheech and Chong, it might as well have been.
  6. Sometimes you see a play and you can imagine it being a movie. Sometimes you see a small movie like this, and you can imagine it working better as an intimate stage play.
  7. It leads to one of those endings where you sit there wishing they'd tried a little harder to think up something better.
  8. We know Kline can play kooky (he won an Oscar as Otto in "A Fish Called Wanda"), and he does it very well, but the effort can become exhausting after a while.
  9. The movie's premise devalues any relationship, makes futile any friendship or romance, and spits, not into the face of destiny, but backward into the maw of time. It even undermines the charm of compound interest.
  10. There is no one in the movie to provide a reasonable reaction to anything; the adults are all demented, evil, or, in the case of Mr. Poe, stunningly lacking in perception, and the kids are plucky enough, but rather dazed by their misfortunes.
  11. Is the film worth seeing? Well, yes and no. Yes, because it is exactly what it is, and no, for the same reason.
  12. I object to the movie not on sociological grounds but because I suspect a real geisha house floated on currents deeper and more subtle than the broad melodrama on display here.
  13. I didn't laugh much. I don't think the Stooges are funny, although perhaps I might once have. Some of the sight gags were clever, but meh. The three leads did an admirable job of impersonation. I think this might be pretty much the movie Stooges fans were looking for.
  14. Chasing Madoff is not a very good documentary, but it's a very devastating one.
  15. A well-made thriller with a lot of good acting, but the death of Elisabeth Campbell is so unnecessarily graphic and gruesome that by the end I felt sort of unclean.
  16. The movie is broad and clumsy, and the dialogue cannot be described as witty, but a kind of grandeur creeps into the screenplay by Ted Griffin and Jeff Nathanson.
  17. A perfectly acceptable brainless action thriller.
  18. The problem with Code 46 is that the movie, filled with ideas and imagination, is murky in its rules and intentions. I cannot say I understand the hows and whys of this future world, nor do I much care, since it's mostly a clever backdrop to a love affair that would easily teleport to many other genres.
  19. The one element in the movie that is not standard and that does have some energy is the TV show itself, with Dawson's performance as the egotistical, sleaze-bag host.
  20. The idea of the president's daughter being held captive isn't blindingly original (it's an alarmingly dangerous occupation), but placing the story on a space station is a masterstroke, since we're about filled up to here with prison movies set on Earth.
  21. Some of these stories are fascinating and some are heartbreaking, but together they seem too contrived.
  22. Because it is light and stylish and good-hearted, it is quite possible to enjoy, in the right frame of mind. This is more of a movie to see on video, on an empty night when you need something to hurl at the gloom.
  23. It comes to life in the dance sequences, and then drifts away again.
  24. I think Dwayne Johnson has a likable screen presence and is a good choice for an innocuous family entertainment like this.
  25. This is a well-meaning film with a good idea that unfortunately stumbles on its way to its less-than-satisfying end.
  26. The problems resulting from the switch of identities are fairly predictable, but fun: This is one of the better recent Disney productions.
  27. It's not the idea that people will kill each other for entertainment that makes Series 7 jolting. What the movie correctly perceives is that somewhere along the line we've lost all sense of shame in our society.
  28. Despite the filmmakers’ best attempts, the latest screen adaptation of Shakespeare’s tragic love story Romeo & Juliet lands with a dull thud.
  29. The good news: Hardy creates two memorable characters, making some bold and always entertaining if not entirely successful choices. The bad news: Somehow, the fictionalized version of the terrifying, violent and twisted Krays manages to be pedestrian and derivative for long stretches.

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