Chicago Sun-Times' Scores

  • Movies
  • TV
For 4,770 reviews, this publication has graded:
  • 74% higher than the average critic
  • 2% same as the average critic
  • 24% lower than the average critic
On average, this publication grades 9.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 71
Highest review score: 100 Wadjda
Lowest review score: 0 Jupiter Ascending
Score distribution:
4,770 movie reviews
  1. Dungeons & Dragons looks like they threw away the game and photographed the box it came in.
  2. A painfully stolid movie that lumbers past emotional issues like a wrestler in a cafeteria line, putting a little of everything on his plate.
  3. Bad films are easy to make, but a film as unpleasant as Baby Geniuses' achieves a kind of grandeur.
  4. Rarely has a film centered on a character so superficial and unconvincing, played with such unrelenting sameness. I didn't hate it so much as feel sorry for it.
  5. Robert Rodriguez has somehow misplaced his energy, his flair and his humor in this third film, which is a flat and dreary disappointment.
  6. The movie is set up as a valentine to Vardalos. She should try sending herself flowers.
  7. Even with a terminally ill teenage son character, a pill-popping absentee mother and a crotchety grandpa character, The Forger is consistently ineffective as a sentimental tearjerker — and an even bigger failure as a heist movie.
  8. A closing scene, rousingly patriotic, takes place back on the football field. I think I'm beginning to understand why the Chinese were not reckoned to be a prime market for this film.
  9. Perhaps movies are like history, and repeat themselves, first as tragedy, then as farce.
  10. An average Adam Sandler comedy, which, sadly, means it’s a below-average comedy — because whatever comedic fire and bursts of genuinely inspired humor Sandler once possessed have long ago burnt out.
  11. Uncle Buck attempts to tell a heart-warming story through a series of uncomfortable and unpleasant scenes; it's a tug-of-war between its ambitions and its methods.
  12. An innocuous family feature that's too little/too late in the fast-moving world of feature animation.
  13. What we basically have here is a license for the filmmakers to do whatever they want to do with the special effects, while the plot, like Wile E. Coyote, keeps running into the wall.
  14. Movies like this demonstrate that when it comes to stupidity and vulgarity, only the best will do for our children.
  15. Director/co-writer/actor Zach Braff’s Wish I Was Here is a precious and condescending exercise in self-indulgent pandering, featuring one of the whiniest lead characters in recent memory.
  16. There is nothing funny about the situation in Teaching Mrs. Tingle.
  17. The Legend of Zorro commits a lot of movie sins, but one is mortal: It turns the magnificent Elena into a nag.
  18. It involves teenagers who have never existed, doing things no teenager has ever done, for reasons no teenager would understand. Of course, it's aimed at the teenage market.
  19. It's nice, but it's not much of a comedy.
  20. You want gore, you get gore. Hatchet II plays less like a slasher movie than like the highlight reel from a slasher movie.
  21. Obviously made with all of the best will in the world, its heart in the right place, this is a sluggish and dutiful film that plays more like a eulogy than an adventure.
  22. I cringed.
  23. I went to Crossroads expecting a glitzy bimbofest and got the bimbos but not the fest. Britney Spears' feature debut is curiously low-key and even sad.
  24. As for Shaquille O'Neal, given his own three wishes the next time, he should go for a script, a director and an interesting character.
  25. The Jackal, on the other hand, impressed me with its absurdity. There was scarcely a second I could take seriously.
  26. I seem to be developing a rule about talking animals: They can talk if they're cartoons or Muppets, but not if they're real.
  27. A dull collection of unlikable, paper-thin characters, all of them stuck in a story that has nowhere interesting to go.
  28. The problem is, the plot wavers from nearly indecipherable to semi-ridiculous to … I stopped caring.
  29. A classic species of bore: a self-referential movie with no self to refer to. One character after another, one scene after another, one cute line of dialogue after another, refers to another movie, a similar character, a contrasting image, or whatever.
  30. The plot was an arbitrary concoction.

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