Chicago Sun-Times' Scores

For 716 reviews, this publication has graded:
  • 66% higher than the average critic
  • 3% same as the average critic
  • 31% lower than the average critic
On average, this publication grades 0.8 points higher than other critics. (0-100 point scale)
Average TV Show review score: 66
Highest review score: 100 In Treatment: Season 1
Lowest review score: 0 The War at Home: Season 1
Score distribution:
  1. Mixed: 0 out of 501
  2. Negative: 0 out of 501
501 tv reviews
  1. Goofy and good-hearted, '3rd Rock' winks at the human condition. [8 Jan 1996]
  2. Probably isn't for everyone, but surely more than a few viewers will identify with the misfits of all backgrounds and (judging from the presence of Loudon Wainwright as father to Steven Karp, the series' central character played by Jay Baruchel) ages thrown together in an anxious environment of self-discovery and perhaps too much freedom. [25 Sept 2001, p.47]
  3. Pacing is brisk. The mood, generally eerie. The special effects--a fruit truck smashing accordion-style into a clear wall--don’t disappoint. It’s basically the television version of an entertaining beach read.
  4. A success in that it exceeds expectations. It sets up the challenging premise that God -- in the personage of a hunky classmate, a cafeteria worker or who knows what -- might ask us to do things for reasons we can't immediately comprehend, and successfully straddles the razor-thin line between sacrilege and sacred. [26 Sept 2003, p.53]
  5. Compelling... While "The Apprentice" is not without its humor as the budding entrepreneurs inevitably stumble and jostle for position, this is a show that runs counter to the current trend in reality TV in which the wealthy are ridiculed. Instead, it shows the hard work and innovation required to become rich. [7 Jan 2004]
  6. Entertaining, addicting and curiously familiar. [28 Jun 1995]
  7. "Will & Grace" so far is sophisticated and funny. [21 Sep 1998]
  8. The Bridge, which gets better with each of the first three episodes, ventures beyond a singular quest for a serial killer. Other intriguing storylines and characters are given ample attention.
  9. "Weeds" comes from a Hollywood la-la land that is too crammed with trauma and wit to be real. But it's just entertaining enough to be watchable, despite the fact that it doesn't seem to be going anywhere dramatically deep. [4 Aug 2005]
  10. The new episodes find the upper-middle-class mother of two evolving into a gangster. This is a good move for the show. [13 Aug 2007]
  11. While the tendency might be to overpraise this oddball but smart and keenly observed family comedy about the ordinary life of an extraordinary child simply because it arrives square in the middle of a TV season in which most TV comedies have been simply awful, it is nonetheless one of the better shows to come down the pike. [6 Jan 2000]
  12. Unlike "L.A. Law," which presented its stars as invincible courtroom warriors, Kelley's "Practice" emphasizes the gritty details and strange maneuvers that lead to out-of-court settlements and quick Friday verdicts. [4 Mar 1997]
  13. Taking the sitcom-shrink genre beyond "Frasier" and "The Bob Newhart Show," Comedy Central's "Dr. Katz" enters the hip, surreal realm of "The Simpsons." [27 May 1995]
  14. "No Flights, No Tights" is the mantra among the series' writers and producers, emphasizing that this show is set long before the orphan of Krypton becomes a full-fledged superhero. [16 Oct 2001, p.43]
  15. You've seen this kind of shtick before on other shows, but Cohen occasionally gets off a laugh-out-loud moment. [21 Feb 2003, p.45]
  16. The talented comedic ensemble makes the most of the strong material from “Parks & Recreation” vets Dan Goor and Mike Schur.
  17. It could be the fall’s best new drama if it doesn’t veer off course and drive into the ditches of hokey predictability or outrageous implausibility.
  18. A powerful, engrossing yet sometimes hard to watch six-hour elegy. [14 Apr 2000, p.39]
  19. The show’s pricey-looking pilot caters to both comic book geeks and mainstream viewers with its witty writing and special effects.
  20. The storyline is more tightly focused than last year’s see-what-sticks approach. But it also feels like it’s pandering a bit to a younger CW crowd.
  21. It’s required viewing for fanboys. But it also holds broader appeal for anyone curious about the evolution of the comic book genre, its good and bad guys, and its lasting legacy.
  22. The show has a lot going on and it isn’t always easy to follow, but for the most part it’s stylish, sexy and smart.
  23. Rob Lowe does a respectable turn as JFK... [But] It’s the lesser-known story of Lee Harvey Oswald, expertly played with simmering anger by Will Rothhaar, that’s most interesting.
  24. Karl Urban is the main draw as an emotionally and physically damaged detective in Fox’s sci-fi police procedural with a heavy “Fringe” pedigree.
  25. Get ready to laugh and cry with this touching new comedy about a dysfunctional team of nurses and doctors caring for aging patients in a hospital’s extended-care wing.
  26. Few comics could get away with such an irreverent act, but Silverman pulls it off with her disconnected style that blends vulgarity and vulnerability.
  27. The film noir touches are laid on a bit thick, but that’s also part of the appeal of this stylish limited series.
  28. Clever dialogue and an unmistakable sense of place still make the show worth watching, even when the narrative is spinning its wheels.
  29. The Spoils of Babylon is a star-studded, droll spoof of television miniseries from the ’80s.
  30. The Dick Wolf-produced drama is darker than its sister show, but it packs potential for fun with the city’s cops and firefighters crossing paths both on and off the job.