Chicago Sun-Times' Scores

For 805 reviews, this publication has graded:
  • 64% higher than the average critic
  • 2% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 0.9 points higher than other critics. (0-100 point scale)
Average TV Show review score: 65
Highest review score: 100 Orphan Black: Season 2
Lowest review score: 0 The War at Home: Season 1
Score distribution:
  1. Mixed: 0 out of 554
  2. Negative: 0 out of 554
554 tv reviews
  1. The new episodes find the upper-middle-class mother of two evolving into a gangster. This is a good move for the show. [13 Aug 2007]
    • Chicago Sun-Times
  2. The series has a cinematic feel, with plenty of stand-alone, poignant moments punctuating each episode.
  3. It's a lot of fun. It's funny. And stars Bret Harrison and Tyler Labine have better chemistry than most duos on TV.
  4. While no one will mistake Helena Bonham Carter for a twin of the legendary violet-eyed actress, she’s more than convincing alongside “The Wire’s” Dominic West, who brings a troubled Richard Burton to life.
  5. There's nothing wrong with "The Nine." It's just essentially a step above pedestrian.
  6. Tedious.
    • 81 Metascore
    • 100 Critic Score
    It's a beauty--in many ways richer than the Broadway production--and should not be missed.
  7. Irons and the rest of the cast are spot-on. The writing and directing are fairly crisp. Perhaps, though, tracing Elizabeth's life for 20-plus years subtracted from my becoming intently involved in each period of this biopic.
  8. In the end, it all amounts to pretty much the same thing: a half hour with a self-sabotaging wit.
  9. It’s a lot to juggle, but you can count on the payoff to be worth the trouble. Power, weakness, greed, violence--what’s not to like?
    • 81 Metascore
    • 63 Critic Score
    Nothing is as it seems--too much of the time. Intrigue is good; circular storytelling to the point of viewer exhaustion is bad.
  10. It’s a cinematic story whose focus isn’t polar bears and receding glaciers.
  11. With its cross-culture conflicts, bright writing, amusing co-stars and sizzling chemistry between the two leads, Dharma & Greg could be television's best romantic comedy since "Mad About You." [24 Sept 1997, p.53]
    • Chicago Sun-Times
  12. Perpetually miffed, always digging himself out of one disaster while inadvertently miring himself in yet another, David is either making you wince or making you laugh. Unfortunately, it's probably more of the former than the latter. [13 Oct 2000]
    • Chicago Sun-Times
  13. Olyphant's devilish looks balance his white-cowboy-hat principles.
  14. With its stylized violence, pop-culture jokes and self-mocking attitude, Buffy deserves positive comparisons to Wes Craven's "Scream." [10 Mar 1997, p.33]
    • Chicago Sun-Times
  15. The playful and creative scripts are pretty fun. The good-looking cast is solid, led by Barrowman, a graduate of Joliet West High. The special effects are iffy. It's no "Buffy," but like "Buffy" it's getting better with age. It's not hard to imagine it could be must-watch TV by season four.
  16. The cult favorite’s fifth season deftly hits the reset button and starts out strong with back-to-back episodes.
  17. Warning: This is not "Cheers II." With the morose Crane as the central character, the Frasier spinoff reflects the gloomy, occasionally pompous personality of the guilt-burdened shrink and the star who plays him. The humor is moody and cerebral, like the chilly Grammer. But that's not bad - especially in this season of warm and gooey domestic sitcoms. [16 Sept 1993, p.43]
    • Chicago Sun-Times
  18. The kingdoms are gorgeous to look at, down to the last loving detail - you could be entertained just by watching for the inventive suits of armor. The violence is spectacular; the sex is twisted. The producers even had a language invented for the Dothraki, which should please the Dungeons and Dragons crowd.
  19. Stresses hard-edged realism over contrived climaxes. [19 Sep 1994]
    • Chicago Sun-Times
  20. This cult hit deserves mainstream success in its second season, which wastes no time diving back in to the heart-pounding action.
  21. "Desperate Housewives" is, quite simply, a very good time. [30 Sep 2004]
    • Chicago Sun-Times
  22. It's still solidly entertaining (if less so) thanks to Walsh and McMahon's dependable character arcs.
  23. John C. McGinley is a comedic genius. While series lead Zach Braff tries to channel Tom Cavanagh from "Ed" in this single-camera, laugh-track-free comedy about young doctors-in-training from "Spin City" co-creator Bill Lawrence, it's character actor McGinley ("Wall Street") who owns and almost singlehandedly carries the show in his supporting role as mentor Phil Cox. [2 Oct 2001, p.47]
    • Chicago Sun-Times
  24. There's just nothing else on TV with this level of jubilant satire.
  25. The problem with the beginning of "24" isn't the plotting or the rusty acting. It's the pacing, the clunky rhythm of the action-adventure. Thank goodness, the quality of "24" fluctuates, so it has real potential to become great again in future episodes.
  26. The stereotypes slow down in subsequent episodes, which grew more entertaining with each of the four I watched.
  27. It's really kind of a glorious little miracle, a half-hour series of little pictures of simple, complex and unfamous Americans breathing everyday lives, with a twist of kookiness, while they search for the Meaning of Everything and The Big Picture.
  28. This should be solid, action-packed stuff. Where it flattens out is that with Bauer involved -- and even if CTU wants nothing to do with him, he's going to put himself in the middle of all of this -- you know things are going to work out and too often you know how they'll work out. It takes nearly all of the tension away from a series that trades on suspense. [7 Jan 2005]
    • Chicago Sun-Times

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