Chicago Sun-Times' Scores

For 775 reviews, this publication has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 0.7 points higher than other critics. (0-100 point scale)
Average TV Show review score: 65
Highest review score: 100 The Office (UK): Season 1
Lowest review score: 0 Back to You: Season 1
Score distribution:
  1. Mixed: 0 out of 535
  2. Negative: 0 out of 535
535 tv reviews
  1. The acting is top-notch, the editing is fast and furious and the photography is rich, giving the show a fresh feel. But the first episode never really breaks new ground in cop land.
  2. Although the show is somewhat predictable, Polaha adds a great deal of laid-back charm that lightens the mood.
  3. This update is well-written, well-acted, well-shot and, well, just darned entertaining. [6 Oct 2000, p.55]
    • Chicago Sun-Times
  4. The action unfurls a mere 30 years ago, but it may as well be the Dark Ages when viewed through today’s technology-dependent lens. That’s a big part of what makes the show such fun.
  5. It's not as nasty as "Larry Sanders," but "NewsRadio" will tickle discerning audiences with its finely tuned sense of irony and its frank handling of office intrigue, power struggles and sexual tension. [21 Mar 1995]
    • Chicago Sun-Times
  6. The show's first three episodes don't always land their punches. But "The Riches" takes daring swings. And the acting, especially in Monday's debut, is as good as it gets on TV.
  7. It’s required viewing for fanboys. But it also holds broader appeal for anyone curious about the evolution of the comic book genre, its good and bad guys, and its lasting legacy.
  8. There are some great characterizations and attention to detail. If you stick with the series, you'll be treated to a lecture on the perfect briefcase by the droll Michael Cristopher that's worth the price of admission. And if you think your office banter is entertaining, try swapping in-jokes with the intelligence community.
  9. The Spoils of Babylon is a star-studded, droll spoof of television miniseries from the ’80s.
  10. A shallow, pretentious, unfunny new sitcom. ... Although there are some witty lines, 'Flying Blind' is trying so hard to be hip it forgets to be funny. [11 Sep 1992]
    • Chicago Sun-Times
  11. Deliciously disturbing, Hannibal is bound to leave viewers hungry for more.
  12. Film buffs will have a field day analyzing the themes: social climbing, postwar materialism, feminism, lousy parenting, etc. But this is not event TV like "Boardwalk Empire."
  13. This ranks among the best new comedies of the season.
  14. It's disappointing because there was genuine promise here. Spader and Shatner each won Emmys for their work on "The Practice" last season. They're great together as soulless soulmates, partners in slime. ... Unfortunately, they take a back seat to over-the-top stories that -- like hearing "Tomorrow" from the musical "Annie" over and over -- begin to grate in short order. [1 Oct 2004]
    • Chicago Sun-Times
  15. It's a better film than a viewer, and certainly a parent, could expect from a movie based on an 18-inch piece of plastic.
  16. There's nothing wrong with sex, but much of it seems gratuitous here, thrown in not because it's required to tell the story but to needlessly indulge in the freedom that pay cable affords. It detracts from the heartwarming story rather than embellishes it, pandering to viewers as if the people at Showtime feared no one would watch unless there were at least a few "booty call" references. [28 Jun 2000]
    • Chicago Sun-Times
  17. The 13-episode Legit fits right in at the male-skewing cable network known for pushing the envelope with edgier, unconventional fare.
    • 69 Metascore
    • 75 Critic Score
    Tonight's premiere hits on all the things the show does so well. There is romance, heartbreak, humor and a few moments that will move fans to tears.
  18. Panettiere takes a tricky role and does it, at least, some justice.
  19. All of this starts a bit slowly. It's not certain at first how much you should and can care about any of these people. But the eight-episode series and the characters grow on you with each week, and it turns out they have more depth than they initially let on -- or even know themselves. [16 July 2004, p.47]
    • Chicago Sun-Times
  20. The script is just poor.
  21. The quality simply did not go in before the "CSI" name went on. [16 Sep 2002]
    • Chicago Sun-Times
  22. Wilson's charisma should attract viewers. [13 Jan 1997, p.31]
    • Chicago Sun-Times
  23. But those looking for a "Larry Sanders"-like view into Midler's world, or even a "Seinfeld"-like simplification of it, are going to be disappointed. This is more like "I Love Lucy" with Midler channeling both Lucy and Ricky. [11 Oct 2000, p.67]
    • Chicago Sun-Times
  24. "Rome" treats viewers as long-term fans of deep terrain. To follow "Rome," it is required you keep up. If you do, you may be rewarded with a fine tale, proper acting and a better-told history lesson.
  25. Good cast. Nice narrative flow. But I don't quite care about this drama yet -- villains are too smart and heavyhanded, and tension is slack.
  26. The mostly intriguing premiere raises many questions, not least of which is: Will the story be too out there for a mainstream audience?
  27. Few television shows are as addictive as this pensive, wonderfully paced suspenser.
  28. The key here is that the emotional payoffs are dead-on. [20 Sept 1999, p.38]
    • Chicago Sun-Times
  29. Despite this highly unoriginal setup, NBC's midseason rom-com Bent has its charms--most of which come from the laid-back, likable lothario Pete.

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