Chicago Tribune's Scores

For 4,417 reviews, this publication has graded:
  • 64% higher than the average critic
  • 2% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 3.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 Fruitvale Station
Lowest review score: 0 A Good Old Fashioned Orgy
Score distribution:
4,417 movie reviews
  1. Gere and Binoche are both terribly miscast--one far too charismatic, the other far too dowdy, which is something for Juliette Binoche. And the spelling bees? Dull. Dreary.
  2. I won't pretend there aren't moments of sweetness here--there are, aplenty. But the promise of true emotion goes bust with bad acting, cheap writing and false sentiment.
  3. The Producers on screen, as a musical, does not work. It is not very funny. It doesn't look right. It's depressing.
  4. A childish and visually repetitive movie, ham-fisted, proselytizing and overtly simplified.
  5. The Navy will no doubt like what it sees, yet a project such as this should impart some sense of the times we live in.
  6. I guess there's something progressive going on when a lesbian love story gets to be just as dreadful and tacky as most straight ones.
  7. Final Destination 3 is a gorefest that should either slake your worst appetites or drive you to the exits.
  8. A preposterous screwball psychological drama.
  9. Cursed with an honest title, Failure to Launch waves a white flag in scene after scene, declaring surrender. We give up! We do not know how to make a decent mainstream romantic comedy!
  10. The ratings board gets all twisted up about sex and skin, yet it cannot give you or your kids enough ax blades to the cranium. This week's evidence: the remake of the old Wes Craven horror item, The Hills Have Eyes, which should not be rated R. It should be rated NC-17, or ITTS-OW, which stands for Is This Thing Sadistic, Or What?
    • 27 Metascore
    • 38 Critic Score
    There is some directorial skill here--Argento should be congratulated for a few interesting storytelling choices--but the end result feels grimy and strangely pathetic.
  11. Once the credits are done rolling it's a dour, enervated mystery, selling the old cat-and-mouse games.
  12. A mostly bland, sporadically crude, by-the-numbers romantic comedy about two gay men in love.
  13. A flashy-looking low-budget indie about drugs, love and crime in small-town Iowa. But, speaking as an ex-small-town Midwesterner, I found it hard to buy.
  14. High-minded sleaze, the film deceives you with its first 10 minutes, which are interestingly creepy.
  15. It stars Tom Hanks in his first genuinely dull screen performance.
  16. I found it bizarre and limp and all over the place and not in a good, messy, lifelike way.
    • 29 Metascore
    • 38 Critic Score
    Presumably, this movie was designed to be a fun romp, and in that it fails.
  17. Squanders a decent comic premise.
    • 46 Metascore
    • 38 Critic Score
    There is a great, even revolutionary movie to be made about pharmaceutical companies in America. Side Effects is definitely not it.
  18. Schreiber and Stiles are good actors, and they're actually acting, if not to any actual avail. In the silliest recasting, a comically exaggerated Mia Farrow takes over for steely Billie Whitelaw in the evil nanny role.
  19. The cast is quite good. But Peaceful Warrior, which is basically "The Karate Kid" with a bigger kid and a bigger mentor, represents a journey of predictability, rather than a destination worth the trouble.
  20. Aside from influences such as "A Christmas Carol" and "It's a Wonderful Life," Click is so much like the Jim Carrey vehicle "Bruce Almighty"--Steve Koren and Mark O'Keefe worked on both--the writers could sue themselves for plagiarism and then write a screenplay about it.
  21. I'd be lying if I said I didn't laugh at some of this--though it's not as funny as Laurel and Hardy as toddlers in "Brats." But I wanted to slap myself whenever I did.
    • 33 Metascore
    • 38 Critic Score
    Gruesome and supremely disjointed foray into the world of hired assassins.
  22. The film is a rogue hunk of hooey.
  23. It lacks a sharp look and satisfyingly fleshed-out story and compensates with one numbing round of insect- or human-based peril after another.
  24. Aaron Russo's America: Freedom to Fascism can't even think straight, it's so mad.
  25. Combine the uninhibited raunchiness of John Waters with the gross-out zeal of the Farrelly brothers and you get Another Gay Movie, a parody and comedy more numbingly disgusting than funny.
  26. Doesn't provoke bittersweet inquiries regarding one poor actress' grisly fate. Nor does it stir up much provocation on the matter of why, as a popular audience, we're still taken with this lurid symbol of sex and dread and desire. Rather, the movie raises a much simpler question: Huh?

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