Chicago Tribune's Scores

For 4,663 reviews, this publication has graded:
  • 63% higher than the average critic
  • 2% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 3.7 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Moneyball
Lowest review score: 0 Left Behind
Score distribution:
4663 movie reviews
  1. It's a film objet d'art to contemplate and treasure.
  2. Honest, poignant and very funny, full of memorable, moving moments.
    • Chicago Tribune
  3. This magnificent pair are the heart of Techine's film, and the sense of frayed, aging beauty and handsomeness they now carry helps project the picture's main theme: the imperishability of true love.
  4. One of the most remarkable English-language feature debuts of recent years.
    • Chicago Tribune
  5. Ten
    A film made by a master, with a simplicity that is really revolutionary. It's a work capable of changing the ways you look at the movies - and at life.
  6. While the protracted third act doesn't kill the two-hour, 23-minute picture, "Casino Royale" remains the best of the recent Bonds, with Skyfall just a notch below it.
  7. Everything about Kung Fu Panda is a little better, a little sharper, a little funnier than the animated run of the mill.
  8. Delivers the perfect union - a vivid, sublime parody and valentine to the superhero genre.
  9. Overall, Baadasssss! succeeds marvelously at evoking the passion and frantic energy behind "Sweetback" and putting it all in the context of its politically charged era.
  10. A contemporary Russian movie that you could honestly call revolutionary, more for its style than its politics.
  11. The splendid new documentary Crumb, a sympathetic yet woundingly candid portrait, catches the artist with much the same skill. [26 May 1995]
    • Chicago Tribune
  12. A movie with surprises, some of which you should discover for yourself. But its main surprises may be the power of Collette's performance and the beautifully controlled mood and atmosphere Brooks creates.
  13. With braces on her teeth and preteen gawkiness, Eliza's a nerdy girl on the surface, but her backbone and chutzpah manage to save human and animal family alike. Move over Bond; this girl deserves a sequel.
  14. Best of all: the musical score by Alfonso de Vilallonga. It's terrific — witty, symphonically lush and shrewdly informed by flamenco strains throughout.
  15. The beauties of Shower lie in its human observation, in its funny interplay, candor, lusty acting and hearty simplicity - and also in its warm imagery and the fascinating symbolic use it makes of water.
  16. It's hard to watch and listen to Together without, in some sense, having your heart lifted by its music.
    • 63 Metascore
    • 88 Critic Score
    The four stars of Sisterhood are back for this smart, confident second act, based on novels by Anne Brashares.
  17. I greatly prefer this cleverly sustained and efficiently relentless remake to the '73 edition. It is lean and simple.
  18. In The Weather Man, Nicolas Cage, a great oddball movie star who sometimes takes enormous risks, has a good, risky part again.
  19. For a film that points out so much wrong with German society and shows such dubious, dangerous behavior, it leaves the audience with high spirits and a sense of crazy exhilaration.
  20. A film that art-house audiences in 1959 loved madly. And who can blame them? A buoyant, searingly colorful retelling of the Orpheus and Eurydice myth set in Rio de Janiero, writer-director's Marcel Camus' movie is a romance heightened by its backdrop.
  21. The movie looks like far more than a million dollars and it offers the kind of smart, picaresque good time you get from books like "The Reivers" and "Huckleberry Finn" and movies like "Bronco Billy" and "Bonnie and Clyde."
  22. The storytelling is episodic, and the film takes a little while to get going, but it hits its stride.
  23. A gargantuan epic, a historical adventure-drama of overwhelming visual grandeur.
    • 84 Metascore
    • 88 Critic Score
    Features colorful song-and-dance numbers that look and sound best in surround sound and on a huge screen.
  24. The Wrestler works for the same reason "Rachel Getting Married" works. The way they're acted, shot, edited and scored, both films deploy a loose, rough-hewn documentary style to great dramatic advantage. The corn isn't hyped. The performances click without going for the jugular.
  25. This century's Planet of the Apes is a rouser, a screaming-banshee fun house.
  26. These are real characters, fully observed, gutsily written, beautifully acted by the two leads.
  27. Has the kind of super-cinematic qualities and bravura acting that make up for almost anything.
    • Chicago Tribune
  28. Charlie, who owes an obvious debt to Chuck Jones' Wile E. Coyote, comes equipped with one of the most expressive faces in cartoon history: Bluth keeps his features-ears, snout, mouth, eyes-in constant flux, a beautiful blend of line and volume that represents the pinnacle of the animator's art. [17 Nov 1989]
    • Chicago Tribune

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