Christian Science Monitor's Scores

  • Movies
  • TV
For 3,841 reviews, this publication has graded:
  • 56% higher than the average critic
  • 2% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 3.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 The Triplets of Belleville
Lowest review score: 0 The Green Hornet
Score distribution:
3841 movie reviews
  1. The characters of this Dutch comedy aren't very interesting or original, but it has a stylish look and spirited performances.
  2. Every single frame of this film is as cute, slick, and snappy as the adorable little mice who end the movie with a gag right out of "Babe: Pig in the City."
  3. It's all idiotic but energetic, directed by Jan De Bont in his usual techno-action style.
  4. The story is lively and energetic, if you can take its raunchy jokes and rowdy behavior.
  5. Slow, beautifully filmed, Nolte's Jefferson implausible.
  6. There are lots of lively tunes in an excellent cause, but in the end you wish you'd either probed more deeply into historical events or heard more uninterrupted minutes of inspired performing.
  7. Daum travels to Poland with his wife and their skeptical sons in this documentary, hoping to prove that people who are not Orthodox Jews like them are worthy of attention and compassion.
  8. With all the money expended on this movie, couldn’t anybody come up with a few good lines in between all the kabooms?
  9. The story is so calculated that it ultimately bears little relation to the real world.
  10. The characters are stereotypes and the psychology is simplistic, but the movie builds an effective sense of claustrophobic menace that thriller fans may enjoy.
  11. As dull as it is to watch, "Star Trek" at least possesses a measure of intellectual pizzazz: not enough to provoke thought and discussion, exactly, but more than many "Star Wars" imitators have bothered to give us. [4 Jan. 1980, p.15]
    • Christian Science Monitor
  12. Much of the movie seems wired and overeager when it ought to be refreshing and relaxed. Everybody sweats and strains to be magical, and while they often succeed, the onslaught of so much aggressive charm is exhausting.
  13. The drama has compelling moments and touches of imagination, but it relies more on sentiment than sense in conveying its messages about faith, family, and tradition.
  14. The story is less original than its setting - it knocks off everything from "Lord of the Flies" to "The Blair Witch Project" -and its unromantic moods may make DiCaprio's countless "Titanic" fans want to swim in the opposite direction.
  15. The sweetest thing about Sweet November (a remake of the 1968 movie) is the on-screen magic between Charlize Theron and Keanu Reeves. But that's pretty much where the magic ends.
  16. The first hour is excellent, spinning an ethically and emotionally compelling tale. Narrative logic fades during the second half, though, reducing the movie's impact on every level.
  17. It's slobby, goony, and gross, also occasionally funny, but not occasionally enough.
  18. Goodman's comic delivery gets maximum mileage from a few amusing situations, though.
  19. Robert Towne's screenplay is less opportunistic than many of his efforts in recent years, although it still contains moments designed merely to shock or titillate.
  20. This well-meaning drama was made with obvious passion.
  21. Hamilton is played, blandly, by Anna Sophia Robb, and her devoted parents, less bland, are played by Dennis Quaid and Helen Hunt. The surfing footage, much of it shot off the coast of Kauai, is not bland at all.
  22. The well-staged opening sequence, which depicts the riot at the 1913 Paris première of "Le Sacre du Printemps," is, alas, the film's high point.
  23. The dialogue isn't quite as sparkling and the plot twists aren't quite as snappy as you want them to be. And the story keeps rambling on after its oomph runs wearisomely thin.
  24. The screenplay doesn't ultimately make much sense. Carrey is a unique comic talent, though, and Freeman and Aniston back him up with such sensitive supporting performances that the film almost works if you can suspend enough disbelief to swallow its fantastic premise.
  25. This slick doodle of a movie is nothing so much as an advertisement for itself.
  26. The movie teeters on a slippery dividing line between realism and fiction. It gains power from the mercurial nature of its improvised acting and split-screen camera work, though.
  27. Pedro Almodovar's Spanish drama is his most involving work since the comedy "Women on the Verge of a Nervous Breakdown," but its mood of ironic melancholy doesn't hold up enough to make the picture a full success.
  28. The story may be too slow and complicated for the youngest moviegoers.
  29. Jake Gyllenhaal…the film’s only piece of believable acting.
  30. Although this is a likable comedy-drama, it never quite balances its humanitarian message (disabled people fall in love like everyone else) with its standard-issue romantic angles.

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