Christian Science Monitor's Scores

  • Movies
  • TV
For 3,527 reviews, this publication has graded:
  • 56% higher than the average critic
  • 2% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 4.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Up and Down
Lowest review score: 0 The Wedding Planner
Score distribution:
3,527 movie reviews
  1. Seven Pounds, coming after "The Pursuit of Happyness" and "I Am Legend," seems like the third in a trilogy of inspirational bummers.
  2. Sadly, it lacks the classic awfulness that might have lifted it into the pantheon of Truly Bad Movies. Instead, what we have here is a garden variety bad movie, of which there have been all too many lately.
  3. Fanboys, directed by Kyle Newman, doesn't delve into the mania of fandom, it exploits it.
  4. It's not the retro attitudes in "Confessions" that bother me (at least not much). It's the lack of laughs.
  5. It occurred to me that Emmerich and Co. might be playing this whole thing for laughs. It probably occurred to them, too.
  6. The best thing The Edge of Love could do for you is to send you back to Thomas's poetry. Dash this folderol.
  7. Swinton's performance, and practically everything else about Julia, seems off – tone-deaf. She plays an out-of-control wastrel who enters into a kidnapping scheme gone horribly wrong, as does the movie.
  8. Being touted as the first film ever shot in the Smithsonian complex. With any luck, it will also be the last. This is not the best use of our landmarks.
  9. As a laughing-through-tears jokester tourist, Richard Dreyfuss provides the only moments of real acting, as opposed to overacting, mugging, and scenery chomping.
  10. Perhaps Nair believes that heroism in our tabloid era has become degraded. If so, she overcorrected. Amelia is so pure in heart that it slides right off the screen.
  11. The novelist Cormac McCarthy was served well by the Coen Brothers' adaptation of his novel "No Country for Old Men" but comes a cropper in The Road, a lugubrious trek through postapocalyptic debris.
  12. This is certainly the grubbiest Holmes in movie history.
  13. Doesn't evoke New York and its vignettes are trite – with one exception, a touching sequence directed by Mira Nair with Natalie Portman as a Hasidic bride and Irrfan Khan as a Jain diamond merchant.
  14. Zemeckis tries to juice things up by staging numerous chase scenes up and around London, but do we really need "A Christmas Carol: The Action Picture"?
  15. By turns antic, frantic, and dull, "Pippa Lee" is unconvincing – emotionally, dramatically, filmically.
  16. Amid all the mayhem, there is Paris in all its faded-light glory. Is the movie worth seeing as a travelogue? Only if you are (a) a masochist, (b) a terrorist, or (c) desperate.
  17. This is the kind of movie where life lessons are posted every quarter-hour. (I timed it.)
  18. Brooklyn’s Finest does indeed provide a new genre twist. This must be the only cop movie ever made where a character is driven off the deep end by mold.
  19. Not a sterling example of how to make a high-toned weepie, let alone a serious examination of trauma.
  20. Was Paper Man worth making? Captain Excellent and I would probably differ on that one.
  21. I much prefer Mel Brooks’s “Robin Hood: Men in Tights” to all this doomy somberness. Why take the legend so seriously?
  22. It probably won't matter to its core audience that The A-Team doesn't make a lick of sense.
  23. As the doomed princess, Q’orianka Kilcher, who costarred as Pocahontas in Terence Malick’s “The New World,” has imperially striking features but limited acting skills. If her performances should ever rise to the level of her looks, she’ll be great.
  24. His drug-smuggling underworld, specifically the Amsterdam-New York connection, is likewise drably depicted. Is this because director Kevin Asch and screenwriter Antonio Macia deliberately played it down, or are they just incompetent? I’ll be charitable and vote for the former, but sometimes sensationalism is preferable to being altogether unsensational.
  25. The characters who come off best in Dinner for Schmucks are those dead mice.
    • 45 Metascore
    • 42 Critic Score
    The opening action sequence, unrelated to the main story, is nicely done, but after that it's all downhill.
  26. At some point in their careers, most male actors want to play (a) Hamlet, and (b) a hit man. I hope that Clooney has gotten "b" out of his system.
  27. As the boarding school honcho Father Benedictus, Geoffrey Rush chews so much scenery that he looks ready to burst.
  28. Eastwood and Morgan are not con artists, but their awe here is so unblinking that their film comes across as a transcendent con job.
  29. A love-it-or-hate-it movie. Put me in the (sort of) hate-it column. My slight qualification here is because Darren Aronofsky's movie starring Natalie Portman as an increasingly unhinged ballerina gets points for being unlike anything else that's out there.

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