Christian Science Monitor's Scores

  • Movies
  • TV
For 3,854 reviews, this publication has graded:
  • 56% higher than the average critic
  • 2% same as the average critic
  • 42% lower than the average critic
On average, this publication grades 3.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Masculine Feminine (re-release)
Lowest review score: 0 I Now Pronounce You Chuck & Larry
Score distribution:
3854 movie reviews
  1. Robert Towne's screenplay is less opportunistic than many of his efforts in recent years, although it still contains moments designed merely to shock or titillate.
  2. This well-meaning drama was made with obvious passion.
  3. Hamilton is played, blandly, by Anna Sophia Robb, and her devoted parents, less bland, are played by Dennis Quaid and Helen Hunt. The surfing footage, much of it shot off the coast of Kauai, is not bland at all.
  4. The well-staged opening sequence, which depicts the riot at the 1913 Paris première of "Le Sacre du Printemps," is, alas, the film's high point.
  5. The dialogue isn't quite as sparkling and the plot twists aren't quite as snappy as you want them to be. And the story keeps rambling on after its oomph runs wearisomely thin.
  6. The screenplay doesn't ultimately make much sense. Carrey is a unique comic talent, though, and Freeman and Aniston back him up with such sensitive supporting performances that the film almost works if you can suspend enough disbelief to swallow its fantastic premise.
  7. This slick doodle of a movie is nothing so much as an advertisement for itself.
  8. The movie teeters on a slippery dividing line between realism and fiction. It gains power from the mercurial nature of its improvised acting and split-screen camera work, though.
  9. Pedro Almodovar's Spanish drama is his most involving work since the comedy "Women on the Verge of a Nervous Breakdown," but its mood of ironic melancholy doesn't hold up enough to make the picture a full success.
  10. The story may be too slow and complicated for the youngest moviegoers.
  11. Jake Gyllenhaal…the film’s only piece of believable acting.
  12. Although this is a likable comedy-drama, it never quite balances its humanitarian message (disabled people fall in love like everyone else) with its standard-issue romantic angles.
  13. Although it's touching and sincere, Washington's directorial debut is weakened by a too-slow pace and a story that offers few real surprises.
  14. What he (Ball) intends as knife-edge realism instead comes across as another con job.
  15. The story is spotty, but the acting is fine, especially when Walken is around.
  16. The net effect is a barrage of jokes that strain to be outrageous - just as the marionette gimmick strives to be different - but wind up canceling each other out.
  17. At times, The Invasion comes across as a mishmash of "Rosemary's Baby" and "The Stepford Wives."
  18. This likable comedy-drama gets most of its oomph from acting.
    • 50 Metascore
    • 50 Critic Score
    What with the title and pedigree, no one would expect Eat Pray Love to be filled with thrilling action. But the word "movie" does imply movement, and almost nothing ever happens throughout the protracted two hours and 20 minutes.
  19. Carrey gives an awesome comic performance.. Look out for huge amounts of deliberately disgusting, gross-out humor, though.
  20. Heavy on violence and special effects, light on everything else.
  21. Paul Verhoeven's movie takes more action than ideas from Robert A. Heinlein's 1959 novel, which is just as well, considering the book's goofy suggestion that military veterans should control society from top to bottom.
  22. De Niro, trying his ordinary-guy best not to be mannered, gives one of his most mannered performances.
  23. Interesting for its historical content.
  24. Cage is amusingly skanky, Molina is dependably arch, and Baruchel is engagingly down to earth. But do we really need to watch them play out this exhaustingly empty scenario?
  25. A standard-issue slasher movie, stylishly shot, but with little to distinguish it from a long line of "Psycho"-spawned gorefests.
  26. Goes on much too long, stretching a modest story into a marathon that outlasts its welcome by about 30 minutes.
  27. A very uneven dark comedy.
  28. Hovering between "Last Action Hero" and "E.T.," this sci-fi extravaganza is bookended with violence but has some gentle moments in between.
  29. Leo, in particular, seems poleaxed with good intentions. Her Lois wins the Most Understanding Wife award.

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