Cleveland Plain Dealer's Scores

  • TV
For 131 reviews, this publication has graded:
  • 64% higher than the average critic
  • 0% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 4.3 points higher than other critics. (0-100 point scale)
Average TV Show review score: 69
Highest review score: 100 Rescue Me: Season 3
Lowest review score: 0 The 100: Season 1
Score distribution:
  1. Positive: 86 out of 86
  2. Mixed: 0 out of 86
  3. Negative: 0 out of 86
86 tv reviews
  1. The cast is first rate, delivering sympathetic and believable performances. The writing is intelligent, providing intellectual grist to the grisly moments. And the direction is as crisp as it is clever. [20 Sept 1999, p.1E]
  2. An intense, intriguing and exciting mix of action and horror. [22 Sept 2004, p.E1]
  3. Russell brings great subtlety and appeal to the role, in an engaging show that captures the exhilarating and sometimes scary possibilities of a time of life when everything feels new. [29 Sept 1998, p.1E]
  4. Generous with the laughs. A wonderfully quirky and stylish series from a creative team headed by director-producer Ron Howard, this isn't merely the best new comedy of the season. It's the best new show of any kind.[2 Nov 2003, p.J1]
  5. It's where quirky meets quixotic, and the mix is enchanting - equal parts wit and whimsy. [8 Oct 2000, p.11]
  6. Like "Freaks and Geeks," however, Undeclared is considerably smarter, sharper and slicker than your average network series. If at times the comedy strays below the belt, it justifies these moments by appealing to our hearts and minds. [25 Sept 2001, p.E1]
  7. Amber Tamblyn (yes, she's the daughter of "Twin Peaks" star Russ Tamblyn) shines in the title role. Her Joan is a delightful adolescent mix of hope, doubt, joy, anger, anxiety, yearning and skepticism...Viewers searching for a promising new drama will do no better this season than Joan of Arcadia, which walks that tricky line of being spiritual without becoming preachy, touching without turning treacly, humorous without going for the cheap jokes. [26 Sept 2003, p.E1]
  8. A rich, risky and satisfying adult drama that could be the next "Wiseguy" - and there isn't much higher praise. [26 Oct 1996]
    • 97 Metascore
    • 100 Critic Score
    Anyone who doesn't think this is the best drama on television should have his head examined. [16 Jan 2000]
  9. HBO made four of the 13 new episodes available for review. Taken as a whole, they stand as compelling proof that the series' creator and executive producer, David Chase, still is in complete control of the brilliantly constructed crime saga. [4 Mar 2001]
  10. Still standing magnificently tall in its fifth season, Justified more than justifies its place as one of television's best dramas. That's a crowded field, of course, but, in this critic's opinion, it is not just one of the best. It is THE best.
  11. A four-alarm run of fiery performances laced with hurt and hilarity. It means writing that swerves brilliantly from racy humor to lacerating pain, from steamy encounters to brutal insights. And it means spending quality time with some of the most human, street-level, flesh-and-blood characters you're likely to encounter anywhere in the television realm. [30 May 2006, p.E1]
  12. No drama mixes the profoundly painful with the profanely funny more expertly than Rescue Me, Denis Leary's FX series about New York City firefighters. As laughter wraps itself around anguish on this Manhattan landscape, you wonder if what's unfolding is an epic American tragedy or a raunchy workplace comedy. [12 June 2007, p.E1]
  13. Murder One is shrewdly constructed, quickly absorbing and absolutely first-rate - the best new show of fall...Terrifically scripted and perfectly cast, the show gets its biggest lift from the shaven-headed Benzali, whose brilliant performance as the principled, supremely confident Hoffman could be the best advertisement for defense attorneys since Clarence Darrow. [19 Sept 1995, p.9E]
  14. Under the guise of fantasy, Roswell manages to be insightful, profound, romantic, eerie, mysterious and funny. It artfully uses the alien characters as engaging stand-ins for countless teenagers who, rebelling against pressures to conform, feel like beings from another planet. [6 Oct 1999, p.1E]
  15. "Justified" and Game of Thrones, each in its own way, has done its share to raise that bar to dizzying heights.
  16. His character is brought low often enough, but no comedy soars higher.
  17. Drenched in whom-do-you-trust paranoia and dripping with suspense, "Invasion" grabs you by the throat in the opening seconds and never lets go.
  18. It easily lives up to its advance billing as the best new show of the fall season.
  19. Although the promising drama has its self-conscious moments when the offbeat stuff seems a trifle forced, Laurie delivers a consistently fascinating performance as the abrasive diagnostician. Even with the labored interludes, the series stands as, to borrow an old rock lyric, “a very, very, very fine” House. [16 Nov 2004, p.E4]
    • 76 Metascore
    • 90 Critic Score
    Great fun. Leave your brain in neutral and enjoy the zany ride. When the twisting and turning are over, the briskly paced and visually intriguing Alias glides home as solid escapist fare. Don't ask questions. If logic gets in the way, this material will start unraveling like the proverbial cheap suit. Yet, while comic-bookish and derivative, Alias emerges as a winner because it shrewdly assembles bits and pieces of "La Femme Nikita" and other espionage thrillers. There's even a little "X-Files" trust-no-one paranoia thrown in for good measure. [29 Sept 2001, p.6]
  20. Stylish and briskly paced, Boomtown clearly shows the impact of "Pulp Fiction" in its quirky dialogue. The impact of "Rashomon," Kurosawa's film about a murder recounted in different ways, is most obviously seen in the program's structure. [29 Sept 2002, p.J1]
  21. Sarcastic yet engaging, edgy yet heartfelt. [2 Oct 2001, p.E1]
  22. Meticulously detailed and seamlessly crafted, it has the look of a feature film and a sense of behind-the-scenes authenticity, and it could be the season's best new drama. [22 Sept 1999, p.6E]
  23. Stark and disturbing, The Wire, like HBO's "Oz" and "The Sopranos," is not for those of tender sensibilities. It is often violent and vulgar. But, make no mistake, it is often brilliant. [1 June 2002, p.E6]
  24. The show wins points for innovation, intelligence and solid production values. [6 Nov 2001]
  25. '24' seems to have smartly reinvented the intriguing formula, getting itself back on track for what could be the best season to date. [9 Jan 2005]
  26. Every bit as intriguing as it is intelligent. [13 Jun 2005]
  27. So funny that you might not notice it doesn't have a laugh track. [8 Jan 2000]
  28. A wild joyride of cultural and generational dissonance, Dharma & Greg captures lightning in a bottle and looks like a hit. [24 Sept 1997, p.6F]

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