Consequence's Scores

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For 4,036 reviews, this publication has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Music review score: 69
Highest review score: 100 Channel Orange
Lowest review score: 0 Revival
Score distribution:
  1. Positive: 2,751 out of 4036
  2. Mixed: 1,214 out of 4036
  3. Negative: 71 out of 4036
4036 music reviews
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    • 64 Metascore
    • 60 Critic Score
    Rize of the Fenix
    Rize of the Fenix proves that Tenacious D still reign supreme. But maybe only burrito or chicken supreme and not quite Cutlass Supreme this time out.
    • tbd Metascore
    • 60 Critic Score
    Writings On the Wall II
    While the best part about the tape is its track-for-track coherence–unlike most of Mane's releases, there isn't a single atrocious or incongruous moment here–the worst part is that there isn't much difference between its peaks and valleys.
    • 73 Metascore
    • 60 Critic Score
    Good Mood Fool
    On Good Mood Fool, his voice takes center stage and is wrapped in a myriad of joyful ‘80s pastiche.
    • 78 Metascore
    • 60 Critic Score
    No Poison No Paradise
    With the exception of the reaffirming victory lap of “Money Bags (Paradise)”, a lot of the material surrounding that five-track streak [“Sunday’s Best,” “Parallels," “Sunday’s Best,” “Monday’s Worst”] falls short.
    • 71 Metascore
    • 60 Critic Score
    Wrote a Song for Everyone
    It’s an ambitious collection, but the roots veteran pulls it off.
    • 62 Metascore
    • 60 Critic Score
    Beacon
    A fun, punchy batch of 11 crisp tracks.
    • 68 Metascore
    • 60 Critic Score
    Infinity Pool
    It’s a deep dive that, while not as accessible as the band’s previous works, proves they’ve chosen experimentation over stagnancy.
    • 70 Metascore
    • 60 Critic Score
    Prom
    The majority of a record being submerged in noise certainly won't please everyone, but Prom stands as a solid second release from a group that certainly has a lot of growing left to do.
    • 59 Metascore
    • 60 Critic Score
    Chickenfoot III
    III is probably a slight improvement over the past effort in places where it counts--I just don't see enough people caring beyond passive curiosity in the long-term.
    • 66 Metascore
    • 60 Critic Score
    Cast the Same Old Shadow
    Cast The Same Old Shadow is a more complete work than Pauper's Field, the arrangements fuller and the songs more tightly knit, but it can still be laborious.
    • 68 Metascore
    • 60 Critic Score
    Spring Breakers
    The album marries moments of both excess and restraint, and the dance between Skrillex and Martinez makes the ebb and flow of the music match that of the plot: a successful score.
    • 76 Metascore
    • 60 Critic Score
    True Romance
    For now, True Romance is a valiant attempt that doesn’t do much more than provide the soundtrack for “getting ready to go out” songs on tinny laptop speakers.
    • 71 Metascore
    • 60 Critic Score
    Thr!!!er
    Existential nu-disco hasn’t been done to death, but it has been done better than this.
    • 48 Metascore
    • 60 Critic Score
    If Not Now, When?
    To say this album is a complete miss would be unfair. In reality, it's a great band reaching for a completely different horizon, all with hints of their previous selves.
    • 71 Metascore
    • 60 Critic Score
    Uncaged
    If there's anything at fault with Brown's latest, it's the trap of lapsing into self-satisfaction with the way in which the band defies labeling.
    • 76 Metascore
    • 60 Critic Score
    Howl Of The Lonely Crowd
    It's difficult to be so down on an album that's this agreeable, but you can't help but feel you're listening to a band that's just settling with familiar patterns.
    • 69 Metascore
    • 60 Critic Score
    Finally Famous
    With an album that highlights the lowlights and vice-versa of being an MC, Big Sean has crafted an effort that makes room for himself on the rap spectrum.
    • 78 Metascore
    • 60 Critic Score
    Transitions
    Mostly, Elephant & Castle captures the sensual possibilities of electronica without settling into well-rubbed grooves.
    • 60 Metascore
    • 60 Critic Score
    All of Us, Together
    While Teen Daze's formula has worked in EP form in the past, it wears thin by the end of the full-length album.
    • 73 Metascore
    • 60 Critic Score
    Sub Verses
    The trio continue on that trajectory, the mystic chanting and ceremonial trances dancing through the scattering ash. Due to that cratered impact, everything on the album sounds urgent, an exhilarating feeling that takes a while to escape.
    • 69 Metascore
    • 60 Critic Score
    Trust Now
    In recorded form, Prince Rama's magic becomes bewildering, likely to leave listeners more spooked than stunned.
    • 78 Metascore
    • 60 Critic Score
    Purgatory/Paradise
    Purgatory/Paradise is a mixed bag, and while it lives up more to the first half of its title than the latter, its best moments still prove worthy of the wait.
    • 73 Metascore
    • 60 Critic Score
    B-Room
    Maybe it puts something of a low ceiling above its head by adhering too closely to the band’s recent efforts, but while little here stands out above other Dr. Dog records, the songs are still plenty good.
    • 70 Metascore
    • 60 Critic Score
    Oak Island
    Oak Island might not bloom at the supposed crossroads of art and science (fiction), but it’s a pleasant enough take on the reconciliation of nostalgia with the desire for adult life.
    • 68 Metascore
    • 60 Critic Score
    Hairdresser Blues
    A more intimate look at both the man and the musician.
    • 74 Metascore
    • 60 Critic Score
    Gimme Some
    Two years later, the trio return with Gimme Some, a punk record that transmogrified itself into a pop-rock effort fueled by many drunken nights.
    • 67 Metascore
    • 60 Critic Score
    Infinity Overhead
    The album touches on just about every idea that has made this group a big deal in the first place, but it lacks the sex-appeal of the group's last full length, OMNI, and misses the adventure of Planet of Ice.
    • 73 Metascore
    • 60 Critic Score
    Flume
    Streton definitely has the production chops to make a solid record. However, if he wants a great record, he needs to edit down that tracklist and sequence it for cohesion.
    • 75 Metascore
    • 60 Critic Score
    The Moonlight Butterfly
    This album goes past relaxation, past tranquility, into a place that leaves me numb.
    • 66 Metascore
    • 60 Critic Score
    Icky Blossoms
    Despite the fractured voices, the swank production and thematic lyrics of love, lust, and uncertainty unify the album.
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