Consequence's Scores

For 4,036 reviews, this publication has graded:
  • 44% higher than the average critic
  • 4% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Music review score: 69
Highest review score: 100 Channel Orange
Lowest review score: 0 Revival
Score distribution:
4036 music reviews
    • 75 Metascore
    • 60 Critic Score
    The scope here is smaller, the instrumentals keener on serving as a pedestal for the vocals than as a landscape for them to get lost in.
    • 71 Metascore
    • 70 Critic Score
    It’s a tap on the shoulder, a reminder, or a nostalgic look back that this collective works best at providing kitschy, alternative dance anthems for millennials hellbent on shaking it to something more organic.
    • 75 Metascore
    • 70 Critic Score
    While Lewis can emote with the best of them, a little more nuanced emotion in the music would really let his vocals shine.
    • 81 Metascore
    • 80 Critic Score
    Engravings is the sound of a man walking out into the coastline with his headphones on, the epic, Saxon past showing through the fog and playing with the Anglo present’s love of electronic music.
    • 80 Metascore
    • 70 Critic Score
    It is a mature and impressive collection that connects love and fear holistically.
    • 70 Metascore
    • 70 Critic Score
    There aren’t quite enough of these ringers to bring The Third Eye Centre to the A-game level of …Barman, but they at least make for a decent compilation album. And, some bands aren’t even capable of that.
    • 72 Metascore
    • 70 Critic Score
    Era
    Living in any city brings its share of alienation. Disappears render the loneliness in Chicago’s orange smog and shattered buildings.
    • 77 Metascore
    • 80 Critic Score
    The result is an intricately variegated album torn between two countervailing threads: heartache and rejuvenation.
    • 64 Metascore
    • 70 Critic Score
    For what it is--the latest installment in a tradition of sad dudes trying to numb their pain with upbeat pop--it does its job well.
    • 70 Metascore
    • 70 Critic Score
    Where You Stand reflects a band at peace, but it’s peace achieved through having successfully endured its share of bumps in the road.
    • 73 Metascore
    • 70 Critic Score
    An Object, as a conceptual aesthetic project, borders on brilliant. Yet the music itself is not immediately captivating.
    • 78 Metascore
    • 70 Critic Score
    On Flourish // Perish, the Montreal trio takes a sharp turn inward.
    • 70 Metascore
    • 60 Critic Score
    Permanent Signal’s lack of ambition and almost-there mentality will leave mouths craving something a bit more flavorful.
    • 74 Metascore
    • 70 Critic Score
    Nothing on Versions quite tops the intensity of those first two tracks, and so the project carries some loose weight at its bottom half.
    • 75 Metascore
    • 70 Critic Score
    A little more of this adventurous spirit could launch Surf City from being a very good band to a great one.
    • 79 Metascore
    • 80 Critic Score
    As an artist, the mystery man of a thousand songs experiences quite the growth on Sleeper, shedding the enigma in lieu of his most honest and human recordings yet.
    • 73 Metascore
    • 70 Critic Score
    Throughout, songwriters Joseph Shabason and Kieran Adams create unique beat and synth driven pop songs, all tinged with themes of love, longing, and renouncement.
    • 73 Metascore
    • 70 Critic Score
    They’ve produced an album that is a highly entertaining asset perfect for coasting out of summer.
    • 83 Metascore
    • 70 Critic Score
    I Hate Music is no Majesty Shredding, but it’s no slacker either.
    • 79 Metascore
    • 70 Critic Score
    Hero Brother takes a few listens to fully understand, but the effort is rewarding and captivating.
    • 88 Metascore
    • 80 Critic Score
    Loud City Song is a sightseeing trip with a person fully able to portray the objective beauty of the sights, as well as her own take on them.
    • 82 Metascore
    • 80 Critic Score
    It’s a work as notable for its technical achievements as its nuanced themes, and that’s almost as impressive considering that so many artists lack in one or both of those fields.
    • 75 Metascore
    • 70 Critic Score
    Looking back at Kanye West’s 808s & Heartbreak, there is much strength to be gained in weakness--Gates current momentum is fueled with that power.
    • 68 Metascore
    • 60 Critic Score
    Nothing on Adios, I’m a Ghost offends, and in fact it’s often pretty good. But it doesn’t leave much of a lasting impression, either.
    • 69 Metascore
    • 70 Critic Score
    Some of the most fulfilling moments here are the bloated passages, while many of the other successful changes are the very minor tweaks.
    • 82 Metascore
    • 70 Critic Score
    While The Wild Feathers clearly have the chops, what remains to be seen is whether they can develop their own voice separate from their forebears, and separate from what fans have come to expect.
    • 66 Metascore
    • 60 Critic Score
    Lost Control refines Dog Party’s tone into a crisp and punchy power duo dynamic that stays sickly around the edges.
    • 66 Metascore
    • 70 Critic Score
    Just recently reaching their five-year milestone as a band, Dinosaur Bones have solidified their ability to weave talented instrumentalists through the voids of Fox’s lyrical sorrow without falling into the trap of indie pop redundancy.
    • 59 Metascore
    • 50 Critic Score
    A portion of Tides End listens like a dramatic over-correction into the electro-pop realm. However, by album’s end, Kilfoyle and Verbos find the intersection between vocal melancholy and production excess.
    • 73 Metascore
    • 60 Critic Score
    Elsewhere, he mistakes AOR-ready sentimentality and banal lyrics for perfect summer-album material, which seems like a misdirected pursuit--Within and Without already was a near-perfect summer album.