Consequence of Sound's Scores

  • Music
For 2,248 reviews, this publication has graded:
  • 39% higher than the average critic
  • 4% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 5.6 points lower than other critics. (0-100 point scale)
Average Music review score: 66
Highest review score: 100 Illmatic XX [20th Anniversary Edition]
Lowest review score: 10 BAYTL
Score distribution:
2,248 music reviews
    • 99 Metascore
    • 100 Critic Score
    What makes Rumours so remarkable and relevant is that it remains fragile and passionate 35 years later.... From a historical, archival standpoint, this package is extremely valuable, as Rhino left in the studio banter and rough cuts from the recording sessions; you get to overhear Fleetwood Mac as they make the record.
    • 98 Metascore
    • 90 Critic Score
    Resounding with enchanting vocals, a distinctly dusk-singed ambience and a keen precision thanks to its percussion, Blue Lines transcends the spills onto the dance floor and tinny thumps from laptop speakers, possessing a cosmic ability to remain a masterpiece 21 years after its release.
    • 98 Metascore
    • 91 Critic Score
    While not the towering achievement of its brothers in numerology, Led Zeppelin III remains one of the great albums in rock and roll history, significant for its role in establishing the legend of Led Zeppelin that would become fact with Led Zeppelin IV.
    • 97 Metascore
    • 91 Critic Score
    Led Zeppelin I is a fantastic glimpse into the time capsule, a standing testament to rock pageantry.
    • 96 Metascore
    • 100 Critic Score
    There's more than enough here to disavow thoughts that this is a needless cash grab by Corgan.
    • 96 Metascore
    • 100 Critic Score
    It's easy to lose yourself in the countless studio takes. Little gasps of pure genius here and there. The slow dissolution to it all. The echoes of things to come. It's a history lesson come to life, and that's part of the reason the collection here works so well.
    • 95 Metascore
    • 91 Critic Score
    LZII could’ve used a live version or two to highlight the energy of the late ’60s--an era that remains especially mythical for those of us who weren’t there. As a two-disc set, though, this reissue is both a reminder of the original album’s wallop and a closer look at the alchemy of a band increasingly attuned to ideas of progression.
    • 95 Metascore
    • 100 Critic Score
    In spite of everything that Oasis would become on record, on stage, in the tabloids, Definitely Maybe stands above it all.
    • 94 Metascore
    • 100 Critic Score
    There is no question that this album is a game changer. It's Kanye West's greatest work.
    • 93 Metascore
    • 90 Critic Score
    Even without the bonus disc full of rare goodies, this remastered version of Lifes Rich Pageant is required listening.
    • 93 Metascore
    • 100 Critic Score
    It shows that the Some Girls era was, and remains, one of the most productive of the Stones' career.
    • 93 Metascore
    • 90 Critic Score
    Musically and lyrically, Achtung Baby sounds as fresh and relevant as it did 20 years ago.
    • 92 Metascore
    • 90 Critic Score
    Sunbather is a developed, mature, and, above all, an original statement that truly lives up to the unbelievable amount of hype it has earned.
    • 92 Metascore
    • 100 Critic Score
    Even though other recent interviews and richly realized tracks like those imply that Ocean's songwriting is just a vessel, his own devil is still in the details, and that's what makes his music compelling.
    • 91 Metascore
    • 90 Critic Score
    The service Temporary Residence Limited have done in making these nearly lost classics available again is downright admirable, turning out a set that's a must-have for post-rock fans.
    • 91 Metascore
    • 100 Critic Score
    We now have an album from him so masterful that it'd be greedy to ask for much more.
    • 90 Metascore
    • 100 Critic Score
    As perfect as Illmatic is, there are plenty of crevices that can be explored and different musical avenues to test Nas’s verses/scriptures.
    • 90 Metascore
    • 100 Critic Score
    The 2013 remix is a bit of a wash, if only because the album already sounded great.
    • 89 Metascore
    • 91 Critic Score
    Her biggest fans may prefer less direct writing, but it makes St. Vincent her most widely appealing album to date, an infectious work that doesn’t ever feel like a compromise.
    • 89 Metascore
    • 90 Critic Score
    The Idler Wheel succeeds in creating a singular world more daring than any of Apple's previous records and one of the most daring pop records in recent history.
    • 89 Metascore
    • 83 Critic Score
    There’s little that’s playful inside Superunknown. It sounds more like Black Sabbath running for their lives, about to crack under the pressure, but then, at the last minute, escaping--and thriving.
    • 89 Metascore
    • 91 Critic Score
    To Be Kind does as much soul exposure lyrically as it does musically, Gira’s simple, howled lines finding the vein incredibly easily.
    • 88 Metascore
    • 90 Critic Score
    Going back to the well is generally frowned upon, but given the depth of Waits' well and the crispness and vitality drawn from it on Bad As Me, it hardly seems to warrant criticism that he has chosen to rummage through his past and revisit what he never had the heart, or mind, to throw away.
    • 88 Metascore
    • 90 Critic Score
    Where Minaj is fantastical and over-the-top, Haze is understated and raw.
    • 88 Metascore
    • 90 Critic Score
    All We Love We Leave Behind stands tall within Converge's discography as yet another glowing example of how to make art out of aggression.
    • 88 Metascore
    • 100 Critic Score
    Mellon Collie and the Infinite Sadness doesn't need rose-colored lens for appreciation. The album's success still lies from all the stylistic risks the band assumed, especially in comparison to music other alternative bands were creating at the time.
    • 87 Metascore
    • 100 Critic Score
    m b v creates a new timeline for My Bloody Valentine, and one that recalls the past in a broader and bolder light. They’re better for it, their catalog is stronger for it, and by album’s end, they’re still the best at swirling guitars.
    • 87 Metascore
    • 83 Critic Score
    LP1
    LP1 isn’t anything revolutionary; it’s a frankly expressed project focused on the dualism between love and lust, reality and fantasy.
    • 87 Metascore
    • 90 Critic Score
    This album redefines Swans by gathering the best of its past and re-centering the music on impulse and interplay, built with a preternatural sense of how long to let a section develop before moving on to the next idea
    • 87 Metascore
    • 90 Critic Score
    It's pretty impossible to be disappointed with the result here: crisp remastering of the original 10 songs, plus 18 Gish-era tracks, demos and live versions, many of which are being released officially for the first time here.