Consequence of Sound's Scores

  • Music
For 2,352 reviews, this publication has graded:
  • 39% higher than the average critic
  • 4% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 5.7 points lower than other critics. (0-100 point scale)
Average Music review score: 66
Highest review score: 100 James Blake
Lowest review score: 10 BAYTL
Score distribution:
2,352 music reviews
    • 83 Metascore
    • 80 Critic Score
    There isn't a whole lot of blood in Slaughterhouse, but it is a thrill ride, and an exhausting one at that.
    • 83 Metascore
    • 70 Critic Score
    Often very pretty, just as often very strange, Holter has crafted an album that reflects her unique vision, though it fails to captivate the whole way through.
    • 83 Metascore
    • 90 Critic Score
    Where Post-Nothing melts into a hazy dream, Celebration Rock does exactly what it claims to do-it burns on and on like the best sort of party.
    • 83 Metascore
    • 70 Critic Score
    Brimming with joyful bombast, Harmonicraft warrants re-listens.
    • 83 Metascore
    • 90 Critic Score
    Stripped of vocal harmonies and electric guitars, the unadorned, raw songs feel unguarded and painstakingly earnest. The sound quality is impeccable on every single track, and Young’s voice has never been more emotionally charged.
    • 83 Metascore
    • 80 Critic Score
    The duo's debut, self-titled EP may only span five tracks, but after repetitive listens, replacing your amps, and multiple refreshment breaks, be prepared for it to take up an afternoon.
    • 83 Metascore
    • 75 Critic Score
    July might be Nadler’s most cohesive and focused record yet.
    • 83 Metascore
    • 70 Critic Score
    On the whole, Looping State of Mind is carefully thought out, beautiful in its lofty ambitions, and a refreshing return without any unnecessary sheen and gloss--minimalism that moves.
    • 83 Metascore
    • 80 Critic Score
    Indie rock albums with this uniquely developed a voice don't come around often, especially not when it's this much fun.
    • 83 Metascore
    • 80 Critic Score
    Old
    He’s still a countercultural figure himself, veritably, but he’s achieved self-actualization. Old won’t let you forget it.
    • 83 Metascore
    • 70 Critic Score
    I Hate Music is no Majesty Shredding, but it’s no slacker either.
    • 83 Metascore
    • 60 Critic Score
    Tempest delivers yet another collection of the ramblers that have populated Dylan's records since Time Out of Mind.
    • 83 Metascore
    • 70 Critic Score
    He's a little scatterbrained on Blunderbuss, as if he's still shaking up his past to move forward into the future, and as a result, Jack White represents everything Jack White has already accomplished.
    • 83 Metascore
    • 80 Critic Score
    FlyLo's Until The Quiet Comes is an exercise in dense rhythmic layers and melodic dissonance.
    • 83 Metascore
    • 80 Critic Score
    The Men may not be hailed as the genre's saviors, nor should they be, but here they have done an excellent job as its purveyors.
    • 83 Metascore
    • 90 Critic Score
    With Attack on Memory, Baldi's never felt more alive or more authentic.
    • 83 Metascore
    • 83 Critic Score
    Faith in Strangers is more than an album that comes to life. It details life from the inside out, focusing on each movement’s innards rather than its outer coat.
    • 83 Metascore
    • 80 Critic Score
    Garden Window is, by and large, a successful 11-track record that scrapes a wide palette to enhance each nuance tastefully, movingly, manically well.
    • 83 Metascore
    • 80 Critic Score
    That framework [on 2008′s Lost in the Sound of Separation] is largely in tact on the new effort, except it's decidedly richer and more vibrant, showcasing each member's strengths in ways not realized before in Underoath's decade-old career.
    • 83 Metascore
    • 80 Critic Score
    Every ounce of Hot Sauce spectacle comes from so many ridiculous angles, it's a wonder that a single arbitrary reviewer could just throw words about it onto one page.
    • 83 Metascore
    • 90 Critic Score
    Every number attempts something at least a little differently, and succeeds for the most part.
    • 83 Metascore
    • 80 Critic Score
    Thundercat’s advancements on Apocalypse reconfigure the foundation that his debut album built.
    • 83 Metascore
    • 80 Critic Score
    Burial’s still dealing in shadow and echo here, but for the first time he’s harnessing them for what sounds a lot like joy.
    • 83 Metascore
    • 80 Critic Score
    Even though this is the band's most accessible album yet, casual listeners should still beware. Like most Gang Gang albums, it first comes off as overwrought jumble. But with repeat spins, it gradually morphs into its true nature of earworm irresistibility.
    • 83 Metascore
    • 80 Critic Score
    These sessions are a timely reminder of the musician and the man Chilton wanted to become: the musician who would provide us a sense of magic through a lifetime of perseverance.
    • 83 Metascore
    • 80 Critic Score
    Wounded Rhymes offers a less atmospheric soundscape with more percussion alongside organs and frequent layered harmonies.
    • 83 Metascore
    • 70 Critic Score
    A striking, adept piece made accessible by Tillman's clear-as-a-bell voice, Fear Fun is the ideal companion for a weird headspace.
    • 83 Metascore
    • 70 Critic Score
    Marciano has emerged with an album that doesn't so much use long-established sounds as insurance as remind why they're tried-and-true in the first place.
    • 83 Metascore
    • 80 Critic Score
    Rotten Thing to Say delivers the band's scathing reports with a vastly improved level of clarity from prior efforts while retaining all of their trademark grit.
    • 83 Metascore
    • 80 Critic Score
    Megafaun shines the brightest on thematic tracks like "Scorned," in which you can practically feel the dust clouds after each harmonica blast and the heat shimmering in the vibrating background guitars.