DJ Booth's Scores

  • Music
For 134 reviews, this publication has graded:
  • 73% higher than the average critic
  • 2% same as the average critic
  • 25% lower than the average critic
On average, this publication grades 2.7 points higher than other critics. (0-100 point scale)
Average Music review score: 74
Highest review score: 100 Life is Good
Lowest review score: 40 Paula
Score distribution:
  1. Negative: 0 out of 134
134 music reviews
    • 68 Metascore
    • 60 Critic Score
    The simple truth is this is the kind of music you're best off not thinking too much about.
    • 70 Metascore
    • 60 Critic Score
    The young Somalian is far from the first artist to have to figure out "their" sound while sweating under the spotlight, and by the sound of Silence he's still figuring things out.
    • 50 Metascore
    • 60 Critic Score
    It has to be said though that the places where WZRD struggles most are the places where Dot and Cudi leave their hybrid sweet spot and try to go straight rock.
    • 71 Metascore
    • 60 Critic Score
    The tracks do not really flow into each other or sound good in sequence, but individually some records do shine.
    • 66 Metascore
    • 60 Critic Score
    These are good songs, but we don't come to Waka for good.
    • 55 Metascore
    • 60 Critic Score
    Based on a T.R.U. Story isn't a great album, but was anyone expecting a great album from 2 Chainz?
    • 61 Metascore
    • 60 Critic Score
    Unapologetic is by no means a bad album, it'd be nearly impossible to combine the music industry's best songwriters, producers and Rihanna's charismatic delivery and not create quality music, but as an album Unapologetic has no real core, no real theme; unless you count "making hits" as a theme.
    • 51 Metascore
    • 60 Critic Score
    He’s obviously still capable of moments of greatness, but right now those moments are so dulled by surrounding mediocrity they’re becoming lost.
    • 60 Metascore
    • 60 Critic Score
    At 12 tracks long, Evolution may lack any real oomph or spectacle, but it also contains little filler, which is an achievement in today’s singles dominated, bloated albums.
    • 82 Metascore
    • 60 Critic Score
    Lacking the dynamic between repulsive brutality and oddball humor that made Earl so uncomfortably riveting, Doris is both tonally fragmented and occasionally monotonous: an ocean of griminess broken up by earnest confessional rhymes.
    • 68 Metascore
    • 60 Critic Score
    At its best, the California singer offers sweet but forgettable elevator music.
    • 65 Metascore
    • 60 Critic Score
    Influenced by what The Pharcyde did two decades ago, what Drake perfected a few years ago, and what many others have attempted since, Ink’s melodic tastes and rhyming style draws from all of these influencers. The problem is, he can’t quite charm like Wiz Khalifa, rhyme like Big Sean, or create art like Drake. Yet.
    • 60 Metascore
    • 50 Critic Score
    Here both the production and Nicki's delivery border on absurdist theater, at one point devolving into Nicki literally making noises.
    • 49 Metascore
    • 40 Critic Score
    It's an odd, disjointed album that, despite scattered high points, leaves one wondering what Thicke was thinking when he put it together. Paula Patton deserves better, and so do listeners.