Entertainment Weekly's Scores

For 6,260 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 3 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Broken Flowers
Lowest review score: 0 O Brother, Where Art Thou?
Score distribution:
6260 movie reviews
  1. Utterly riveting fictional drama.
  2. Nothing in this enjoyably twisty, cool/ hot, genre-grafting Italian psychological thriller by Giuseppe Capotondi is what it seems. And the more you try to solve the narrative puzzle, the more you may want to watch it again - or at least argue about what's real.
  3. Don’t miss this astonishingly bleak, inventive, funny, sumptuously designed film.
  4. A marvelous contraption, a wheels-within-wheels thriller that's pure oxygenated movie play.
  5. But the notable accomplishment of actress-writer Kasi Lemmons ("The Silence of the Lambs") in her feature directorial debut is in creating a landscape quite beautiful and entirely her own -- a fluid, feminine, African-American, Southern gothic narrative that covers a tremendous amount of emotional territory with the lightest and most graceful of steps.
  6. Riveting family portrait.
  7. Just about the only documentary that works like a novel, inviting you to read between the lines of Baker's personality until you touch the secret sadness at the heart of his beauty.
  8. A disturbingly avid re-creation of the last six weeks in the life and slow, self-imposed wasting of Irish hunger striker Bobby Sands.
  9. Dishes up some very corny jokes, but the images have a brighter-than-life vivacity.
  10. Dench and Coogan's chemistry is undeniably great. In the end, he manages to give her the answers she seeks and she manages to give him a heart.
  11. The most original and excitingly executed wow-factor-meets-handheld-video feature since "Blair Witch" itself. It's also a movie that rebuilds the power of special effects from the ground up.
  12. Harry Potter and the Deathly Hallows - Part 1 also bravely faces the future, slipping with expert ease among the thrilling mass of complications (and complicated set pieces) that Rowling throws fans in the final sprint, then guiding the faithful to the fate that awaits everyone in this world, the moment called The End.
  13. A realistic drama that looks and feels as inevitably true and moving as a good documentary.
  14. A deft, funny, shrewdly unsettling tribute to such slasher-exploitation thrillers as "Terror Train," "New Year's Evil," and Craven's own "A Nightmare on Elm Street."
  15. The triumph of ''Spring, Summer'' is that even those of us who don't happen to be Buddhists can catch a glimpse of ourselves in the spinning wheel of hope, destruction, suffering, and bliss.
  16. With this heartbreaking yet hopeful new documentary about his life’s work, Salgado shares the stories behind these split-second black-and-white moments, giving them even more dimension.
    • 55 Metascore
    • 91 Critic Score
    The combination of Home’s layered message, fun score, and clever comedy make it a colorful choice for moviegoers of any age.
  17. Here, love and attraction between two teenage girls put them on a collision course with Tehran society in general and one girl's troubled, increasingly religious brother in particular.
  18. So suspenseful, sexy, and surprising that it would be a shame to say any more.
  19. British filmmaker Andrew Haigh's background in editing (from Gladiator to Mister Lonely) is evident in the casual beauty of moments that only appear "found," giving Weekend an engrossing documentary feel.
  20. The notion of meta has never been diddled more mega than in this giddy Möbius strip of a movie, a contrivance so whizzy and clever that even when it tangles at the end, murked like swampy southwestern Florida itself, the stumble has quotation marks around it.
  21. Moreau is bewitching -- she simply breathes her role, without a hint of vanity.
  22. The movie is an unblinking look at the hidden (or perhaps not so hidden) pathology of American sports mania.
  23. Linklater has hardly been a slacker this year. I'll take the tricky confrontational babble of Tape over some of the gauzier soliloquies in ''Waking Life,'' but either way, he's a filmmaker in love with the music of talk, and let's bless him for that.
  24. Countdown to Zero makes old terrors radioactively new again.
  25. There's a bravura recklessness to Beautiful People that perfectly fits its subject.
  26. [Taylor] deftly translates the bleak, raw-boned menace and tricky time signatures of Train’s intertwined plotlines, and draws remarkably vivid performances from his cast, particularly his two female leads.
  27. It shows us how rare love is — and how we need to grab it and not let it go.
  28. A movie at once understated and radical, deceptively unremarkable in presentation and ballsy in its earnestness. Don't let the star's overly familiar squint fool you: This is subtle, perceptive stuff.
  29. It's probably the impresario's best-made movie yet, his most joyful, and his most moving.

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