Entertainment Weekly's Scores

For 5,385 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 3.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Guerrilla: The Taking of Patty Hearst
Lowest review score: 0 From Justin to Kelly
Score distribution:
5,385 movie reviews
  1. The plot, which spins around Allegra's lovers having just been an item, is awkward bedroom farce, but the tone is Woody Allen-meets-"The L Word," with a patina of literary cuteness that now seems like the sound of a vanished Manhattan.
  2. The unexpected star is Hathaway, looking cool as a runway model in the role originated by Barbara Feldon, lithe as a (pink) panther, and displaying great comic timing.
  3. Sensational and accomplished.
  4. If anyone steals the movie, though, it's Sylvie Testud, who never lets on whether the sexy French country maid she's playing is mournfully obtuse or embodies the wisdom of the ages.
  5. Alexander is pleasantly devoid of the vulgarity and too-current pop culture references that are the default mode for many contemporary live-action kids' pics, and its earnest celebration of family gives the movie a comforting throwback vibe.
  6. A light romantic do-si-do.
  7. You wish that Malena's inner life had been given as much accent as her outer charms.
  8. Streep is a pleasure to behold; less so the rest of The Iron Lady.
  9. The movie's hide-and-seek attitude toward truth mirrors the intricacies of one lover getting to know another -- an arresting notion of the heart that's much more than paper-deep.
  10. The House of Yes is knowingly overripe, a kitsch melodrama that dares to make incest sexy.
  11. Fischer's performance is sweet and subtle, but the film can be so understated in tone and plot that it's hard to tell if it's actually saying anything.
  12. The plot can't be summarized: Let's just say that crazy s--- happens, and occasionally, you laugh.
  13. Draft Day is "Moneyball" Lite. And if that sounds like a slight, it's not intended as one.
  14. Perry is of the spell-everything-in-capital-letters and act-it-out-loudly schools. Yet his sensitivity to women is a tonic.
  15. The movie is on some level a stunt, but it has the fervent, sun-dazed pull of an authentic experience unfolding in real time, with glints of drama, comedy, and terror mixed into the almost-but-not-quite tedium.
  16. The superb character actor Celia Weston (In the Bedroom) is truly breathtaking as Ronnie's boozer mom.
    • 54 Metascore
    • 83 Reviewed by
      Ty Burr
    The improvisations are a mixed bag -- Reed and Fox are surprisingly hilarious, while Roseanne is a shrieking horror show -- but the air of gentle play and a wistful sense that Brooklyn is some kind of lost Eden put this one up on the more structured "Smoke."
  17. This movie is as packed with flashy bogusness as a lead singer's tight leather trousers. On the other hand, there's nothing bogus about the charisma and tough sweetness of Wahlberg.
  18. Agreeably skewed fun.
  19. To Winn-Dixie's great credit, both as a book and as a dandy, dignified movie, there's nothing condescendingly lesson-like in the wisdom India acquires.
  20. Vacancy is a schlock surprise: a no-frills motel-hell slasher film -- with a bit of soul.
  21. The movie is, in short, a trash conundrum. What nearly redeems the movie is its acting.
  22. Wolf Creek, an unusually crisp and boldly shot "Texas Chainsaw Massacre" knockoff, looks as ancient and patterned as a druidic ritual.
  23. Webber has a knack for bringing out actors at their showiest, but he palms off too much first-draft sketchiness as ''ambiguity.''
  24. While mean girl Avery Keller (Hunter King) gets a nuanced and surprisingly redemptive arc, the target of her bullying, Jessica (Lexi Ainsworth), mostly goes ignored.
  25. It's a pleasure to encounter a confectionary love story in which a man and woman of age and experience discover feelings that youth, more and more, has a patent on in Hollywood.
  26. Makes shameless use of tried-and-true elements -- but it's hardly the same old song.
  27. The film is a sobering chronicle of the depressing circus of persecution and pseudo-scandal that was the Clinton years. But why did the President provoke such ire? A movie with insight into that might actually feel new.
  28. Even when nothing is happening, the often dead-silent shots tend to grow scarier the more you look at them.
  29. If all this sounds like a souped-up episode of "The Twilight Zone" or "The X-Files," then you're in the right ballpark — or underground bunker.

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