For 2,988 reviews, this publication has graded:
-
80% higher than the average critic
-
1% same as the average critic
-
19% lower than the average critic
On average, this publication grades 5.2 points higher than other critics.
(0-100 point scale)
Average Music review score: 77
| Highest review score: |
Critic Score
100
|
|---|---|
| Lowest review score: |
Critic Score
0
|
Score distribution:
-
Positive: 2,587 out of 2988
-
Mixed: 376 out of 2988
-
Negative: 25 out of 2988
2,988
music reviews
- By critic score
-
-
Critic Score 33
Embarrassing.... It's hard to tell if [Ballard's] hyper-slick style is to blame, or if Lynne has simply hung herself. [16 Nov 2001, p.172] -
-
-
Critic Score 33
Amounts to nothing more than a party of five million bland cliches. [11 Oct 2002, p.82] -
-
-
-
Critic Score 33
Without any real scream-along, kick-ass songs, this is just a One Way Ticket to Hell. Period. [2 Dec 2005, p.81] -
-
-
Critic Score 33
As tedious as an episode of Teletubbies--and nearly as simplistic. [13 Oct 2006, p.131] -
-
-
Critic Score 33
The pair have an MTV reality show, which only reminds us we'd probably be better off listening to one of the dudes from "I Love Money." [22/29 Aug 2008, p.125] -
-
-
Critic Score 33
Hazards of Love drowns in convoluted plots, blustery guest vocalists, and comically out-of-place guitar shredding. -
-
-
Critic Score 33
A nimble, almost balletic rapper on countless mixtapes, singles, and Billboard-topping collaborations, the 27-year-old comes across both muddled and belligerent on the much-delayed, extensively leaked Rebirth. -
-
-
-
Critic Score 25
[Its] Atari-quality grooves and soulless Berlin homages reek of '80s hipster trash. [4 June 2004, p.80] -
-
-
Critic Score 25
If only they didn't sound like a dying Flock of Seagulls. [17 May 2002, p.78] -
-
-
Critic Score 25
Unless you're bound in an herbal body wrap, there's simply no acceptable reason to listen to this New Age nonsense. [11/24/2000, p.82] -
-
-
Critic Score 25
The songs combine the most pretentious and overworked elements of their influences. [21 Mar 2003, p.112] -
-
-
Critic Score 25
Korn remain technically proficient, but Take A Look In The Mirror serves only to make the case that the genre has officially screamed itself into caricature. [12 Dec 2003, p.77] -
-
-
-
Critic Score 25
It's not that this wise ass trio of lucky punks make terrible music -- their crass, hyperkinetic tunes are just the thing for adolescents who find Green Day too intellectually challenging -- but this collection is wholly unwarranted from a band whose breakthrough album is barely a year old. -
-
-
Critic Score 25
His indie-circuit friends will be amused, but no one else will. [4 Mar 2005, p.73] -
-
-
Critic Score 25
Full of screeching, hollering, and contrived "yo' mama" jive talk. [27 May 2005, p.141] -
-
-
Critic Score 25
An awkward attempt that neither improves upon nor updates the trio's original blueprint. [28 Oct 2005, p.89] -
-
-
Critic Score 25
Iggy sings ballads. In French. With clarinet solos. He also dabbles in Dixieland jazz, spoken word, and chilled electro-lounge music on his 15th solo album. If that sounds hideous, or hilarious, it's actually a little bit of both. -
-
-
Critic Score 25
Not even superproducer Flood (U2, Depeche Mode) can save the postpunk singer from misery. Or from overacting. -
-
-
Critic Score 25
There are only a few moments when Symphonicities doesn't seem completely preposterous. -
-
-
Critic Score 25
The bulk of Lulu sounds like your dad's drunk friend reciting his self-penned erotica over a melting ReLoad cassette.- Posted Oct 28, 2011
- Read full review
-
-
-
-
Critic Score 0
Other rappers might hesitate to brag about marrying into bling, but Federline isn't self-conscious about it. -