For 4,810 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 3.7 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 2,904 out of 4810
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Mixed: 1,357 out of 4810
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Negative: 549 out of 4810
4,810
movie reviews
- By critic score
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Reviewed by
Lisa Schwarzbaum 33
Every porridgy inmate in this instantly forgettable romp warbles in the prison's amateur musical, and one of them demonstrates a rather extreme devotion to the tomatoes he grows in the on-site greenhouse. -
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Reviewed by
Owen Gleiberman 33
The fusion of cheekiness and deliberately overscaled fantasy never jells. -
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Critic Score 33
Director Walter Hill won't take credit for Supernova... Can you blame him? -
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Reviewed by
Bruce Fretts 33
This sequel adds more insults and injuries that could traumatize little ones. Most frightening of all, the ending leaves the door open for ''103 Dalmatians,'' which would certainly constitute Cruella and unusual punishment. -
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Critic Score 33
If you put the scripts for ''West Side Story,'' ''Mean Streets,'' and ''The Warriors'' in a blender, you might wind up with something like Deuces Wild, a preposterously melodramatic paean to gang-member teens in Brooklyn circa 1958. -
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Reviewed by
Lisa Schwarzbaum 33
A film not even a star as foxed and foxy as Johnny Depp himself could save. -
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Reviewed by
Owen Gleiberman 33
Has all the mood enhancing flavor of a tropical cocktail made with watered down rum and fake fruit juice. -
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Reviewed by
Lisa Schwarzbaum 33
This toothless thriller...feels like a strained reworking of ''The Fugitive.'' -
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Critic Score 33
As campy as a flick by Banderas' evident artistic mentor, Pedro Almódovar. -
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Reviewed by
Lisa Schwarzbaum 33
The characters who cross paths here in the hard shadows of late-'90s New York City are meant to convey loneliness, bitterness, neediness, loss, and bad karma. Mostly, they convey bad Sundance. -
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Reviewed by
Lisa Schwarzbaum 33
Nobody's got a clue. Enquiring minds don't even want to know. -
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Reviewed by
Lisa Schwarzbaum 33
A recitation of woes doesn't constitute a plot, and panoramic shots of migrating wildlife don't convey enough African flavor. -
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Reviewed by
Lisa Schwarzbaum 33
McCarthy's rawhide has become movie Naugahyde, a substance unknown in literature or in nature. -
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Reviewed by
Owen Gleiberman 33
The Avengers is too enervated to qualify as even a full-scale disaster. -
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Reviewed by
Owen Gleiberman 33
Few comedies have worked this hard to make everyone on screen look this dumb. -
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Reviewed by
Owen Gleiberman 33
The movie doesn't so much extend Schwartzman's antic outsider persona from ''Rushmore'' as uglify it, reducing him to the ultimate Uncool Anti-WASP. -
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Reviewed by
Owen Gleiberman 33
It just makes you want to flip on the tube to see the real (fake) thing. -
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Critic Score 33
Really, the sole favor Dolman does the plucky Hawn is to light her rear end so that its continued gloriousness can be appreciated. -
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Reviewed by
Owen Gleiberman 33
The Medallion makes you long for Tucker -- and for Jackie Chan to fly without digital wings. -
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Reviewed by
Bruce Fretts 33
It's like the worst movie Jean-Claude Van Damme never made. -
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Reviewed by
Lisa Schwarzbaum 33
Features the dullest, least lifelike collection of pals this side of "Eyes Wide Shut." -
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Reviewed by
Owen Gleiberman 33
If you've always longed to see a Cold War satire done in the hit 'em over the head frantic camp mode of ''Love, American Style,'' then Company Man is the movie for you. -
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Reviewed by
Lisa Schwarzbaum 33
No worse than any disease-of-the-week TV movie, and no more moralistic than any Lifetime drama. But it's no better, either, and it ought to be. -
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