For 4,829 reviews, this publication has graded:
-
68% higher than the average critic
-
2% same as the average critic
-
30% lower than the average critic
On average, this publication grades 3.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: |
Critic Score
100
|
|---|---|
| Lowest review score: |
Critic Score
0
|
Score distribution:
-
Positive: 2,918 out of 4829
-
Mixed: 1,362 out of 4829
-
Negative: 549 out of 4829
4,829
movie reviews
-
-
Reviewed by
Lisa Schwarzbaum 33
This toothless thriller...feels like a strained reworking of ''The Fugitive.'' -
-
-
Reviewed by
Owen Gleiberman 0
It's like a pastry that's been sitting on the shelf for 60 years. -
-
-
Reviewed by
Lisa Schwarzbaum 33
As a shameless contraption of ridiculously sad things befalling attractive people, the engorged romantic tragedy Remember Me stands tall between those towering monuments to teen-oriented cinematic misery, Love Story and Twilight. -
-
-
Reviewed by
Owen Gleiberman 0
A soporific dud, which should have been tossed out of Sundance. -
-
-
Reviewed by
Owen Gleiberman 16
Stops time, all right -- it stretches 94 minutes into something that begins to feel like infinity. -
-
-
-
Reviewed by
Lisa Schwarzbaum 25
Pushes and pushes and pushes the emotional throttle without respite. -
-
-
Reviewed by
Owen Gleiberman 33
Stuart Townsend, Theron's reallife boyfriend, may have inner fires as an actor that have yet to be revealed, but in Head in the Clouds he's a somber puppy who looks as if Theron could eat him alive. I wish she had. -
-
-
Reviewed by
Lisa Schwarzbaum 33
There's no enjoyably outlandish hiss to this variation on the formula, and no Ice Cube or Owen Wilson, either. This time, a ship of capitalist fools (and no movie stars, unless you count utility player Morris Chestnut as a headliner) steams along the river in Borneo. -
-
-
Reviewed by
Lisa Schwarzbaum 33
Self-righteous and smug in its use of heartland stereotypes, the movie backfires by assuming that its intended liberal audience is just as intolerant and condescending as the conservative opposition insists it is.- Posted Sep 19, 2012
- Read full review
-
-
-
Reviewed by
Adam Markovitz 16
Spectacularly poor judgment in everything from acting to costuming (Olsen's Harajuku-troll get-up is scarier than her curse) puts Beastly right on the cusp of the so-bad-it's-good Hall of Shame.- Posted Mar 5, 2011
- Read full review
-
-
-
Critic Score 33
A tired action thriller determined to play the race card every which way for every which kind of viewer, seems hopelessly behind the curve. -
-
-
Reviewed by
Lisa Schwarzbaum 16
There's something about Holly: She's the most ridiculous, irritating, two-dimensional rom-com heroine since...Katherine Heigl's last rom-com. -
-
-
Critic Score 25
Movie is dopey. And with its emphasis on stupid violence, xylophone abs, and getting yourself on YouTube, it's yet another product that makes you feel bad about today's youth culture. -
-
-
Reviewed by
Lisa Schwarzbaum 33
Washington is wasted here. Kelly Lynch is wooden. Crowe has a ball going over the top, but how much taunting and eyeball popping can a performer do? -
-
-
Reviewed by
Lisa Schwarzbaum 25
A parent-and-kid-oriented comedy about the adventures of men doing the hard work of mommies, which couldn't be more timely -- or less delightful. -
-
-
-
Reviewed by
Lisa Schwarzbaum 33
FYI, there's zero chemistry between P.S. I Love You's two commodified headliners. P.S.: The plus in the harsh grade goes solely to the divine Lisa Kudrow, delivering desperately needed laughs as the twitchy widow's husband-hunting best friend. -
-
-
Reviewed by
Owen Gleiberman 33
The fusion of cheekiness and deliberately overscaled fantasy never jells. -
-
-
Reviewed by
Owen Gleiberman 25
A stillborn rendering of Michael Chabon's first novel. -
-
-
Reviewed by
Owen Gleiberman 33
The director, Nora Ephron, displays her peerless gift for making everything seem snappy and mushy at the same time, and Travolta's performance has a slovenly, I-can-do-anything-and-you'll-still-love-me obnoxiousness. -
-
-
Reviewed by
Owen Gleiberman 0
A joke of a title in search of a movie with a single good joke. -
-
-
Reviewed by
Lisa Schwarzbaum 33
Perelman pays such cooing attention to surfaces that our response to violence carries no more importance than our response to the delicate jewelry around the adult Diana's neck. -
-
- Posted Jan 26, 2011
- Read full review
-
-
Reviewed by
Owen Gleiberman 0
The film treats its audience like fidgety junior-high schoolers, piling on the sub-Koyaanisqatsi cityscapes and cheesy episodes with Marlee Matlin as a lonely photographer, plus bouncy cartoons of human cells who look as if they'd be happier chasing stains in bathroom-cleanser commercials. -
-
-
Critic Score 33
Exhibits none of the infectious offhand tastelessness of their hit show and all of the insistent overkill of a Mel Brooks joke gone horribly wrong. -
-
-
Reviewed by
Lisa Schwarzbaum 33
Robin Williams (yes, I'm afraid so) plays a kind of Manhattan-based Fagin with a touch of Midnight Cowboy to his wardrobe. And ants will play havoc in any cynic's pants as this loopy, goopy fairy tale about a kid looking for his parents oozes to its predictable finish. -
-
-
Reviewed by
Lisa Schwarzbaum 33
The second insurmountable problem is the difference between Parker's performance as a fortysomething banker, wife, and mother musing (in voice-over) at her computer and her previous performance as a single, thirtysomething girl-about-town in "Sex and the City": There is none. I don't know why she does it.- Posted Sep 14, 2011
- Read full review
-
-
-
Reviewed by
Owen Gleiberman 25
If you've been longing to see the worst family entertainment of 1966, A Dog of Flanders may be the movie for you. -
-
-
Reviewed by
Owen Gleiberman 33
The Medallion makes you long for Tucker -- and for Jackie Chan to fly without digital wings. -
