Entertainment Weekly's Scores

For 5,989 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 3.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Tim's Vermeer
Lowest review score: 0 Patch Adams
Score distribution:
5989 movie reviews
  1. The result is a playful, elusive movie that isn't so much heartwarming as soul-cleansing.
  2. DuVernay has done a great service with Selma. Not only has she made one of the most powerful films of the year, she's given us a necessary reminder of what King did for this country...and how much is left to be done.
  3. Days after I saw The Artist, I was still thinking (and grinning) about it, because the movie's real romance is the one between us, the jaded 21st-century audience, and the mechanical innocence of old movies, which here becomes new again.
  4. By the end, Campion views all her characters with a compassion bordering on grace, a humanity-like her heroine's-as dark, quiet, and enveloping as the ocean.
  5. Watching Eternal Sunshine, you don't just watch a love story -- you fall in love with what love really is.
  6. This is perhaps the only science-fiction film that can be called transcendental.
  7. Clint Eastwood's profound, magisterial, and gripping companion piece to his ambitious meditation on wartime image and reality, "Flags of Our Fathers."
  8. Until Once, I'm not sure that I'd ever seen a small-scale, nonstylized, kitchen-sink drama in which the songs take on the majesty and devotion of a musical dream.
  9. A buoyant, funny, and disarmingly humane comedy of beautiful losers in revolt.
    • 88 Metascore
    • 100 Critic Score
    One of those rare gems that prove equally stunning on both aesthetic and cerebral levels.
    • Entertainment Weekly
  10. Sad, funny, sexy, and altogether marvelous.
  11. Capote honors its subject by doing just what Truman Capote did. It teases, fascinates, and haunts.
  12. If you see only one comic love story from Kazakhstan this year, choose this prize-winning honey.
  13. If you can appreciate the sight of two totally dialed-in performers simmering until they boil over, that's enough. And P.S., that's pretty much the definition of jazz.
  14. Hersonski quietly and insistently unravels reality from "reality"; her commitment to archival authenticity is its own tribute to those no longer able to testify.
  15. A marvelous contraption, a wheels-within-wheels thriller that's pure oxygenated movie play.
  16. Blue's raw portrayal of infatuation and heartbreak is both devastating and sublime. It's unforgettable.
  17. For all its brio, the film is overcautious about pointing fingers.
  18. There's piercing sadness, and fury, too, in this Everyman's isolation, and Cantet is singularly skilled at evoking the universal condition of such tragic ordinariness.
    • 88 Metascore
    • 75 Critic Score
    Never quite connects with us emotionally, yet the more it shades off into the gonzo-poetic, the more fun it becomes.
  19. Munro's stark lily needed none of this gilding.
  20. Mafioso does more than cast its fascinating shadow over "The Godfather." It captures, in a stark yet haunting way, the indelible fact that no man is born a mobster.
  21. What it comes down to is superbly staged battle scenes and moral alliances forged in earnest yet purged of the wit and dynamic, bristly ego that define true on-screen personality.
  22. There’s something earthy and elemental in this tale that was missing in Blue, something quirky and (measured by Kieslowskian standards) energetic.
  23. A delightful, perceptive, funny, detail-perfect fable.
  24. Lest the audience miss a cue, Hooper and soundtrack composer Alexandre Desplat count on the ringing grandeur of Beethoven's Seventh Symphony - the famous second movement, no less - to amp the emotions.
  25. Hell or High Water isn’t a flashy movie, but it has an undeniably resonant sense of small-scale justice, not to mention an authentic sense of place that will remind you of other Texas-set masterpieces like John Sayles’ "Lone Star" and the Coen brothers’ "No Country for Old Men." See it, and then spread the word.
  26. Up
    A lovely, thoughtful, and yes, uplifting adventure.
  27. Working from a superb script by Paul Attanasio, Redford has caught the way a show like Twenty-One offered a carny-barker version of the American Dream.
  28. It’s obvious that Kaufman has always seen the world differently from the rest of us. And even if it takes a little time to settle into Anomalisa’s disorienting, herky-jerky groove, Kaufman ends up bewitching us with his fresh take on the oldest and most hackneyed of cinematic themes: boy meets girl…and anxiety ensues.

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