Entertainment Weekly's Scores

For 1,878 reviews, this publication has graded:
  • 65% higher than the average critic
  • 15% same as the average critic
  • 20% lower than the average critic
On average, this publication grades 7.8 points higher than other critics. (0-100 point scale)
Average TV Show review score: 72
Highest review score: 100 Mad Men: Season 7
Lowest review score: 0 Drawn Together: Season 1
Score distribution:
  1. Mixed: 0 out of 1433
  2. Negative: 0 out of 1433
1,433 tv reviews
  1. 'Scrubs' is a TV rarity: a new sitcom with an original look and point of view, and the merciful absence of a familiar star attempting a comeback.
  2. Those unfamiliar with the film may find some scenes--like when the actors break character to tell their real-life stories--a bit jarring. [7 Apr 2006, p.54]
    • Entertainment Weekly
  3. The sequel ditches the '70s for the '80s--but the original's hard-boiled plots, retro-pop score, and scene-stealing politically incorrect Gene Hunt (Philip Glenister) remain.
  4. All told, it's a fantastic collection of talent that keeps the show moving, even when the case-of-the-week is something of a clunker.
  5. Our greatest pleasure lies in anticipation of what is to come this season.
  6. Rubicon doesn't have the glossy panache of Mad Men or the in-your-face confrontations of Breaking Bad, but I think that's a good thing. It establishes Rubicon as its own distinct creation from AMC.
  7. At one point, before a press conference, Dern morphs her face from that of a human being into Harris' crazy-cuckoo public mask, and the moment is absolutely chilling. Fair? Debatable, but like Recount, it's a gorgeous bit of political theater.
  8. [The first episodes are] four of 24's best hours to date. [20 Jan 2006, p.59]
    • Entertainment Weekly
  9. I suspect Luck will need its own kind of good fortune to persuade HBO Subscribers to get on its wavelength--to go with the undulating rhythm of its storytelling. But it's worth the effort. [3/10 Feb 2012, p.104]
    • Entertainment Weekly
  10. In its pilot episode, Chicago Hope looked smart but trite — Trapper John, M.D. with book-learnin'. ... [But David E.] Kelley's writing in [the second] episode is worth any number of Picket Fences.
  11. Vargas' special may not be perfect or groundbreaking, but it is meaningful and, at times, eye-opening. [24 Jul 2015, p.54]
    • Entertainment Weekly
  12. At its best, Friends operates like a first-rate Broadway farce, complete with slamming doors, twisty plots, and intricately strung together jokes. And even when it's not at its best, the crack acting and piquant punchlines give Friends a momentum and charm that win you over even if you're not laughing.
  13. A mighty sitcom bursting with juicy ideas and energy.
  14. If it weren't for the commercials and basic-cable cutaways from some violence, you'd swear you were watching a classic Western. [23 Jun 2006, p.66]
    • Entertainment Weekly
  15. Very few shows can get away with genuine moments of emotion while also incorporating the phrase "dead-baby tacos." [1 Oct 2010, p.72]
  16. At best, Daredevil feels like a pulpier Batman Begins, complete with daddy-issue flashbacks. At worst, it's a much better Gotham. [10 Apr 2015, p.58]
  17. You'll alternate between cooing at 6-year-old pageant queen Honey, gawking at her self-described "redneck" family and pet pig, laughing so hard you cry, and feeling deep shame for not turning it off.
  18. The dialogue is, as always, ribald and inspired. [10 Apr 2015, p.59]
    • Entertainment Weekly
  19. As usual, the laughs come from the thought that this doc Brown-homaging character may also have a little Hannibal Lecter in him as he sociopathically berates his grandkids Morty and Summer. [24 Jul 2015, p.55]
    • Entertainment Weekly
  20. While the show is not yet as boundary-pushing as Chappelle's, it is funny, and that should never be taken for granted.
  21. Mad Men offers a two-hour season premiere that commences with a muted tone and then explodes in different directions. [23 Mar 2012, p.62]
    • Entertainment Weekly
  22. They’re all well acted, wryly funny, and between 6 and 11 minutes long: the perfect dosage to leave you smiling, with no unpleasant aftereffects.
  23. An immensely enjoyable, carefully crafted, well-performed creation. Take it from a viewer who has given every Trek incarnation a try and always come away admiring the concept but disappointed with the execution: Voyager hits pay dirt.
    • 80 Metascore
    • 91 Critic Score
    Sure, watching a trapeze act slowly take form is fun (really fun, actually), but what's fascinating here is the deeply empathetic storytelling. It turns out what happens outside the ring is the most interesting part of Circus. [5 Nov 2010, p.65]
    • Entertainment Weekly
  24. Night One felt almost fully-formed, as if Oliver has spent his Daily Show tutelage making a list of everything that works-- and everything he wanted to do just a little bit differently.
  25. Sure, the new Real World is beating the dead horse of the old one, but its derivativeness carries a fresh sting.
  26. It not only has all the classic sitcom ingredients but also adds a new, more refined aggression to the mix.
  27. Without surging too deep into soapy territory, Kingdom grinds out excellent family drama via lived-in characters and escalating stakes. The cast's chemistry is phenomenal, with Jonas as the standout.
  28. [An] absorbing spy thriller. [25 Jan/1 Feb 2013, p.113]
    • Entertainment Weekly
  29. This is one tasty meal.

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