Entertainment Weekly's Scores

For 1,371 reviews, this publication has graded:
  • 54% higher than the average critic
  • 31% same as the average critic
  • 15% lower than the average critic
On average, this publication grades 8.3 points higher than other critics. (0-100 point scale)
Average TV Show review score: 72
Highest review score:
Critic Score 100
Lowest review score:
Score distribution:
  1. Mixed: 0 out of 1026
  2. Negative: 0 out of 1026
1,026 tv reviews
  1. There are many ways in which Ed, the best new show of the season, could have been perfectly awful.
  2. It has the best tough-guy dialogue around and an acting ensemble that's ferociously effective. Face it: Homicide is a killer.
  3. The series is full of surprises ... And as Tony, Gandolfini gives a magnificently shrewd, wary performance. If, like me, you thought you never wanted to watch another Mob story, be sure to check this out.
  4. This may be the first TV show since Pee-wee's Playhouse to treasure youth even as it embodies all of its contradictions, craziness, hopes, and fears (and I'd like to point out that Freaks is the only hour-long sitcom I've ever seen that sustains funniness for its full 60 minutes).
  5. How pleasurable it is to really care about a TV series, to the point of (national) obsession.
  6. The whole show is complicated in a fun, brain-teasing way, and having seen the second episode, I can say it only gets funner. I know that's not a word, but I'm saying it anyway.
  7. Watching Jerry, Julia Louis-Dreyfus, Jason Alexander, and Michael Richards bounce off Larry David makes you realize what Curb had been missing: worthy opponents for Larry to argue and scheme with.
  8. It's loose and rambling; its dramatic climaxes don't coincide neatly with the conclusion of any given episode. Its dialogue, overseen by creator David Simon ... is so good it often sounds improvised. One criticism of the show I've read is that it's repetitive (in showing the slow process of how the police bring down bad guys). But what those critics don't get is that those qualities are exactly what make 'The Wire' the funkiest cop show on TV.
  9. The best series on TV, period. [15 Sep 2006, p.63]
  10. The fifth and final season of David Simon's peerlessly acted, stunningly scripted, revolutionary drama of 1,000 moving parts kicks off Jan. 6.
  11. The storytelling structure isn't just artiness for artiness' sake. Instead, it ingeniously reflects the fractured nature of investigations.
  12. I don't know about you, but I'm not used to laughing out loud alone in front of the TV. Honestly, I was startled.
  13. Smart, unruly, and very fast, Arrested is the ultimate TV series for our TiVo age.
  14. Dark, textured, and lively--this is how Dickens is done. [20 Jan 2006, p.66]
  15. Abrams and Lindelof have created one of only two new shows this season at the end of which I was yearning to see a second hour right away. (The other is ABC's "Desperate Housewives": It could be hoot heaven, could be labored camp.) I was tempted to hedge on my final grade, because Lost is the kind of show that could go anywhere. Then I realized that's exactly why I should commit to the ride.
  16. What's great about the series this season is that you can dive deep into its familiar-yet-fresh bubbling stew of physics, ? numerology, and smoke monsters...or you can just skim across its blinding-sun surface, grooving on the thwarted romances, ?the time-shifting nosebleeds, and how great Kate looks in a business power suit and heels.
    • Metascore: 84
    • Critic Score 100
    This series is officially on fire now.
  17. The underrated bigamy show returns from a too-long hiatus with a plot-packed season 3 opener, and, not for the first time, the females deliver the best moments.
  18. The best worst series on TV. [30 Sep 2005, p.89]
    • Metascore: 79
    • Critic Score 100
    Sin City dazzle adds spice to the cooking competition's season 6 premiere....But it's the fresh crop of cheftestants that'll really whet your appetite.
  19. By the end of the opening hour, you're already engaged by Coach Taylor's challenge to turn the East Dillon stragglers into guys who can complete the phrase ''Clear eyes, full hearts, can't lose'' without mumbling. And Friday Night Lights is headed for more touchdown episodes than you can count.
  20. I'll admit, I was a wee bit worried after last season's annoying Georgina story line and relentless drama about the past that haunts Serena (Blake Lively). But fear not, groupies: Summer's been good to this Girl.
  21. For all its bleakness and darkness, there's a glowing exhilaration about this series: It's a feel-good show about feeling really bad.
  22. Four words: Best. Eviction. Episode. Ever. The only thing that could have made it even more delicious? Zombie Chenbot.
  23. They say analyzing comedy kills it, but in this case, it's one revelation after another. Add rare footage of their early years, some non-Python TV appearances, tense on-set footage filmed during the making of their movies, and clips of their greatest hits, and you've got Monty nirvana.
    • Metascore: 75
    • Critic Score 100
    The four-part docuseries begins with ''The Memory Loss Tapes,'' a moving look at the disease's progression through seven patients at various stages. It's not a question of if you'll cry, it's how soon.
    • Metascore: 85
    • Critic Score 100
    It's the sarcasm (see: Adam Scott), smart dialogue, and refreshing take on the workplace comedy that make the somewhat depressing premise a totally raucous party.
    • Metascore: 88
    • Critic Score 100
    The yuk-filled second ep of the sophomore season rectifies this neglect with a plot that tempts Jeff to return to his soul-corrupting old firm, much to the dismay of his community-college study buddies.
  24. The artistic achievement of Treme is that it blends bluntness with the nuances of gorgeous music.
  25. Tremendously clever fun, Masterpiece Mystery! presents the first of three modernizations of the Sherlock Holmes tales.