Entertainment Weekly's Scores

For 1,939 reviews, this publication has graded:
  • 65% higher than the average critic
  • 15% same as the average critic
  • 20% lower than the average critic
On average, this publication grades 8 points higher than other critics. (0-100 point scale)
Average TV Show review score: 72
Highest review score: 100 Dead Set: Season 1
Lowest review score: 0 Justice for Natalee Holloway
Score distribution:
  1. Mixed: 0 out of 1481
  2. Negative: 0 out of 1481
1,481 tv reviews
  1. Roseanne remains endlessly watchable: startling, funny, and complicated.
  2. The Larry Sanders Show is all tension, cynicism, profound shallowness, and naughty-boy bonding — it's just the way you imagine life behind a big-time TV talk show to be, except infinitely funnier.
  3. The best series on TV, period. [15 Sep 2006, p.63]
    • Entertainment Weekly
  4. The four-part docuseries begins with ''The Memory Loss Tapes,'' a moving look at the disease's progression through seven patients at various stages. It's not a question of if you'll cry, it's how soon.
  5. Sin City dazzle adds spice to the cooking competition's season 6 premiere....But it's the fresh crop of cheftestants that'll really whet your appetite.
  6. One of the best things about the second season of Frasier is the way the series has come to mix its high and low humor.
  7. No show this side of Seinfeld loves the language of conversation (the wisecrack, the pun, the withering retort, and the muttered aside) as much. ... Week in and week out, Buffy just slays me.
  8. A delicious deep dive into six Stephen Sondheim songs.
  9. Dark, textured, and lively--this is how Dickens is done. [20 Jan 2006, p.66]
    • Entertainment Weekly
  10. Right now, the show is probably as good as it's ever been.
  11. The series is full of surprises ... And as Tony, Gandolfini gives a magnificently shrewd, wary performance. If, like me, you thought you never wanted to watch another Mob story, be sure to check this out.
  12. In the last third of the season, NYPD Blue was as good as it's ever been: more action to go with the already terrific dialogue; more unexpected twists from a show that could have easily let up on its twisting in its second season. ... If you tuned away from NYPD when [David] Caruso left, now's the time to catch up.
  13. If you think Garry Shandling must be running out of ways to deconstruct show business, you're wrong. This will probably prove the most fearless half hour of comedy all year.
  14. Once and Again is worth viewing again and again. This subtle family drama has recently risen to greater heights of emotional richness.
  15. A terrific blastoff. ... Groening, deeply influenced by the paranoid fantasies of writer Philip K. Dick, the dystopian surrealism of the Firesign Theatre, and every cornball sci-fi movie, creates an airy atmosphere ripe for satirizing our love of computer technology.
  16. Bored has its distinctive brand of slapstick noir down pat. Its charm is in the details. [9 Oct 2010, p.69]
    • Entertainment Weekly
  17. It's getting difficult to keep coming up with superlatives for this sophomore-season drama, especially with a thrilling and tantalizing episode like tonight's.
  18. This season, the show's only gotten better — deeper, richer, more true to its guiding intention of presenting people with Texas twangs as something other than the media cliche of rubes with bad taste.
  19. There's a lot to love about Murder One, bless its parodically sleazy, shrewdly opportunistic, talent-engorged heart.
  20. Instantly addictive.
  21. Neither fully a comedy nor a drama, Transparent is simply transcendent. [19/26 Sep 2014, p.123]
  22. It's the sarcasm (see: Adam Scott), smart dialogue, and refreshing take on the workplace comedy that make the somewhat depressing premise a totally raucous party.
  23. [Herskovitz and Zwick] have transcended their occasional tendency toward both pretension and sentimentality to come up with a brave, bracing show — one that is, like their previous work, unafraid to make white, middle-class, suburban people look like the infuriating, interesting wrecks they so often can be.
  24. The X-Files is hitting the ground running—albeit knee-deep in murk and murder, conspiracy and cosmic confluences.
  25. The underrated bigamy show returns from a too-long hiatus with a plot-packed season 3 opener, and, not for the first time, the females deliver the best moments.
  26. Its main purpose is to confront the taboo, and whether that means exploring just how far Louie will go into the "experimental" side of masturbation in the season premiere or simply digging into his ugliest prejudices about overweight women, the show can be revelatory.
  27. This may be the first TV show since Pee-wee's Playhouse to treasure youth even as it embodies all of its contradictions, craziness, hopes, and fears (and I'd like to point out that Freaks is the only hour-long sitcom I've ever seen that sustains funniness for its full 60 minutes).
  28. Who killed Laura Palmer? Many viewers, tired of the hype, are saying, Who cares? I say it too, but as praise. Plot is irrelevant; moments are everything. Lynch and Frost have mastered a way to make a weekly series endlessly interesting.
  29. Seinfeld is now a revitalized show, snappy and gratifyingly complicated once more.
  30. This series has become as dependably amusing as any show on television.

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