Entertainment Weekly's Scores

For 2,323 reviews, this publication has graded:
  • 66% higher than the average critic
  • 13% same as the average critic
  • 21% lower than the average critic
On average, this publication grades 7.7 points higher than other critics. (0-100 point scale)
Average TV Show review score: 73
Highest review score: 100 Seinfeld: Season 3
Lowest review score: 0 Justice for Natalee Holloway
Score distribution:
  1. Mixed: 0 out of 1784
  2. Negative: 0 out of 1784
1784 tv reviews
  1. If you think Garry Shandling must be running out of ways to deconstruct show business, you're wrong. This will probably prove the most fearless half hour of comedy all year.
  2. Once and Again is worth viewing again and again. This subtle family drama has recently risen to greater heights of emotional richness.
  3. A terrific blastoff. ... Groening, deeply influenced by the paranoid fantasies of writer Philip K. Dick, the dystopian surrealism of the Firesign Theatre, and every cornball sci-fi movie, creates an airy atmosphere ripe for satirizing our love of computer technology.
  4. Bored has its distinctive brand of slapstick noir down pat. Its charm is in the details. [9 Oct 2010, p.69]
    • Entertainment Weekly
  5. It's getting difficult to keep coming up with superlatives for this sophomore-season drama, especially with a thrilling and tantalizing episode like tonight's.
  6. This season, the show's only gotten better — deeper, richer, more true to its guiding intention of presenting people with Texas twangs as something other than the media cliche of rubes with bad taste.
  7. There's a lot to love about Murder One, bless its parodically sleazy, shrewdly opportunistic, talent-engorged heart.
  8. Instantly addictive.
  9. Neither fully a comedy nor a drama, Transparent is simply transcendent. [19/26 Sep 2014, p.123]
  10. It's a time-tested recipe, cooked to perfection. [16 Jun 2017, p.53]
    • Entertainment Weekly
  11. It's the sarcasm (see: Adam Scott), smart dialogue, and refreshing take on the workplace comedy that make the somewhat depressing premise a totally raucous party.
  12. [Herskovitz and Zwick] have transcended their occasional tendency toward both pretension and sentimentality to come up with a brave, bracing show — one that is, like their previous work, unafraid to make white, middle-class, suburban people look like the infuriating, interesting wrecks they so often can be.
  13. Hawley, who wrote and directed the premiere, crafts a cool, taut, precisely styled hour of darkly comic neo-noir that stands in contrast to the delirious, subjective sensationalism of his other show, Legion. ... The cast is superb.
  14. The X-Files is hitting the ground running—albeit knee-deep in murk and murder, conspiracy and cosmic confluences.
  15. The underrated bigamy show returns from a too-long hiatus with a plot-packed season 3 opener, and, not for the first time, the females deliver the best moments.
  16. Its main purpose is to confront the taboo, and whether that means exploring just how far Louie will go into the "experimental" side of masturbation in the season premiere or simply digging into his ugliest prejudices about overweight women, the show can be revelatory.
  17. This may be the first TV show since Pee-wee's Playhouse to treasure youth even as it embodies all of its contradictions, craziness, hopes, and fears (and I'd like to point out that Freaks is the only hour-long sitcom I've ever seen that sustains funniness for its full 60 minutes).
  18. Who killed Laura Palmer? Many viewers, tired of the hype, are saying, Who cares? I say it too, but as praise. Plot is irrelevant; moments are everything. Lynch and Frost have mastered a way to make a weekly series endlessly interesting.
  19. Seinfeld is now a revitalized show, snappy and gratifyingly complicated once more.
  20. This series has become as dependably amusing as any show on television.
  21. Hannigan gets a preemptive EW Emmy award for best supporting actress this year. Whether weeping over a breakup with her werewolf boyfriend, Oz (Seth Green), or offering dating advice to Buffy suitor Riley Finn ('She likes cheese!'), this Willow does not bend from the challenges she's been handed.
  22. It's becoming obvious that The Simpsons, now in its second season, isn't just a product of media hype: Matt Groening's cartoon family is one of the few current works of popular art that possess wit and integrity.
  23. The terrific thing about the new season, starting with the introduction of Weaver [Laura Innes], is that personalities on ER have become as complicated and messy as brain surgery.
  24. Season 3 of Mr. Robot is a masterpiece, ballasting the global ambitions of season 2 while sharpening back to the meticulous build of season 1.
  25. [GLOW] takes everything over-the-top about professional wrestling, pushes it to higher levels of absurdity and melodrama, and finds something deeply personal, explicitly political, and wonderfully brute-force awesome.
  26. Well into its third season, X-Files shows no sign of flagging inspiration; its ability to find paranoia in the paranormal appears to be limitless.
  27. New Girl stokes comeback hopes with an inspired season 4 premiere.
  28. Miraculous ... One of the myriad greatnesses of The Sopranos is that, to paraphrase the Godfather paraphrase that Steven Van Zandt's Silvio frequently quotes, it keeps pulling you back in — back in on yourself, appealing to your basest instincts, to your fundamental urge to hear a bloody story well told.
  29. Every story in this constantly evolving season is a gripping winner. [10 Mar 2017, p.58]
    • Entertainment Weekly
  30. The playful atmosphere of Now and Again provides a blissful kick unlike anything else in prime time.

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