Entertainment Weekly's Scores

For 5,805 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 3.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 The Player
Lowest review score: 0 Patch Adams
Score distribution:
5805 movie reviews
  1. Watch for the director's own mother, Lili Kosashvili, a standout as Zaza's fierce, stately mama.
  2. An amazing thing -- a work of cinematic art in which form and structure pursues the logic-defying (parallel) subjects of dreaming and moviegoing.
  3. It's wonderful to see a Japanese movie in which a samurai, for all his somber discipline and skill, is also a touching and complicated ordinary man.
  4. Requiem is drawn from an incident that was also the basis for last year's demon-seed hit, "The Exorcism of Emily Rose."
  5. The movie is voyeuristic, sure, but in a way that evokes Alfred Hitchcock's "Rear Window" more than William Friedkin's "Cruising."
  6. A marvel of warm collaboration and shared jokes about husbands and wives, shot both in dreamscape color and pristine black and white.
  7. Raquel's devotion to her employer is barbed with hatred, need, and an insecurity she manifests through constant tiny acts of sabotage that would be funny if they weren't also so chilling -- bordering on psychotic.
  8. A great, searching, incendiary chronicle of the Sex Pistols, the razor-hearted visionaries of punk anarchy.
  9. Lean, elegant, and emotionally complex -- a marvel of backwoods classicism.
  10. Huppert has never been this cheerful, or lethal, and the movie itself is like Hitchcock's ''Rebecca'' reshot for House & Garden, with all the ghosts pulled out of the closet.
  11. It's an academic meditation in underworld-thriller drag -- a movie that looks about as close to a straight-ahead, down-and-dirty genre entertainment as anything the director has made since his exploding-head horror days.
  12. With a taut and timely screenplay by Taylor Sheridan, Sicario is a brilliant action thriller with the smarts of a message movie.
  13. A peculiar combination of willful meandering and matter of fact violence, and it occasionally confounds in its attempts to exalt.
  14. At once scary and stirring.
  15. David Cronenberg's brilliant movie -- without a doubt one of the very best of the year.
  16. Rapt and beautiful and absorbing.
  17. A movie that re-creates its object of satire with such pitch-perfect flair that it all but erases the line between derision and love.
  18. What's lost in translation is recovered easily enough in Michael Sheen's astonishing performance as Clough.
  19. That’s the movie’s greatest feint, though: Ultimately, it’s far less interested in galactic destiny than the infinite, uncharted landscape of the human heart.
  20. A blithe charmer balanced somewhere between a life-should-be-so-neat fairy tale and a life's-a-real-bitch tragicomedy, leaves political debate at the ticket counter and focuses solely on what it's like for Juno MacGuff to be Juno MacGuff.
  21. Blue Valentine is lushly touching and gorgeously told.
  22. Grant is the rare actor who can mix the characteristics of sex appeal and ambivalence in believable, rather than irritating, proportions.
  23. A story in full billow; it sails through stretches of bloody battle, anxious waiting, wine-soaked relaxation, and marvelous scientific discoveries by the remarkable Maturin (Paul Bettany, well matched again with his ''A Beautiful Mind'' costar).
  24. As brilliantly funny as Chris Rock is, he's never been able to replicate the high-voltage danger and electricity of his stand-up act on the big screen. But in his latest film, the sharply satirical Top Five, he not only makes a case for why he should be a bona fide movie star, he also proves he's a writer-director to be reckoned with.
  25. Between clips of the concerts Seeger staged as hootenanny hosannas, the film chronicles how the blacklisted star stuck true to his beliefs -- which were more patriotic than those of his accusers.
  26. The great Polish director Andrzej Wajda musters the power of classical filmmaking and personal emotional investment to dramatize a stunning atrocity long covered up.
  27. Yimou’s lovely import is the kind of lump-in-your-throat drama they don’t make much anymore, at least in Hollywood. Watching Coming Home you’ll wonder why that is — and who we can write a letter to to fix it.
  28. Yes, Locke is a bit of a storytelling stunt: For the entirety of the movie, Ivan is the only character on screen. But even with nothing to cut away to and no flashbacks to offer context, the film manages to stay as tight as a vise.
  29. Bridge of Spies is like Capra with a dash of le Carré.
  30. In a bold move that pays off, the movie jettisons dialogue altogether and tells its whole story through barn-animal noises, goofy sound effects, and sight gags so silly they’d make Benny Hill spin in sped-up ecstasy. The effect is contagiously cute.

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