Entertainment Weekly's Scores

For 916 reviews, this publication has graded:
  • 75% higher than the average critic
  • 5% same as the average critic
  • 20% lower than the average critic
On average, this publication grades 7.9 points higher than other critics. (0-100 point scale)
Average TV Show review score: 71
Highest review score:
Critic Score 100
Lowest review score:
Score distribution:
  1. Mixed: 0 out of 677
  2. Negative: 0 out of 677
677 tv reviews
  1. Outspoken yet charismatic, politically radical yet traditionalist in his love of family, the man is captured in all his complexity.
  2. There's all the slamming violence you might want in your gas-fumed escapism, mingled with real-world difficulties.
  3. Kill pays both you and its subjects two solid compliments: It doesn't scream ''Take heed: This is a work of art!'' And it lets you form your own opinions about what its social commentary is.
    • Metascore: 81
    • Critic Score 91
    Sure, watching a trapeze act slowly take form is fun (really fun, actually), but what's fascinating here is the deeply empathetic storytelling. It turns out what happens outside the ring is the most interesting part of Circus. [5 Nov 2010, p.65]
  4. The show is a scrubbed-clean soap. [28 Sep 2012, p.66]
  5. The result is satisfyingly twist-filled and chilling in every sense.
  6. Tim Gunn still motherhens the designers, the dramatic arcs feel familiar (one designer is a recovering addict, another gave up a career as a surgeon), and--wonders to behold--there's even a branch of the fabric store Mood in Runway's new Los Angeles home.
  7. Lisa Kudrow is hilarious as online shrink Fiona Wallice, but her true talent is making those around her even funnier.
  8. Brooks remains quick-minded and vivid. [14 Dec 2012, p.66]
  9. Outrageous lewdness and delightful non sequiturs speed by, which makes each episode rewardingly rewatchable.
  10. Rectify's many stories are strung together with a wonderful, airy pacing--all hail the slow-TV movement!--that lends a haunting backdrop to the story of a man who may not be able to find a life, even after avoiding death.
  11. This excellent, Robert Redford-narrated look at both the Watergate scandal and the film it inspired backs up the comic's [Louis C.K.'s] assertion about politics never being more insane.
  12. As with P.G. Wodehouse novels and Robbie Williams songs, you have to be either British or adolescent to commit to this stuff; for the rest of us, it's a head-scratching lark.
  13. One of the addictive things about Damages is its ability to work what initially seems to be a peripheral character like Olyphant's into the series' core plot in a startling way. All credit is due to the show's creators--brothers Glenn and Todd A. Kessler and Daniel Zelman--who wrote the first two episodes with smoothly intricate plotting and bursts of melodrama that rarely spill over the top.
  14. It's Quantum Leap meets The Streets of San Francisco--with narry a C, S, or I in sight. [28 Jul 2006, p.56]
  15. Stick with it. Free your eyes to take in the spectacle, and your brain will magically start following the intricate storytelling. And there's a magical realism to Game of Thrones.
  16. True Blood is, if anything, faster, sleeker, more vicious, more fun that it already was. Yum-yum.
  17. Nip/Tuck has reclaimed its sense of humor.
  18. The sheer number of plotlines can be overwhelming, but the images--flowers dropped on the side of the road, a dusty van sliding away--are relentlessly riveting. And the series only gets better from here. [5 Oct 2007, p.66]
    • Metascore: 79
    • Critic Score 83
    The reliably hilarious supporting cast of family members and friends--quirky without being cartoonish--makes a creaky zit subplot forgivable.
    • Metascore: 79
    • Critic Score 100
    Sin City dazzle adds spice to the cooking competition's season 6 premiere....But it's the fresh crop of cheftestants that'll really whet your appetite.
  19. 24's best seasons have always hinged on a central, tantalizing character... This year could finally be Jack's turn to fascinate.... Otherwise, this round of mayhem has little to differentiate itself. [19 Jan 2007, p.67]
    • Metascore: 79
    • Critic Score 83
    This handsomely produced experimental series ought to please flexible fans. [30 Mar 2007, p.62]
  20. It's grim but exhilarating: a portrait of an artist chronicling despair.
  21. At its strongest, it freshens those themes without melodrama, opting instead for slow-boil tension. The challenge for this artful series is whether that boiling point is too slow for viewers raised on WWE Raw and mixed martial arts.
  22. It's a midlife triumph, a series that takes a well-worn theme and makes it unpredictable, freshly funny, and sometimes moving.
  23. The underrated bigamy show returns from a too-long hiatus with a plot-packed season 3 opener, and, not for the first time, the females deliver the best moments.
  24. This isn't much different from Season 1--confusion, frustration, bell-bottoms--but it's still a good, uneasy time. [14 Dec 2007, p.62]
    • Metascore: 79
    • Critic Score 91
    The show immediately bursts at the seems with personality. [16 Nov 2007, p.68]
  25. Any fears you had that marriage and a baby would dull the sharp edge of Dexter--I admit it, I was worried--have been thoroughly allayed by season 4's wonderfully swift, witty, and violent start.