Entertainment Weekly's Scores

For 5,962 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 3.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Moonlight
Lowest review score: 0 I Know Who Killed Me
Score distribution:
5962 movie reviews
  1. Writer-director Jeff Nichols builds his elegantly shot, weather-sensitive horror story in waves of tension that crest as if pulled by tempests.
  2. The Past, is hugely ambitious — it's Farhadi seizing his moment — yet it's also a wrenchingly intimate tale of lives torn asunder by forces within and without them.
  3. An insider nostalgia trip for graying art punks. It could have been called ''When We Were Cool,'' and it's finally so cool that it freezes you out.
  4. At times, The Iron Giant is more serene than it needs to be, but it's a lovely and touching daydream.
  5. In the end -- an ending of such power and narrative originality (in both book and movie) that those who know it ought never breathe a word to those who don't.
  6. Malick clings to the promise of grace: His vision of the afterlife is a dreamy beach, enhanced by an excellent playlist of fine classical music, and promising the peace that surpasses all understanding. Plus a beautiful sky.
  7. Bong Joon-ho's wildly entertaining saga should become the hip, thinking-person's monster movie of choice.
  8. Lopez, for all her Latina-siren voluptuousness, has always projected a contained coolness, and this is the first movie in which it fully works for her.
  9. Brims with life and loveliness even as it meditates on the loss of childhood.
  10. It's doubtful you'll ever see a combat documentary that channels the chaos of war as thoroughly as this one.
  11. Temperamentally in sync with her "Wendy and Lucy" director, Michelle Williams plays one of the toiling wives. And the actress, with her calm center, compresses the entire history of frontier wifeliness into the concentration with which she gathers firewood and loads a musket.
  12. Fruitvale Station is great political filmmaking because it's great filmmaking, period.
  13. One of the most important movies of my life. It’s one of the two films, the other being Robert Altman’s Nashville, that made me want to be a critic. And that’s because Carrie did more than thrill, frighten, and captivate me; it sent a volt charge through my system that rewired my imagination, showing me everything that movies could be.
  14. Tough to watch, but essential.
  15. Circles the heart of noisy, modern Tehran with an informal, documentary-like freedom that is thrilling in its naturalism.
  16. A work of intimate and wrenching humanity.
  17. Superb family drama.
  18. An exhilarating puzzle, one of the grand cinematic eruptions of the year.
  19. It's a beautiful contraption of a movie, a gothic backwoods fable that uses its naive yet murderous hero to walk a fine line between sentimentality and dread.
    • Entertainment Weekly
  20. The movie is enchanting.
  21. In the Shadow of the Moon finds new resonance in the moment when America redefined progress -- but also when it heeded the siren song of a world so desolate it reminded you what a paradise ours truly is.
  22. A doozy of a French gangster pic that, in its beautifully refurbished and pithily resubtitled re-release, turns out to be one of the highlights of the 2005 movie year.
  23. It's a work of art that deserves a space cleared for its angry, nervous beauty.
  24. As long as Revanche focuses on the relationship between Tamara (Irina Potapenko), an indentured Ukrainian prostitute, and Alex (Johannes Krisch), the ex-con gofer and would-be tough guy who wants to help her escape, it's riveting.
  25. A tacit auteur-to-auteur endorsement of the inalienable right to make movies--regardless of talent or sobriety or adult responsibilities--is what gives American Movie its uneasy kick.
  26. The message, if there must be one, of this marvelous, stubbornly personal movie is that there is a spark in every soul.
  27. For some viewers, Moonrise Kingdom may be movie heaven, another bric-a-brac-jammed bauble to place alongside "The Life Aquatic With Steve Zissou" and "The Darjeeling Limited." Personally, though, I wish that Anderson would come out from under the glass, or at least change what he's doing under there.
  28. Filmmaker Yung Chang finds a sad and beautiful way to glimpse the big picture of dislocation through an exquisitely poised small study.
  29. So suspenseful, sexy, and surprising that it would be a shame to say any more.
  30. Moreau is bewitching -- she simply breathes her role, without a hint of vanity.

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