Film Threat's Scores
- Movies
For 2,411 reviews, this publication has graded:
-
49% higher than the average critic
-
2% same as the average critic
-
49% lower than the average critic
On average, this publication grades 1.9 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: |
Critic Score
100
|
|---|---|
| Lowest review score: |
Critic Score
0
|
Score distribution:
-
Positive: 1,094 out of 2411
-
Mixed: 986 out of 2411
-
Negative: 331 out of 2411
2,411
movie reviews
- By critic score
-
-
Reviewed by
Ron Wells 30
I completely dreaded sitting through this movie...Two-hour purgatory. -
-
-
Reviewed by
Ron Wells 30
The audience will respond better to ENTERTAINMENT than a club to the head. -
-
-
Reviewed by
Heather Wadowski 30
Even though children will probably enjoy the film, without any intelligent humor or surprises, Max Keeble's Big Move will definitely disappoint those who were born before 1988. -
-
-
Reviewed by
Tom Meek 30
Unfortunately for Epps, Diggs and Jones -- three capable actors -- the disjointed direction of the material robs them of any dimension and forces them to play tail-chassing caricatures. -
-
-
Reviewed by
Chris Gore 30
Yes, the film is an allegorical modern fairy tale with plenty of pretty obvious social commentary, but if I can't identify with one character or be made to care, then what's the point? -
-
-
-
Reviewed by
Phil Hall 30
Writer/director Gary Burns offers a suffocating experience which is too boring to be accepted as a satire, too lame to be accepted as a farce, and too infantile to be accepted as a drama. -
-
-
Reviewed by
Ron Wells 30
All of the nutty editing and the loud score just grated on my nerves and failed the story. -
-
-
Reviewed by
Michael Dequina 30
Director Stephen Herek certainly doesn't come up with anything, and he fails to make the swings between silliness and schmaltz smoothly. -
-
-
Reviewed by
Ron Wells 30
If you love KISS, you'll probably see this movie anyway. If you don't, there's no point. -
-
-
Reviewed by
Ron Wells 30
I'm sure that an interesting film could easily be made about girl surfers, this just ain't it. -
-
-
Reviewed by
Phil Hall 30
Chicago is a failure, but that should not come as a surprise. Bob Fosse, who directed and choreographed the original 1975 Broadway production, was long baffled in making a film of the show and eventually gave up trying. -
-
-
-
Critic Score 30
The supporting characters suffer from excruciating one dimensionality since none of them really have anything to do but look forlorn and opine about days past. -
-
-
Reviewed by
Ron Wells 30
In order to spare you the trauma of this cinematrocity, I'll go ahead and tell you how the film turns out. Who killed the General's Daughter? The filmmakers did. -
-
-
Reviewed by
Tom Meek 30
The plot itself is a disappointingly gory concatenation of two recently forgettable sci-fi thrillers; "Hardware" and "Event Horizon." -
-
-
-
Reviewed by
Chris Gore 30
For the single-digit age set, Godzilla is sure to be the greatest movie of all time. -
-
-
Reviewed by
Kevin Carr 30
Run -- don’t walk -- from this film or you might end up watching a bad CGI character do a painful Dr. Evil impression. -
-
-
Critic Score 30
This film has so many chances to spice up the screen....and passes, I was wondering if I were watching an info-mercial for some kind of "K-Tel Classics- Revisted" album. -
-
-
Reviewed by
Michael Dequina 30
A sour attempt at making a Farrelly Brothers-style, down-and-dirty laugher for the female set. -
-
-
Reviewed by
Phil Hall 30
Perhaps it is a shame that no one thought of digitally restoring and theatrically releasing the sex videos that Crane made with the many women he pleasured...that would have been far more entertaining than anything found in Auto Focus. -
-
-
Reviewed by
Rich Cline 30
Despite the bits that work brilliantly, the movie as a whole really only works as an experimental curiosity. -
-
-
Critic Score 30
What the movie needs more than anything is a script. The story is very disappointing and near the end, things start to get weirder and weirder. -
-
-
Critic Score 30
Regardless of the poison of choice, I'm always a little miffed when an actor onscreen is supposedly on a specific drug but too lazy to learn what the actual side-effects are. -
-
-
-
Reviewed by
Eric Campos 30
Good news is that most of the marvelous English dialogue cast from the Cowboy Bebop series has returned for the film. The bad news is that the heart and soul of the series hasn’t. -
-
-
-
Critic Score 30
The movie appears brutally cut which might explain its inability to develop a thought, much less any narrative momentum. -
-
-
Reviewed by
Ron Wells 30
Aside from all the known material on public record the filmmakers chose not to use, Howard isn't even capable of believably bringing this off. -
