Film Threat's Scores

  • Movies
For 2,411 reviews, this publication has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Fear and Loathing in Las Vegas
Lowest review score: 0 An Inconvenient Truth
Score distribution:
2,411 movie reviews
  1. Half Past Dead would’ve been a bad film without Seagal anyways, but he fails long before any of the other parts do.
  2. I wasn’t much scared by anything in Final Destination 2 which is silly and illogical.
  3. Death and comedy rarely mix, and this tedious and painfully un-funny effort by director Darren Stein is no exception.
  4. There's too much pretension in this film. Lots of intense stares into the camera. Lots of uncomfortably hip clothes. Lots of pompous names for themselves.
  5. The new bad movie from Clint Eastwood which takes Dennis Lehane's best-selling thriller and turns it into an inert mess that clocks in at 137 minutes but feels like 137 hours.
    • 47 Metascore
    • 30 Critic Score
    Director and (uncredited) choreographer Robert Cary and his performers are simply not up to the task of recalling the great moments they are trying so hard to evoke.
  6. The best they were able to manage, apparently, was a grabbag of spectral sights and spooky touches grabbed from better horror films and a final act that raises more questions than it answers.
    • 33 Metascore
    • 30 Critic Score
    The movie does a great job of capturing the excessive behavior and the fun that was had but it falls short in delivering a realistic picture of lives after the party ends. Christopher, like Rubell, is into giving his audience escape, not reality.
    • 44 Metascore
    • 30 Critic Score
    The result was one of the worst films I've seen in a long, long time as this entire movie proved to me is that it's never too early to start the race for next year's Golden Razzies...
    • 36 Metascore
    • 30 Critic Score
    Overall, this is just another boxing movie with few surprises and an awkward message to viewers.
  7. If you've got the opportunity to have someone as talented and game for anything as Swinton, you really owe it to her to give her a real movie to be in.
  8. While it fails to shed significant new light on its subject, Gibson's film and the all-Jesus-all-the-time attention from the media it's attracted do tell us something somewhat disconcerting about the state of American culture: That the way to make a religion based on love and forgiveness relevant today is to turn it into violent entertainment.
  9. This cinematic train wreck reminds me of when Hollywood decided to cash in on the success of “Chinatown” by making a sequel...
  10. Nothing more than a big old chunk of horse poop.
  11. If Dogville has a reason for importance, it is the astonishing all-star ensemble who try very hard to put life into their cardboard characters and make this silly film work.
  12. It lacks humor. Unlike "Scream", this film is more of a horror-drama, with everybody taking themselves way too seriously.
  13. My conception of “punk” must differ from the creators of Tamala 2010. The lead character is feisty enough (she says “f---” a lot), and even skateboards, but she’s owned lock, stock, and oversized eyeballs by the Big Evil Corporation.
  14. Little kids should like this film. But the smarter humor and in-jokes from the first are gone, which is going to lose a lot of the older audience.
  15. The most telling symptom of bad comedy is pretty easy to diagnose: no laughs.
  16. My only question is, how did they ensnare you, Eugene?
  17. The story and themes behind The Stepford Wives are way past their time. They’re products of the 1960s.
  18. Kids of all sizes and genders are going to be disappointed.
  19. It will end up frustrating fans of both movie franchises enough to make them wish someone more competent was in charge.
    • 37 Metascore
    • 30 Critic Score
    The movie contains not one surprise, not one shock, not one scare, not one bit of interest for any moviegoer over the age of ten (mentally or physically).
    • 39 Metascore
    • 30 Critic Score
    Something in Toback’s approach to the subject of sex, somehow both lecherous and detached, makes it tough to get a handle on the film.
  20. Easily the most surprising comedy of his career. The surprise: it's not funny.
  21. The men in this movie are little more than beer ad cliches going through Ford tough motions as though trapped in a bad country music video. There's not a realistic moment or character or performance in the picture.
  22. An Italian-British-French-Spanish-Romanian co-production. A better argument against multinational cooperation cannot be imagined.
  23. Audiences enjoyed the original “Bridget Jones” because it hit close to home...But the sequel has about as much emotional depth as a sitcom
  24. A movie celebrating the life of the greatest military conqueror the world has ever known should feature a bit more conquering.

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