Film Threat's Scores

  • Movies
For 2,426 reviews, this publication has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 2.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 The Sure Thing
Lowest review score: 0 The Groomsmen
Score distribution:
2426 movie reviews
  1. Lady is more of an ensemble picture, and truly the Cove is the most ethnically diverse and community-minded apartment complex in the continental United States.
  2. The new bad movie from Clint Eastwood which takes Dennis Lehane's best-selling thriller and turns it into an inert mess that clocks in at 137 minutes but feels like 137 hours.
  3. It lacks humor. Unlike "Scream", this film is more of a horror-drama, with everybody taking themselves way too seriously.
    • 31 Metascore
    • 30 Critic Score
    It's a damn shame when the dreaded third leg in the franchise feels like a pale imitation of an already pale imitator.
  4. Even though children will probably enjoy the film, without any intelligent humor or surprises, Max Keeble's Big Move will definitely disappoint those who were born before 1988.
  5. The men in this movie are little more than beer ad cliches going through Ford tough motions as though trapped in a bad country music video. There's not a realistic moment or character or performance in the picture.
  6. All of the nutty editing and the loud score just grated on my nerves and failed the story.
  7. Not many actors could do justice to the vanilla story presented by Grogan and screenwriters Scott Frank and Don Roos, but Wilson and Aniston – two of the blandest, most uninteresting actors working today – are just the actors to pull it off.
  8. This is nothing but an attempt to cash in on the success of “Gettysburg.”
  9. I feel guilty and somehow unclean. And all I did was watch it.
    • 31 Metascore
    • 20 Critic Score
    A confused mess.
  10. The title refers to your expected condition when you see this movie. Oh well. It'll be HUGE on video.
    • 17 Metascore
    • 20 Critic Score
    A ridiculous messy Z grade film that should have been released straight to video.
    • 49 Metascore
    • 20 Critic Score
    Sadly, it seems that the people behind this film saw a quick buck over quality and gave audiences a turkey.
  11. If I had the ability to engage in hyper-time, I would’ve ran up to the box office, snatched my money and left.
    • 32 Metascore
    • 20 Critic Score
    There are so many things wrong with Thomas Vinterberg’s It’s All about Love that if I wrote them down, this would be a five page review that would sound like a spiteful rant.
  12. Bad movies are easy to make, but as this overheated and self-defeating propaganda piece shows, it takes a genuinely talented group of people to come up with the most astonishing botch jobs.
  13. Its forced slapstick egregiously mugs the audience for laughs.
  14. While How High could have been a fun comedy college students could watch over and over again, it instead plays like a bad USA movie of the week. The jokes aren't funny, the characters aren't fully developed and poor editing only makes a humorless story confusing.
    • 74 Metascore
    • 20 Critic Score
    Simply put this is a TWO HOUR AND 20 MINUTE long documentary that consists of nothing more than millionaire rock stars bitching, whining and complaining about their problems.
  15. Has almost nothing to recommend it.
    • 68 Metascore
    • 20 Critic Score
    The film begs for more action, thrills, and jokes, or more dramatic and painful revelations. What we get is an in-between mash of romantic ideals, a botched kidnapping, and some very good time wasted.
  16. Insipid, maudlin mush.
  17. Enough is a very bad film and so was “Sleeping with the Enemy,” but at least that film had a first act.
  18. In the end, Who Needs Sleep is a great sleeping aid, but a horribly dull and uninspiring documentary.
  19. Joyless, soulless.
  20. The best thing about a movie like this is I never have to see it again.
  21. Typical of too many films produced in Israel: plodding, verbose, badly-made and completely monotonous.
  22. The camerawork is a smidge too shaky and the lighting/color design too dark for me to relish the Predator-on-Alien butt-kicking.
  23. A thoroughly awful Korean production which vainly attempts to recast the slam-bang conventions of American action-adventure flicks into the sticky world of contemporary Korean politics.

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