Film Threat's Scores

  • Movies
For 2,411 reviews, this publication has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 1.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Cabin Fever
Lowest review score: 0 Cry_Wolf
Score distribution:
2,411 movie reviews
    • 45 Metascore
    • 20 Critic Score
    It is definitely the weakest movie of the Weitz catalog and will certainly be forgotten faster than Hung himself.
  1. RV
    The recreational vehicle has a long and storied tradition in American cinema, from "Damnation Alley" to "Lost in America" to "Stripes." Sadly, RV shares little of its namesake' nationwide appeal.
    • 29 Metascore
    • 20 Critic Score
    The kind of film that's too romantic for younger viewers and too redundant for young teens. For both sets, the laughs come infrequent (if at all), no thanks to Lohan giving another sub par performance.
    • 17 Metascore
    • 20 Critic Score
    A ridiculous messy Z grade film that should have been released straight to video.
    • 50 Metascore
    • 20 Critic Score
    Neither fun nor funny.
  2. Laughter erupts during scenes and certain close-ups that were designed to induce screams.
  3. In the end, Who Needs Sleep is a great sleeping aid, but a horribly dull and uninspiring documentary.
  4. It tries to toe the line between romantic comedy and vulgar pseudo-satire and fails at both.
  5. The same problems that plagued the original are on display here. Most notably, the lack of any coherent plot. Lots of creepy kids jump out at us, but these scenes are never satisfactorily meshed into the story itself.
  6. The end result is stale, clumsy, and about as compelling as an average episode of "As the World Turns."
    • 49 Metascore
    • 20 Critic Score
    The thing is, these chatty, pedantic, annoying characters are simply not interesting enough to follow for five minutes, let alone over two hours.
    • 17 Metascore
    • 20 Critic Score
    It is just too bad that the film isn't called "Miniscule Movie" because that is a better description of this epic-less piece of garbage.
  7. By far the most appallingly cretinous picture in which Keaton has ever appeared.
  8. A minor and forgettable bore.
  9. It isn't as if any of the actors do an especially bad job or anything – Fox is capable enough as the lead, and Whitley and Wilson especially carry themselves quite well – but you can't help asking yourself, what's the point? Are there that many more broad topics in need of shallow examination by a Hollywood studio picture?
    • 37 Metascore
    • 20 Critic Score
    An unnecessary sequel to the equally unnecessary "Bruce Almighty."
  10. Veers between flaccid slapstick and mean-spirited vulgarity.
    • 36 Metascore
    • 20 Critic Score
    For devotees of the series, the gore is still there and the traps are just as weird as they were in the other entries but for the rest of us, your mind will forget it the second the end credits roll.
  11. The camerawork is a smidge too shaky and the lighting/color design too dark for me to relish the Predator-on-Alien butt-kicking.
    • 39 Metascore
    • 20 Critic Score
    Lisa Kudrow, the designated comic relief, has never been so consistently unfunny, and Gina Gershon looks uncomfortable in every (pseudo-)inspirational moment.
  12. There was a movie called “My Bodyguard” about the new kid in high school who hires the sullen loner to protect him from a bully. That was good. Drillbit Taylor is shit but, hey, I’m in Judd Apatow’s Hollywood.
  13. Although it runs 78 minutes, it feels like 78 hours.
  14. One small step for bad filmmaking and one giant leap for the increasing insignificance of the former Michael Corleone.
  15. If What Happens in Vegas... serves any purpose, it's to make me consider spending my gambling money in Reno or on a riverboat instead.
    • 39 Metascore
    • 20 Critic Score
    Tedious and ultimately pointless film.
    • 26 Metascore
    • 20 Critic Score
    Wants to be three different films at one time but sadly never asks much from Diesel other than to grunt, stomp around, and reprise the role that made him a star.
    • 61 Metascore
    • 20 Critic Score
    If "Models'" comedy is a bore, the characters' redemption is sheer agony – not to mention the shameless pop-cultural referencing that repeats like a bad taco.
    • 33 Metascore
    • 20 Critic Score
    Too bad Guy Pearce who plays Kendall, the obvious villain, couldn't do the same thing. His awful performance here will almost make you forget he was "Memento" and "L.A. Confidential."
    • 30 Metascore
    • 20 Critic Score
    This is the sort of film that fails on every single aspect it aims for.
  16. Clearly, Gomorrah is supposed to represent the best of today’s European cinema...and if this is the best, I would hate to imagine the worst! Gomorrah is a boring mess focusing on how the mob in today’s Naples has its tentacles stretched far and wide

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