Film Threat's Scores

  • Movies
For 2,410 reviews, this publication has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Mad Cowgirl
Lowest review score: 0 Cry_Wolf
Score distribution:
2410 movie reviews
  1. Has an underlying charm that drags its audience, kicking and screaming to have a good time.
  2. Authentic and hilarious. This film sparks with a natural comic rhythm.
  3. Garofalo is amazing, as always, and the film is almost about her as much as the leads. The recreation of the casts' high school years is wickedly funny and dead on.
  4. While Intoxicating is far from a perfect film, it is nonetheless a highly effective -- and affecting -- clash of two fiercely independent talents, Kirk Harris and Mark David.
  5. Not since the breakthrough days of Jim Carrey, Adam Sandler and the Farrelly brothers have two hours of movie comedy simultaneously felt so wrong but oh so right.
    • 38 Metascore
    • 80 Critic Score
    Strong performances and moody cinematography make this film worth staying awake for, despite many pensive, hypnotically paced sequences.
  6. Hits an edginess that will keep today’s audiences laughing.
  7. Filmmaker Ron Mann and actor/activist Woody Harrelson have followed up their hilarious 2000 documentary "Grass" with the equally amusing Go Further.
    • 64 Metascore
    • 80 Critic Score
    Princesas isn't the cliché "Pretty Woman" type romantic-comedy you'd expect – it's actually quite surprising.
    • 80 Metascore
    • 80 Critic Score
    At the finale of this visual delight, every hired hand and technician also deserve acclaim.
  8. War is chaos and confusion even under the best of circumstances, of which this current fiasco clearly ain’t. The Prisoner… underscores this fact, as well as muddying up the waters on such commonly accepted platitudes as "Support the Troops."
  9. A gripping experience, and often downright sickening.
  10. Lee gives us cross-section of characters, almost none of whom escape the summer unchanged.
  11. One of those guilty pleasures of the summer. It’s also one of those action movies that could have been ruined if Jerry Bruckheimer had taken charge of it.
    • 62 Metascore
    • 80 Critic Score
    A rich drama that gradually evolves into a feel-good story.
    • 62 Metascore
    • 80 Critic Score
    The two young leads--Vincent Kartheiser and Taryn Manning--bring a sense of reality to their roles. This combines with Milgard’s direction and choice of backdrops to make Dandelion an unassuming journey.
    • 65 Metascore
    • 80 Critic Score
    One of the best films of 2007 but I wonder if it’s difficult message will turn away filmgoers. Haggis has constructed a very bitter pill that needs to be swallowed, especially by hardcore pro-war Americans.
  12. This is a stunning examination of issues of doubt and control, as well as a cracking good little thriller.
  13. A visual triumph, and also a work of surprising warmth. No small accomplishment for a bunch of cadavers.
    • 85 Metascore
    • 80 Critic Score
    Does the world need another Holocaust film? When the director is Roman Polanski, the answer is an unequivocal “yes."
  14. Movies about writers are almost always romanticized affairs but Starting Out in the Evening is the rare exception. It is at once an elegy for the vanishing generation of Bellow, Cheever, Mailer and Updike and a dead on indictment of our culture’s current state.
    • 59 Metascore
    • 80 Critic Score
    Before approaching the end of the film the seduction of the doctor is not that important because by that time the audience has already fallen under the spell.
    • 51 Metascore
    • 80 Critic Score
    Any film that can make you cringe at it's honesty, laugh at it's insanity and yet follow along hook line and sinker is something special.
    • 54 Metascore
    • 80 Critic Score
    In the vast wasteland of romantic comedies, this lovely film defies the tired genre.
  15. It’s funny, it’s smart, and it pokes fun at exactly the things it should (organized religion, big business, and audience itself).

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