Film Threat's Scores

  • Movies
For 2,410 reviews, this publication has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Heathers
Lowest review score: 0 Wild Hogs
Score distribution:
2410 movie reviews
    • 68 Metascore
    • 20 Critic Score
    The film begs for more action, thrills, and jokes, or more dramatic and painful revelations. What we get is an in-between mash of romantic ideals, a botched kidnapping, and some very good time wasted.
  1. Insipid, maudlin mush.
  2. Enough is a very bad film and so was “Sleeping with the Enemy,” but at least that film had a first act.
  3. In the end, Who Needs Sleep is a great sleeping aid, but a horribly dull and uninspiring documentary.
  4. Joyless, soulless.
  5. The best thing about a movie like this is I never have to see it again.
  6. Typical of too many films produced in Israel: plodding, verbose, badly-made and completely monotonous.
  7. The camerawork is a smidge too shaky and the lighting/color design too dark for me to relish the Predator-on-Alien butt-kicking.
  8. A thoroughly awful Korean production which vainly attempts to recast the slam-bang conventions of American action-adventure flicks into the sticky world of contemporary Korean politics.
    • 50 Metascore
    • 20 Critic Score
    Neither fun nor funny.
  9. You really have to be in the right mood to sit through Tony Takitani. You have to be ready to take in a thoroughly depressing story that moves...very...slowly.
  10. Dreadful.
    • 45 Metascore
    • 20 Critic Score
    A profoundly unnecessary movie, The Girl From Monday is an embarrassment.
  11. Figgis is clueless on how to make a thriller. He falls into all the traps of a first-time suspense director, and he can't help but focus on all the depressing faults of the shockingly dull characters.
  12. Clooney has littered his film with such a high quantity of mistakes that it is hard to know where exactly to begin finding fault.
  13. Fans of prison flicks would do better to catch the HBO series "Oz" or the five millionth rebroadcast of "The Shawshank Redemption."
    • 26 Metascore
    • 20 Critic Score
    Wants to be three different films at one time but sadly never asks much from Diesel other than to grunt, stomp around, and reprise the role that made him a star.
    • 17 Metascore
    • 20 Critic Score
    It is just too bad that the film isn't called "Miniscule Movie" because that is a better description of this epic-less piece of garbage.
  14. Godawful mess.
    • 61 Metascore
    • 20 Critic Score
    If "Models'" comedy is a bore, the characters' redemption is sheer agony – not to mention the shameless pop-cultural referencing that repeats like a bad taco.
  15. What could have been a cool concept movie buckles under an uninspired script and some treacherous miscasting.
  16. The same problems that plagued the original are on display here. Most notably, the lack of any coherent plot. Lots of creepy kids jump out at us, but these scenes are never satisfactorily meshed into the story itself.
  17. To paraphrase the play's most famous song: how do you measure the lien against your soul when you're forced to sit through something as forcibly maudlin as Rent? I dunno, but 525,600 minutes is about how long this movie felt at times.
  18. I'm going to beat my head into a wall until I relieve myself of the memory of this film that was, well, retarded.
    • 49 Metascore
    • 20 Critic Score
    The thing is, these chatty, pedantic, annoying characters are simply not interesting enough to follow for five minutes, let alone over two hours.
  19. Sommers suspends the laws of time and physics and forces his characters to spout some of the cheesiest dialogue imaginable.
  20. Painfully boring.
  21. One small step for bad filmmaking and one giant leap for the increasing insignificance of the former Michael Corleone.
  22. There was a movie called “My Bodyguard” about the new kid in high school who hires the sullen loner to protect him from a bully. That was good. Drillbit Taylor is shit but, hey, I’m in Judd Apatow’s Hollywood.
    • 32 Metascore
    • 20 Critic Score
    A nearly complete and total disaster.

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