Film Threat's Scores

  • Movies
For 2,411 reviews, this publication has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Pulp Fiction
Lowest review score: 0 Grind
Score distribution:
2,411 movie reviews
  1. I can't really remember the last time I saw a movie with this much biting satire and brilliance that was utterly excruciating half the time.
    • 31 Metascore
    • 20 Critic Score
    A confused mess.
  2. The worst sin of omission in Secret Window is the removal of the fact that Rainey had actually plagiarized in the past. In the story, this is critical because it is the source of Rainey’s guilt -– and arguably the reason for his success.
  3. Painfully boring.
  4. One such feeble miscue that can't be saved by the star power of Joe Pesci and David Spade.
  5. Its forced slapstick egregiously mugs the audience for laughs.
    • 37 Metascore
    • 20 Critic Score
    This film marks for Jon Voigt a concerted effort to unseat Christopher Walken in the competition for the Czarship of sneering, wheezing, Machiavellian, all-around weird guys. He spends much of his time standing around making a face like Beavis does when he's really freaked out.
    • 46 Metascore
    • 20 Critic Score
    The humor is boring and in most spots inappropriate for children.
  6. Sommers suspends the laws of time and physics and forces his characters to spout some of the cheesiest dialogue imaginable.
  7. It's such a dumb movie, it's hard to believe it wasn't an SNL sketch first.
  8. A stupid summer movie.
  9. Holy Man is just a dumb romantic comedy passing itself off as something else.
    • 74 Metascore
    • 20 Critic Score
    Simply put this is a TWO HOUR AND 20 MINUTE long documentary that consists of nothing more than millionaire rock stars bitching, whining and complaining about their problems.
  10. Tomorrow Never Dies, like the commercial marketing assault the Bond cast has been involved in, is a hollow experience that's egregiously trumped up by its high energy glitz and gimmickry. Somewhere, in their rush to amaze and thrill, the filmmakers forgot about Bond, the man.
  11. Joyless, soulless.
    • 48 Metascore
    • 20 Critic Score
    The wackiness that unfolds is boring, ridiculous and, to most, offensive.
  12. Affleck may finally have found a use for his obnoxious personality, because Drew is amazingly annoying.
    • 32 Metascore
    • 20 Critic Score
    There are so many things wrong with Thomas Vinterberg’s It’s All about Love that if I wrote them down, this would be a five page review that would sound like a spiteful rant.
    • 42 Metascore
    • 20 Critic Score
    The script gives both actors, as well as the supporting cast, very little to work with, aside from some crude John Waters-inspired put-downs and plays on words.
  13. Has almost nothing to recommend it.
  14. What could have been a cool concept movie buckles under an uninspired script and some treacherous miscasting.
  15. Elektra isn't just poorly executed, it's emotionally false and makes absolutely no narrative sense.
    • 35 Metascore
    • 20 Critic Score
    Polson offers up a few chilling scares, but the underwritten screenplay really does show off its weaknesses.
  16. A small, tacky non-comedy.
    • 45 Metascore
    • 20 Critic Score
    A profoundly unnecessary movie, The Girl From Monday is an embarrassment.
    • 32 Metascore
    • 20 Critic Score
    This is the sort of film that would drive Miss Daisy to upchuck at the shenanigans of its saintly, cardboard characters and its bizarre, rose-colored depiction of U.S. race relations.
    • 36 Metascore
    • 20 Critic Score
    The movie fails on nearly every level. The film is has good intentions and moments of energy, but it's merely a faint echo of the great 1960s counterculture pictures.
  17. Tiresome, trite and choked with every lousy Dixie-fried stereotype imaginable.
    • 68 Metascore
    • 20 Critic Score
    The film begs for more action, thrills, and jokes, or more dramatic and painful revelations. What we get is an in-between mash of romantic ideals, a botched kidnapping, and some very good time wasted.
  18. You really have to be in the right mood to sit through Tony Takitani. You have to be ready to take in a thoroughly depressing story that moves...very...slowly.

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