Film Threat's Scores

  • Movies
For 2,411 reviews, this publication has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 1.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Soap Girl
Lowest review score: 0 Cry_Wolf
Score distribution:
2,411 movie reviews
  1. Typical of too many films produced in Israel: plodding, verbose, badly-made and completely monotonous.
  2. Has a terrible air of been-there/done-that.
  3. Clooney has littered his film with such a high quantity of mistakes that it is hard to know where exactly to begin finding fault.
  4. Seriously, it's a bad sign for your "kids movie" when the kids in question are asking their parents, "When is something going to happen?"
  5. To paraphrase the play's most famous song: how do you measure the lien against your soul when you're forced to sit through something as forcibly maudlin as Rent? I dunno, but 525,600 minutes is about how long this movie felt at times.
  6. To its credit, the film's costume design is stunning. But unless you have a kimono fetish, there's no reason to pay a good dollar (or a yen, for that matter) on this junk.
  7. A typical end-of-the-year dump film, in that there's almost no reason to see it.
  8. Mrs. Doubtfire is overlong, barely funny, and a surprisingly bitter movie especially for a film aimed at children.
  9. Bubble is among his (Soderbergh) worst films. What in the world was he thinking with this?
    • 45 Metascore
    • 20 Critic Score
    All the while Madea's wit, which is refreshing on the stage, feels spurious and often misfires.
    • 45 Metascore
    • 20 Critic Score
    It is definitely the weakest movie of the Weitz catalog and will certainly be forgotten faster than Hung himself.
  10. RV
    The recreational vehicle has a long and storied tradition in American cinema, from "Damnation Alley" to "Lost in America" to "Stripes." Sadly, RV shares little of its namesake' nationwide appeal.
    • 29 Metascore
    • 20 Critic Score
    The kind of film that's too romantic for younger viewers and too redundant for young teens. For both sets, the laughs come infrequent (if at all), no thanks to Lohan giving another sub par performance.
    • 17 Metascore
    • 20 Critic Score
    A ridiculous messy Z grade film that should have been released straight to video.
    • 50 Metascore
    • 20 Critic Score
    Neither fun nor funny.
  11. Laughter erupts during scenes and certain close-ups that were designed to induce screams.
  12. In the end, Who Needs Sleep is a great sleeping aid, but a horribly dull and uninspiring documentary.
  13. It tries to toe the line between romantic comedy and vulgar pseudo-satire and fails at both.
  14. The same problems that plagued the original are on display here. Most notably, the lack of any coherent plot. Lots of creepy kids jump out at us, but these scenes are never satisfactorily meshed into the story itself.
  15. The end result is stale, clumsy, and about as compelling as an average episode of "As the World Turns."
    • 49 Metascore
    • 20 Critic Score
    The thing is, these chatty, pedantic, annoying characters are simply not interesting enough to follow for five minutes, let alone over two hours.
    • 17 Metascore
    • 20 Critic Score
    It is just too bad that the film isn't called "Miniscule Movie" because that is a better description of this epic-less piece of garbage.
  16. By far the most appallingly cretinous picture in which Keaton has ever appeared.
  17. A minor and forgettable bore.
  18. It isn't as if any of the actors do an especially bad job or anything – Fox is capable enough as the lead, and Whitley and Wilson especially carry themselves quite well – but you can't help asking yourself, what's the point? Are there that many more broad topics in need of shallow examination by a Hollywood studio picture?
    • 37 Metascore
    • 20 Critic Score
    An unnecessary sequel to the equally unnecessary "Bruce Almighty."
  19. Veers between flaccid slapstick and mean-spirited vulgarity.
    • 36 Metascore
    • 20 Critic Score
    For devotees of the series, the gore is still there and the traps are just as weird as they were in the other entries but for the rest of us, your mind will forget it the second the end credits roll.
  20. The camerawork is a smidge too shaky and the lighting/color design too dark for me to relish the Predator-on-Alien butt-kicking.
    • 39 Metascore
    • 20 Critic Score
    Lisa Kudrow, the designated comic relief, has never been so consistently unfunny, and Gina Gershon looks uncomfortable in every (pseudo-)inspirational moment.

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