Film Threat's Scores

  • Movies
For 2,411 reviews, this publication has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 1.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Chalk
Lowest review score: 0 Date Movie
Score distribution:
2,411 movie reviews
  1. I completely dreaded sitting through this movie...Two-hour purgatory.
  2. The audience will respond better to ENTERTAINMENT than a club to the head.
  3. Even though children will probably enjoy the film, without any intelligent humor or surprises, Max Keeble's Big Move will definitely disappoint those who were born before 1988.
  4. Unfortunately for Epps, Diggs and Jones -- three capable actors -- the disjointed direction of the material robs them of any dimension and forces them to play tail-chassing caricatures.
  5. Yes, the film is an allegorical modern fairy tale with plenty of pretty obvious social commentary, but if I can't identify with one character or be made to care, then what's the point?
  6. A noisy, chaotic affair.
  7. Writer/director Gary Burns offers a suffocating experience which is too boring to be accepted as a satire, too lame to be accepted as a farce, and too infantile to be accepted as a drama.
  8. All of the nutty editing and the loud score just grated on my nerves and failed the story.
  9. Director Stephen Herek certainly doesn't come up with anything, and he fails to make the swings between silliness and schmaltz smoothly.
  10. If you love KISS, you'll probably see this movie anyway. If you don't, there's no point.
  11. I'm sure that an interesting film could easily be made about girl surfers, this just ain't it.
  12. Chicago is a failure, but that should not come as a surprise. Bob Fosse, who directed and choreographed the original 1975 Broadway production, was long baffled in making a film of the show and eventually gave up trying.
  13. About as funny as a funeral.
    • 57 Metascore
    • 30 Critic Score
    The supporting characters suffer from excruciating one dimensionality since none of them really have anything to do but look forlorn and opine about days past.
  14. In order to spare you the trauma of this cinematrocity, I'll go ahead and tell you how the film turns out. Who killed the General's Daughter? The filmmakers did.
  15. The plot itself is a disappointingly gory concatenation of two recently forgettable sci-fi thrillers; "Hardware" and "Event Horizon."
  16. Listless clunker.
  17. For the single-digit age set, Godzilla is sure to be the greatest movie of all time.
  18. Run -- don’t walk -- from this film or you might end up watching a bad CGI character do a painful Dr. Evil impression.
    • 59 Metascore
    • 30 Critic Score
    This film has so many chances to spice up the screen....and passes, I was wondering if I were watching an info-mercial for some kind of "K-Tel Classics- Revisted" album.
  19. A sour attempt at making a Farrelly Brothers-style, down-and-dirty laugher for the female set.
  20. Perhaps it is a shame that no one thought of digitally restoring and theatrically releasing the sex videos that Crane made with the many women he pleasured...that would have been far more entertaining than anything found in Auto Focus.
  21. Despite the bits that work brilliantly, the movie as a whole really only works as an experimental curiosity.
    • 68 Metascore
    • 30 Critic Score
    What the movie needs more than anything is a script. The story is very disappointing and near the end, things start to get weirder and weirder.
    • 41 Metascore
    • 30 Critic Score
    Regardless of the poison of choice, I'm always a little miffed when an actor onscreen is supposedly on a specific drug but too lazy to learn what the actual side-effects are.
  22. This film is a messy jumble.
  23. Good news is that most of the marvelous English dialogue cast from the Cowboy Bebop series has returned for the film. The bad news is that the heart and soul of the series hasn’t.
  24. Small, amateurish Israeli feature.
    • 40 Metascore
    • 30 Critic Score
    The movie appears brutally cut which might explain its inability to develop a thought, much less any narrative momentum.
  25. Aside from all the known material on public record the filmmakers chose not to use, Howard isn't even capable of believably bringing this off.

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