Filter's Scores

  • Music
For 1,801 reviews, this publication has graded:
  • 71% higher than the average critic
  • 3% same as the average critic
  • 26% lower than the average critic
On average, this publication grades 2.6 points higher than other critics. (0-100 point scale)
Average Music review score: 75
Highest review score: 96 Complete
Lowest review score: 10 Drum's Not Dead
Score distribution:
1801 music reviews
    • 65 Metascore
    • 70 Critic Score
    The Lives Inside the Lines in Your Hands showcases a lighter side of Pond lyrically and musically.
    • 79 Metascore
    • 58 Critic Score
    Pedestrian Verse is an album made up of melodies, lyrics and verses that are completely, well, pedestrian.
    • 78 Metascore
    • 82 Critic Score
    II
    The production is minimal, leaving II feeling pure and honest.
    • 73 Metascore
    • 86 Critic Score
    Captivating to its core, it will undoubtedly soundtrack countless mushroom-fueled spirit quests and soul-searching walkabouts for light years to come.
    • 78 Metascore
    • 78 Critic Score
    Winston Yellen’s debut Country Sleep builds an intangible place you’re immediately delivered to upon first listen.
    • 69 Metascore
    • 70 Critic Score
    Handsome, sparkly stuff.
    • 77 Metascore
    • 80 Critic Score
    [John Reis] and compatriot Gar Wood have injected the fire of Hot Snakes into The Night Marchers.
    • 65 Metascore
    • 72 Critic Score
    Although Mice Parade is typically regarded as a solo project of Pierce, it is clear the concept of community compels him. And this is where his biggest strength lies.
    • 75 Metascore
    • 80 Critic Score
    Smalhans is all the luscious layering, thoughtful breakdowns, sneaky beats and catchy positivity fans would expect with some cockier, more straightforward dance moves included, as well.
    • 77 Metascore
    • 72 Critic Score
    From start to finish, Hummingbird is a compelling record that warrants your enduring affections.
    • 59 Metascore
    • 64 Critic Score
    Ra Ra Riot devotees will also recognize this electronic turn. The change, although typical of seemingly every 21st-century band, is respectfully executed, retaining Ra Ra Riot’s unique style, making this third album far less superfluous than most indie-rock bands’ later efforts.
    • 82 Metascore
    • 82 Critic Score
    The most direct album the band has ever assembled, Fade functions like one of the darker, LOL-averse episodes of comedian Louis C.K.’s eponymous show.
    • 80 Metascore
    • 78 Critic Score
    This unpredictable first effort is a stirring paean to the golden age of rock.
    • 67 Metascore
    • 74 Critic Score
    While Green and Shapiro write about romantic tribulations, they avoid overdoing it by keeping these tracks brief and letting each other's vocals stand out.
    • 72 Metascore
    • 76 Critic Score
    The Flower Lane provides width for Mondanile to freely explore bluesier, spacier frontiers, and the fresh air to achieve a cohesive clarity that builds on the successful points of his previous efforts.
    • 71 Metascore
    • 66 Critic Score
    It's a gritty trip from the barstool to the vaudeville stage...and just about everywhere in between.
    • 75 Metascore
    • 80 Critic Score
    The fact that this album doesn't fit as neatly with their most popular album, The Con, is a good sign--the girls aren't yet ready to rest on their laurels, and instead continue to push their music dynamically forward.
    • 70 Metascore
    • 62 Critic Score
    When he lets loose with a gloriously pretty and groovy synth-funk piece like "Rolling Down the Hill," you just wish he would move farther in that direction and ditch the hackneyed MOR harmonies that are given too much place on the rest of Oak Island.
    • 73 Metascore
    • 70 Critic Score
    Unlike their debut-which could sometimes have moments equivalent to loud machine-gun fire, occasionally hitting its intended target but blurring together and exhausting itself--the tracks on Wolf's Law are like laser-guided rocket blasts, tighter and more effective.
    • 70 Metascore
    • 80 Critic Score
    A little unbalanced, Anything in Return nevertheless showcases again just how good its maker is at his craft.
    • 72 Metascore
    • 82 Critic Score
    From the adrenal rock-and-roll guitars on "Cheap Beer" to the guttural shrills on "Cocaine," every song here champions that adult adolescence and "f*** it" ideology that has always made the genre so damn appealing.
    • 75 Metascore
    • 84 Critic Score
    The only drawback is, of course, that the songs that do this best are better than the ones that don't...but there aren't many of those.
    • 78 Metascore
    • 66 Critic Score
    Much like Bergsman's previous efforts, Other Worlds' vocals have a heavy-lidded quality that may turn off listeners who prefer a more forceful rhythm section.
    • 86 Metascore
    • 78 Critic Score
    It may be a bit heavy-handed, but it will no doubt thrill fans that probably assumed this day would never come.
    • 82 Metascore
    • 84 Critic Score
    There was always a sense that, if given wings, the songs would soar to empyrean reaches. And this live, symphonic recording with the Danish National Chamber Orchestra bears that out to dazzling and devastating effect.
    • 73 Metascore
    • 64 Critic Score
    If you're not a devoted fan, don't lose any sleep over missing this one.
    • 85 Metascore
    • 76 Critic Score
    It's another album that can grow on listeners with repeated listens.
    • 73 Metascore
    • 78 Critic Score
    It's an immediate, utterly engrossing collection of hook-laden, distinctly modern rock songs, as vibrant as anything being turned out by the hipster kids.
    • 88 Metascore
    • 86 Critic Score
    Mellon Collie and the Infinite Sadness' triumphs far outweigh its failures. This impressive expanded edition drives that point home by giving insight into the record's rich gestational process.
    • 70 Metascore
    • 78 Critic Score
    Committed psych, folk and early metal music crate-diggers could probably reference a vast and rich collection of LPs from the '60s and '70s that Eternal Tapestry's work fits nicely alongside.