Gamer.no's Scores

  • Games
For 685 reviews, this publication has graded:
  • 31% higher than the average critic
  • 4% same as the average critic
  • 65% lower than the average critic
On average, this publication grades 3.7 points lower than other critics. (0-100 point scale)
Average Game review score: 69
Highest review score: 100 Ni no Kuni: Wrath of the White Witch
Lowest review score: 20 SpongeBob's Boating Bash
Score distribution:
  1. Negative: 62 out of 685
685 game reviews
    • 72 Metascore
    • 80 Critic Score
    Aarklash: Legacy offers superb tactical combat in the style of classics like Baldur's Gate. It's a game with combat and little else, but if you fancy yourself an armchair tactician you owe it to yourself to give it a go.
    • 72 Metascore
    • 60 Critic Score
    The second episode of the Cognition series is a big improvement of the first episode, with a more purposeful direction and less backtracking between locations. Erica's psychic powers also take on a more central part of overall gameplay, but could be given an even greater focus. Writing is also improved, with the developers clearly having a good grasp of what makes a psychological thriller such as this work well. Sadly, there's just too little of it to earn it a higher grade.
    • 72 Metascore
    • 70 Critic Score
    The Incredible Adventures of Van Helsing is surprisingly entertaining, and it deserves to be played by those looking for a good adventure. It’s visually beautiful and well written. NeoCore Games has been able to create an amazing atmosphere worthy of a monster hunter game. On the other hand, the game doesn’t provide us with anything new or breathtaking, but it does offer waves and waves of enemies, a lot of loot to find and huge maps to explore.
    • 72 Metascore
    • 40 Critic Score
    A game that tries present itself as a serious "eco thriller" but fails completely due to stupid, illogical puzzles, moronic characters and poor dialogues. Fans of puzzle-heavy Euro-adventures might find something to enjoy here, but most gamers should steer clear.
    • 72 Metascore
    • 60 Critic Score
    Mousecraft is the lovechild of Tetris and Lemmings, although it's nowhere near as addicting. It's a creative idea, with fun mechanics, and well worth a try, but the difficulty goes up and down too rapidly, because the game introduces new mechanics a bit too often.
    • 72 Metascore
    • 70 Critic Score
    Gotham City Impostors is a fun and different first-person shooter with a lot of ambition. It stands out from the crowd, and has enjoyable and casual gameplay. There are some issues with matchmaking that made the experience a bit tedious, but I'm sure these will be sorted out soon.
    • 72 Metascore
    • 70 Critic Score
    LEGO: The Hobbit is a fun game with a huge, sprawling world, but in the end it's a bittersweet experience, mostly because of the story that's missing.
    • 72 Metascore
    • 70 Critic Score
    Amnesia: A Machine For Pigs is a pretty good game, with a well written story, good voice acting, an atmospheric musical score, suitably varied and eerie environments, and quite a few stomach churning and downright creepy moments. It never gets boring or frustrating, and there are no passages in particular that qualify as less than enjoyable. Unfortunately, though, it’s just not that scary. And that’s quite the let down for a horror game.
    • 72 Metascore
    • 40 Critic Score
    Final Fantasy Tactics is one of the deepest, most engrossing strategy RPGs of all time, but the iPhone is far and away the worst device to experience it on. The sluggish performance and blurry visuals of Square's iOS port make the steep price tag very hard to swallow.
    • 72 Metascore
    • 80 Critic Score
    Gray Matter presents an exciting, intriguing and well researched mystery, which coupled with memorable characters and enjoyable puzzles makes this game a "must have" for every point & click adventure game fan out there.
    • 72 Metascore
    • 70 Critic Score
    Cities in Motion 2 is deep and full of possibilities, and really addictive once you get going. But the user interface can be a struggle to work with at times.
    • 72 Metascore
    • 70 Critic Score
    In this year's Pro Cycling Manager, the graphics engine has gotten a complete overhaul, giving us both very beautiful and realistic environments. The core gameplay stays the same, as you lead your team through exciting cycling triumphs. Though mostly a game for cycling fans, PCM Season 2010 can offer many hours of entertainment.
    • 72 Metascore
    • 70 Critic Score
    While The Cave doesn't succeed as a pure platformer, it certainly makes up for that with charm and humor The character specific areas are great and somewhat manages to undermine the fact that the main tasks have to be repeated three times for you to see everything the game has to offer.
    • 72 Metascore
    • 60 Critic Score
    Developer Spry Fox' first few steps into the console market definitely has its charms, but doesn't hold up in the long run. While the combination of match three game and roguelike games sounds like a good idea on paper it doesn't really work in practice.
    • 72 Metascore
    • 90 Critic Score
    A warm and wonderful game that will make you smile and laugh in company with it's charming characters. You don't want to miss this magical and challenging journey.
    • 71 Metascore
    • 60 Critic Score
    Although Red Faction: Armageddon offers one of the coolest weapons of the year, a good weapon mechanic and destructible environments, the game falls flat with an uninspiring single-player campaign and a short-lived multiplayer segment.
    • 71 Metascore
    • 50 Critic Score
    Citizen Brown is like a mediocre sitcom. There's loads of talk and not much else. The puzzles are dull and simple, the scope is extremely limited and the situations are silly at best. But at least it'll make you laugh from time to time.
    • 71 Metascore
    • 50 Critic Score
    While the overall setting and characters are both delightfully stupid and unironically bizarre, there's little else in the game's narrative that's much to write home about. The story itself is rather bland and melodramatic, and the single player campaign is frought with repetitive missions and fights. The multiplayer doesn't fare better, with interchangeable characters and game modes that leave something to be desired.
    • 71 Metascore
    • 80 Critic Score
    Grand Strategy simplified, but still grand. March of the Eagles gives the players clear victory conditions, a shorter time range and simplified economics and politics. This makes the game more focused, and easier to learn. Multiplayer against a group of friends is a blast.
    • 71 Metascore
    • 50 Critic Score
    It feels like a pale copy of Rocksteadys Batman: Arkham Asylum, lacking in charm and unique features. The game is also plagued by both small and big technical issues that drop it down to a disappointing level of mediocrity. It's not all bad, but as a package it is uninspired, empty and flat.
    • 71 Metascore
    • 50 Critic Score
    Tomodachi Life tries to be fun, and it sorta is. The problem is that it only lasts for an hour or three, and then the magic’s gone forever.
    • 71 Metascore
    • 60 Critic Score
    Although Red Faction: Armageddon offers one of the coolest weapons of the year, a good weapon mechanic and destructible environments, the game falls a bit flat with an uninspiring single-player campaign and a short-lived multiplayer segment.
    • 71 Metascore
    • 80 Critic Score
    Asura's Wrath is a unique experience, and despite underdeveloped gameplay mechanics and little real replayability it's extremely fun while it lasts. The art-style is superb, with likeable characters, and when the outstanding music kicks in, the game offers some truly epic moments – the sort that you will remember, and want to experience all over again.
    • 71 Metascore
    • 60 Critic Score
    Phantasy Star Zero is a nice game that adds little new. It's easy to get a feeling that the whole product is quite old. All thought it works quite well, it prevents the game from being memorable.
    • 71 Metascore
    • 70 Critic Score
    Guardians of Middle-earth is the first game to bring the immensely popular MOBA -genre to consoles. Thankfully it does it well. Small, but clever changes makes controlling heroes easy, and the fights are both engaging and fun.
    • 71 Metascore
    • 70 Critic Score
    Warlock is a combat-focused empire builder that can be quite addictive and enjoyable. It doesn't quite have the depth that would give it the kind of replayability we get from classics such as the Civilization-games, but it's fun while it lasts.
    • 71 Metascore
    • 60 Critic Score
    Despite having a compelling and entertaining multiplayer aspect, Dungeon Siege III falls a bit flat with its traditional, old and uninspired gameplay. A rather boring storyline and bad voice acting makes this game just another one in the bunch of failed challengers to the Diablo throne.
    • 71 Metascore
    • 70 Critic Score
    There hasn't been a lot of tweaks to the overall LEGO game formula, but The LEGO Movie Videogame manages to feel fresh and exciting to play. Levels are shorter, there are less collectibles, and the experience feels much more focused than in previous games. It is a great argument for the less is more approach to game design.
    • 71 Metascore
    • 60 Critic Score
    Alltough it's lacking in depth, Pilotwings Resort is cute and lofty and a good demonstration of how 3D really works on the 3DS.
    • 71 Metascore
    • 70 Critic Score
    The story is at times highly confusing, the the challenge is at times a bit too hard, but you'll still have fun jumping between bodies as you fight your way through nasty creatures from the great beyond.