Indiewire's Scores

  • Movies
  • TV
For 1,486 reviews, this publication has graded:
  • 66% higher than the average critic
  • 3% same as the average critic
  • 31% lower than the average critic
On average, this publication grades 9.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 72
Highest review score: 100 Foxtrot
Lowest review score: 0 Pixels
Score distribution:
1486 movie reviews
  1. For a biblically-scaled film cycle so rich with irony that it seems to be chipping off the walls of the brutalist apartment complex where most of it takes place, perhaps the greatest irony of them all is that Dekalog is ultimately defined by its humility.
  2. Epic in scope yet unassuming throughout, Linklater's incredibly involving chronicle marks an unprecedented achievement in fictional storytelling.
  3. Moonlight transforms rage and frustration into unadulterated intimacy. In this mesmerizing portrait of a suffocating world, the only potential catharsis lies in acknowledging it as Chiron so deeply wishes he could. Despite the somber tone, Moonlight is a beacon of hope for the prospects of speaking up.
  4. The final beats of Guadagnino’s adaptation galvanize two hours of simmering uncertainty into a gut-wrenchingly wistful portrait of two people trying to find themselves before it’s too late.
  5. While the storytelling grows frustratingly elliptical, Lelio so desperate to constrain the drama that he resorts to removing helpful pieces of it, the scenes that remain are succinct and evocative.
  6. More than a powerful elegy, 12 Years a Slave is a mesmerizing triumph of art and polemics: McQueen turns a topic rendered distant by history into an experience that, short of living through the terrible era it depicts, makes you feel as if you've been there.
  7. It's Lonergan's masterfully subtle writing, littered with awkward exchanges that speak far louder than any cohesive monologue, that gives "Manchester" its humanity.
  8. Gravity lets you visit space without sugarcoating its dangers. It's a brilliant portrait of technology gone wrong that uses it just right.
  9. A nuanced tale of mutual attraction that reflects a filmmaker and cast operating at the height of their powers, rendering complex circumstances in strikingly personal terms.
  10. Ever as it casts their future prospects in doubt, Virunga concludes by envying the apes’ perspective most of all.
  11. By the end of I Am Not Your Negro, Baldwin’s words have transcended the boundaries of their era and become timeless, functioning as both a celebration of cultural survival and a warning that the battle for its survival won’t stop anytime soon.
  12. Bigelow delivers an acute realization of the mission's execution that's eerily in sync with the way it played in the popular imagination. Visually, the events unfold as a mashup of shadowy movements with flashes of green night vision. It's simultaneously predictable and tense.
  13. It's a frantic microcosm of life itself.
  14. Before Midnight is the rare cinematic achievement that implicates alert viewers in its mission to understand the mysteries of intimate connections.
  15. Anchored by a sensational Charlotte Rampling as its lead, the movie combines Haigh's perceptive style with shades of Mike Leigh's "Another Year" to create a quietly moving and deceptively tragic look at aging romance haunted by past mysteries.
  16. Few movies have so palpably conveyed the sheer isolation of fear, and the extent to which history is often made by people who are just trying to survive it — few movies have so vividly illustrated that one man can only do as much for his country as a country can do for one of its men.
  17. Mr. Turner is a first-rate match of director and subject. Less an explication of the man's genius than an immersion into its essence.
  18. While all of the people they meet are delightful characters who the film manages to milk for every ounce of their personality, Varda and JR inevitably emerge as the real stars here.
  19. Pull back from the moment-to-moment thrill of Inside Out and it gets very deep: The scenario implicitly questions standard definitions of free will by suggesting that we're all slaves to ghosts in the machine.
  20. First Cousin Once Removed benefits from the clarity provided by Honig's published poetry, which surfaces in voiceover narration and words on the screen, rendering the undulations of his life in sweeping abstractions.
  21. Although not exactly heartwarming, Amour has a more contained vision of human relationships than Haneke's previous films without sacrificing its bleak foundation. It's his most conventional movie about death -- and the most poignant.
  22. the film isn't always successful at justifying its heft, repeating the central father-daughter tension innumerable times before the pair finally start to make some progress. It's only thanks to the two actors' extraordinary authenticity that the film continues to work as long as it does.
  23. The overly earnest movie falls below the rich ambiguities that Keaton brings to the part, resulting in a measured drama so restrained it sometimes underserves the material. Where "Birdman" magnified Keaton's talent, Spotlight leans on it.
  24. La La Land is magically in tune with its reference points even as falls a few notes short of their greatness.
  25. An ode to art for art's sake, Inside Llewyn Davis is the most innocent movie of the Coens' career, which in their case is a downright radical achievement.
  26. Shrouded in grief and chilly to the core, Andrew Dominik’s mournful documentary One More Time With Feeling is at once sobering in tone and intoxicating in style.
  27. Lady Bird is both snarky and sincere — a touching, markedly feminine ode to growing up that never takes its familiarity for granted. Gerwig earns the ability to make this rite-of-passage saga her own.
  28. Maoz maintains such a riveting formalism that everything seems to fit together.
    • 92 Metascore
    • 100 Critic Score
    For all of its profundity, it’s just as funny as the gag-heavy likes of Sleeper and Bananas, and while it has some competition for the title of Best Woody Allen Film, few would contest its status as his most beloved.
  29. The Florida Project further cements Baker’s status as one of the most innovative American directors working today, but he’s also an essential advocate for the stories this country often doesn’t get to see.

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